I'll take Your Bread (1987)

Cuatro amigos ingleses que se dedican a robar se quedan tirados en Lituania. Para volver a casa tropiezan con graves dificultades: las diferencias culturales, el trato con criminales, prostitutas, policías corruptos y cerveza barata.

Lituania, 1812. Polonia está tachada del mapa de Europa. Dos grandes familias se enfrentan entre sí: los Soplica, aliados de los rusos, y los Horeszko, defensores de la independencia polaca. Tras veinte años de conflicto, Jacek Soplica ha matado al último señor de la casa de los Horeszko, que le había negado la mano de su hija. Para reparar su terrible falta, Jacek adopta la identidad de un monje bernardino y se encarga de la educación de Sophie, descendiente de los Horeszko. Su objetivo es desposarla con su hijo Tadeusz, quien acaba de regresar tras finalizar sus estudios. Pero en junio de 1812, Napoleón Bonaparte, en su avance hacia Moscú, franquea el Niemen. Entonces Tadeusz decide unirse al ejército, frustrando así los planes matrimoniales que su padre tenía para él.

El otro lado del espejo: Bob Dylan en el Festival Folk de Newport es una película documental de 2007 acerca de apariciones de Bob Dylan en el Festival Folk de Newport en tres años consecutivos: 1963, 1964 y 1965, dirigido por Murray Lerner.

What would you get if you mix a gangster film and a soap opera? "Zero 2" is a crazy twister of criminal romance and sexy violence that just might laugh you to death.

Rokas e Inga, una pareja de jóvenes lituanos, se ofrecen voluntarios para conducir un vehículo con ayuda humanitaria a Ucrania. Cuando los planes cambian y se quedan abandonados a su suerte, tienen que cruzar una zona nevada para encontrar refugio y aliados, implicándose a la vez en la vida de los afectados por la guerra.

A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.

Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.

Between 1944–1953, courageous resistance movement took place in the Baltic region of Europe, uniting the partisan troops for struggle against the Soviet Union. “The Invisible Front” was a coded name used by the Soviet Interior forces to describe the resistance movement in Lithuania. Film depicts the story of the fighters through the words and experience of the partisan leader, Juozas Luksa, and interviews with eyewitnesses of those events - both the partisans and the Soviet fighters. Tales of horror, torture and courage are told in the rare archival footage that has never been screened before, and interviews with the surviving members of the resistance movement.

Adaptation of Hermann Sudermann's novel about the troubled relationship between the strong willed Erdme and her irascible husband Jons in the Lithunian moors.

A group of protesters, from all around Lithuania, gather at the Television Tower to protect it from approaching Soviet tanks and paratroopers.

A protest against the Eurovision Song Contest, 1975Alternative Festivals were organized all around Sweden. This Alternative Festival was broadcasted from a circus tent in Stockholm, presenting a wide variety of folk culture and music.

Marius es un abogado de gran éxito con sede en Vilnius. Se obsesiona con Ali, un apuesto refugiado sirio que conoce por primera vez en una sala de chat en línea en Belgrado. Marius es rico y disfruta de una vibrante vida social y cultural. Sin embargo, siente que le falta algo. El viaje de Lituania a Serbia es relativamente corto, pero ¿pueden los dos navegar a través del abismo que separa sus vidas tan diferentes? ¿Y cómo lidian con los obstáculos de las fronteras físicas que se interponen entre ellos?

Four Lithuania's founding fathers suddenly come back to life 100 years later after signing Lithuania's declaration of independence. Now it's stored somewhere in Berlin's archives, and they are on a mission to get it back.

AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.

Kaunas, Lithuania, 1972... Young people are sitting in the Hotel "America" basement and listen to Western Radio.

Other Girls tells the story of four young girls nearing graduation, all of them struggling with various issues.

The film is set in Lithuania after the Second World War. It shows dramatic events in a small Lithuanian farming community, where people are split between the Soviets and the "brothers in the woods", who are fighting to defend their land from the Soviets after the end of the Second World War.

The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown. A series of faces, gestures and images both real and imagined time. A fragmentary narrative without dialogue depicting several people in Vilnius.

A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.