Júlia E os Pôneis (1987)
Género : Drama
Tiempo de ejecución : 58M
Director : Juan Bajon
Sinopsis
An actress of porn movies is tarnished by ponies and horses: this is the profile of Julia. Disgusted with the world and the people, but unconditional lover of sex and pleasure, she faces every series of difficulties in her life sexual and professional relationship Fight with the family and Claudio, his boyfriend and friend His only friend is another actress, Sandra, who tries to convince her that they are normal and classy women, between a theatrical laboratory and another. Júlia, seeing that the men are all dirty and equal, falls in love with a pony, everything happens in an idyllic setting. such that he goes so far as to quarrel with the pony, his true sexual lover.
Un grupo de delincuentes organizan un plan para robar una valiosa colección de diamantes en la joyería Hatton Gardens de Londres. Entre ellas se encuentra la encantadora Wanda, que va a intentar un doble juego para quedarse ella con el botín. Lo malo es que sólo George, el jefe de la banda, sabe dónde están escondidas las joyas, pero ha sido encarcelado.
Babs Johnson (Divine), una guarra que vive con su gorda madre y su hijo en una caravana, acaba de ser nombrada la persona más inmunda del mundo por un periódico local. Pero los Marble, un matrimonio que, entre otras cosas, vende heroína en los colegios y venden bebés a lesbianas, no pueden consentir que Divine les supere en suciedad y depravacion, así que deciden tomar cartas en el asunto... Un filme no apto para mentes sensibles que contiene pornografía, canibalismo, escatología y zoofilia, entre otras cosas. (FILMAFFINITY)
Yoshimi, who just came out of Okinawa, is deceived by a runaway tribe, sold to a gangster organization, and forced to perform a bestiality show in front of customers.
Dick murió anoche, y Zeke y Earl no quieren que nadie descubra cómo. Sin embargo, eso es una lástima, porque las noticias viajan rápido en el pequeño pueblo de Alabama.
An anarchist young woman breaks the tacit contract with civilization and fearlessly decides on a life without hypocrisy or an obligatory safety net.
Película documental sobre el sexo
Bernardão is back to the joy of women and despair of their husbands.
From the Channel 4 series "The dark side of porn" (2/5). A close look at the story behind the bestiality tape "Animal Farm" (1981). From its production in early 80's Denmark, to when it was smuggled to the UK and distributed in 1981.
Yuu is living with her horse Ryusei on the edge of the sea. One day a young researcher and three artists arrive and they disturb Yuu's quasi-telepathic relation with a horse.
Película de tres episodios independientes. En "Chapuzas Reunidos", una pareja de amantes decide llamar a una empresa de chapuzas para solucionar una avería. "El Chato de la Mandanga" es un vividor que ronda la hija de un ventero sevillano. "Amor a los animales" narra un día cualquiera en la consulta de un veterinario.
Marcia, a nymphomaniac girl postpones the marriage with her fiance, Beto, because they have some problems and goes to the family farm with him to have a rest. There, her young and sexy stepmother is attracted to the boy, seduces and sex with him. Meanwhile she reunites with the stable boy, Juka her childhood friend and Ariscu, the horse from her childhood and begins to live sensual moments with the animal with which she had a relationship once.
"Why Do They Do It ?" preached that it was decent to be a sexual creature. A panel discussion in the Student Association as a kind of frame, you watch various so-called live shows and you met actors like Effie Schou, Søren Strømberg, Dale Robinson and Keld Rex Holm. A lot of attention was given to Bodil Joensen, a very pet-friendly young lady, who would like to enjoy a bull named Sofus.
A British documentary on zoophilia presenting various personal, religious, psychological, and sociological views on the phenomenon of sexual relations between humans and other animals.
“Ixe (written X and pronounced EEKS – as it is pronounced in French –, like a scream, a wound) is an imploded, crucified film. Made to be projected on four screens at once, X is drawn and quartered. At the four points of the compass, at the four ends of the cross, War, Sex, Religion and Drugs, the double exposures, the colliding glimpses the eye barely recognizes, the skillful repetitions of themes, remind us that Sex is also the war of bodies, and the pope, the Drug of the people. And the story of this young man, shooting up in order to experience all the horror of the world in front of his TV set, reminds us that the heroin orgy is indeed the subjective locus of the monsters of the modern unconscious.” - Guy Hocquenghem
The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.
En la década de los 50, en una pequeña ciudad de Texas, un grupo de jóvenes afronta el paso de la adolescencia a la madurez dentro de una sociedad represora y cambiante en la que el cine y todo lo que representa muere en manos de la televisión.
Dos brujas adolescentes que fueron separadas al nacer, y adoptadas por dos familias distintas, van a cumplir los 21 años, y deberan juntarse para utilizar sus poderes y así salvar al mundo.
Un chico poco popular en el insituto paga a una cheerleader para que finja ser su novia y así adquirir su deseada popularidad. Remake, versión afroamericana, de la comedia para adolescentes de 1987 "Can't Buy Me Love" (No puedes comprar mi amor), protagonizada entonces por Patrick Dempsey. (FILMAFFINITY)
Francesco Dellamorte es el cuidador del cementerio de Buffalora, un pueblo del norte de Italia. Dellamorte vive una vida solitaria apartado del mundo; su único amigo es Gnaghi, un pequeño, feo, lisiado y mudo compañero con el que comparte su ronda diaria por el cementerio. Desde hace algún tiempo, los muertos enterrados en el cementerio de Buffalora reviven debido a una súbita y misteriosa epidemia. Dellamorte tendrá que impedir que los muertos invadan el mundo de los vivos, algo que el resto de los humanos piensa que es sólo parte de su imaginación.
