everyday star (2021)

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.

Yoshika, una empleada de oficina de 24 años, está secretamente enamorada de su excompañero de secundaria Ichi, pero luego su colega Ni le pide a a Yoshika que sea su novia. Ella está emocionada pero ambivalente, ya que es la primera vez que un chico la invita a salir en su vida. Así que decide organizar una fiesta de reunión para poder volver a Ichi. Yoshika se angustia por lo que siente por Ichi y por Ni y por pensar en la dicotomía entre ideales y realidad.

An extrasensory phenomenon of being watched.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

A ghost follows its non-existent shadow across a series of windows that gives light but no direction. As the ghost moves, a poem is read that serves as its guide.

With every moment – one more memory. But memory sometimes goes blind and what is left becomes hazy.

The pantun is about a game I (we) used to play pretending to be the characters in invented fairy tales. This time it was a snail. The images of multiplied me are out of time with each other, I give up and try dancing.

What would you do if a look from an old man told you that being young is the coolest thing possible? And what should you do if you're young but you do not know what to make of it?

An expression of time and memories.

Anchored to the heart of the King’s Cross redevelopment in London, the film takes the viewpoint of an arbitrary surveillance camera to trace the many flows of a privately-managed but public-facing square.

Gogu’s feelings living with his parents for the past 28 years and still being a (fat) jobless filmmaker.

Un joven Laloux, inmerso en el mundo de la pintura y las expresiones artísticas, ingresa como monitor en la clínica psiquiátrica Cour Cheverny de París, en 1955. Los espectáculos teatrales -marionetas y mimo- realizados por los mismos internados, son el reparto y guión para su cortometraje sin diálogos "Les dents du singe" (Los dientes del mono). El film se realiza con la colaboración del estudio ofrecido por Paul Grimault. La música la conduce Maurice Ohana y el corto se presenta en algún que otro festival amateur. La provocación de su obra por un sobreuso de un surrealismo denso, consigue la atención del público y de la crítica.

This film, photographed in London, is an exploration into the depths of unconscious reactions.

One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.

Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

La narradora de este videoensayo, que va de la crónica al videoarte, ronda el aislamiento pandémico desde la autobiografía.