Children Of The Soil (2020)

In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.

TRANSINDIA is a moving documentary exploring the Transgender community also known as Hijras, in Ahmedabad, India. Transindia takes you on a journey on their true lifestyles, a discovery of their beliefs and cultures, and an insight in how they struggle to find a place in the Indian society.

A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.

Cada año más de 400 mil niños estadounidenses son arrancados de sus escuelas, sus amigos y sus hogares para ser llevados a sembradíos donde cortan y recogen la cosecha que todos nosotros consumimos. Así lo afirma el documental, The Harvest/La Cosecha, producido en parte por la reconocida actriz, Eva Longoria. Desde Texas hasta Michigan y hasta Florida, esta producción nos presenta la verdadera historia de Zulma, Perla y Victor, niños trabajadores del campo quienes sacrifican su niñez persiguiendo la cosecha que alimenta a sus familias. El documental presenta la controversia actual de permitir a menores entre las edades de 12 y 16 años de trabajar el campo legalmente bajo el consentimiento paterno durante las horarios fuera de clase y sin tiempo límite de horas al día.

"No bajen los brazos" es un documental sobre los jugadores de-saparecidos de La Plata Rugby Club en los años '70.

The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.

In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.

The story of two youngster girls who became the victims of female genital mutilation.