Jazz Icons: Art Blakey & The Jazz Messengers Live In '58 (2006)

A musician tries to get by working several jobs.

Sharky (Reynolds) es un agente de narcóticos de Atlanta, degradado al departamento antivicio por la muerte de un ciudadano mientras perseguía a un narcotraficante. Cuando llega a este departamento, considerado como lo más bajo del departamento de policía, consigue que le asignen la vigilancia de una prostituta de lujo (Rachel Ward), que trabaja para un poderoso dirigente de la mafia llamado Victor Score (Vittorio Gassman), y la cual esta viéndose con un candidato a gobernador.

Una noche de 1959, en París, un debilitado músico de jazz asombra a la clientela del club “Blue Note” con el elocuente sonido de su saxo. Fuera del local, un hombre demasiado pobre como para pagarse un vaso de vino lo escucha entusiasmado. Pronto, a ambos les unirá una gran amistad. Se basa en las vidas del pianista Bud Powell y del saxofonista Lester Young. (FILMAFFINITY)

América años 30. Emmet Ray es un genio del jazz, un guitarrista magistral, sólo superado por el hombre que le obsesiona: el legendario Django Reinhardt. Sin embargo, en cuanto baja del escenario Emmet se convierte en un tipo arrogante, zafio y mujeriego que bebe demasiado y que disfruta disparando a las ratas. En definitiva, él sabe que es un músico de jazz con talento, peor también que su licenciosa vida de jugador y bebedor, su tendencia a meterse en problemas y su incapacidad para comprometerse le impide alcanzar la cima profesional y sentimental. Un día Emmet conoce a Hattie, una chica muda con la que comienza una relación demasiado seria para su gusto.

Brett Eisenberg es una ingenua pero ambiciosa editora que trabaja en una de las mejores editoriales de Manhatan. Su modesta vida transcurre entre los ratos que pasa con su mejor amiga Chloe y los que no pasa con su novio, eternamente viajando. Pero su empeño por prosperar la lleva a coincidir con el poderoso magnate del mundo editorial Archie Knox. El destino quiso que él se fijara en ella, y a partir de entonces su vida cambia por completo.

Jimmy es un impetuoso y seductor saxofonista que aspira a formar parte de una gran banda. Francine es una tímida cantante de bar que sueña con ser famosa. Cuando se conocen, surge entre ellos una atracción inmediata y, cuando él toca y ella canta, consiguen hacer temblar los rascacielos. Es el comienzo de una tormentosa relación que pondrá a prueba su capacidad para encontrar el equilibrio entre su pasión por el jazz y el amor que los une.

Harry for the Holidays" is both a traditional and musically adventurous Christmas television special, shot in high definition and originally broadcast on NBC in 2003. The unusual yet beautiful setting is the historic interior of the Bowery Savings Building/Cipriani 42nd Street; one can see an occasional car flash by through windows behind Harry Connick Jr. and his Big Band. Connick's program includes holiday standards but his arrangements are novel, cutting against the melodiousness of the likes of "Silver Bells" or "Frosty the Snowman" with edgy strings, sizzling brass, and complex rhythms. "Santa Claus Is Coming to Town" and "The Happy Elf" swing like nobody's business, while "Silent Night" shifts from blues to ballad to gospel in a collaboration between Connick, Marc Anthony, and Kim Burrell. Whoopi Goldberg and Nathan Lane turn up for some cute sketches, and there's a bonus: Connick and Burrell doing the lovely "I Pray on Christmas," not seen in the NBC broadcast.

Harry Connick, Jr. has redefined the art of jazz piano and vocals. His repertoire ranges from stylish and witty interpretations of jazz standards to his own compositions, arranged for solo piano, jazz trio and big band. Singin' & Swingin' charts Harry's exploration of this musical style, in videos for five songs, and in three songs filmed live at London's Dominion Theatre for this home video, plus an exclusive interview.

A jazz cartoon involving a "Fats Waller"-like cat who leaves the "Uncle Tomcat Mission" for the local jazz club.

Guitarist Al di Meola, violinist Jean-Luc Ponty, and bassist Stanley Clarke, all of whom recorded numerous albums as leaders during the 1970s and 1980s, join forces for this 1994 concert in Montreux. Each musician's compositions are featured in this mostly acoustic performance, though charts were necessary to help them find their way through unfamiliar pieces. There is a noticeable lack of ego apparent on-stage, with no one player trying to steal the spotlight. For his solo feature, "Eulogy to Oscar Romero," Ponty incorporates the use of a digital delay to accompany himself, while Clarke's and di Meola's solo performances are more in the context of the concert. CD The Rite of Strings, which was recorded the following year.

Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film with no story and no actors, that graphically depicts the reflections of moving light streaks and light flashes from traffic at night. It is set to a piece of jazz music by Herbie Hancock, whose first name was used for the title.

A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.

A son seeking to fulfill his late father’s dream takes his band from the storied city of New Orleans to the shores of Cuba, where — through the universal language of music — dark and ancient connections between their peoples reveal the roots of jazz.

A comprehensive history of European Jazz, exploring the origins of the US-influenced Jazz clubs after the Second World War, the first steps independent of American jazz and the various changes of direction that have repeatedly occurred in European jazz in the search for that "own voice" that European jazz musicians have helped to form. Featuring the great masters of European jazz such as Chris Barber, Jan Garbarek, Juliette Gréco, Stefano Bollani and Till Brönner, to name but a few.

A short narrative drama that explores the personal and professional dilemmas faced by the openly gay jazz composer, Billy Strayhorn, in the early 1940's.

During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.

Short musical based upon a choreography by Pierre Lacotte.

World première recording of Hannibal Lokumbe's 'spritatorio' Can You Hear God Crying, which combines jazz, gospel and chamber music with West African prayers and songs. The piece, commissioned by Philadelphia philanthropist Carole Haas Gravagno, is about the composer's great-great-grandfather, who was born in the Sahara, kidnapped and enslaved in Liberia, and sold at auction in Charleston, S.C. He escaped to Texas, where he bought land and had a family.

Tenor saxophonist, composer and producer Kamasi Washington and his band perform a special show at Harlem's legendary Apollo Theater for the theatre's 85th year anniversary. Washington explores Harlem's rich musical and cultural history and the city's influence on his generation of artists.