Love on a Two Way Street (2020)

En un hospital psiquiátrico abandonado, un grupo de teatro experimenta con insomnio para la preparación de una obra teatral. Con el paso de los días sin dormir, alcanzan nuevos umbrales de percepción que los exponen a los secretos del lugar y las energías que lo habitan. Cuando Bianca, una joven y prometedora actriz, se une al elenco, compitiendo por el papel principal, debe sobrevivir no solo a la intensidad del trabajo y sus compañeros de reparto, sino a la fuerza desconocida que los empuja hacia un resultado trágico.

Myrtle Gordon, actriz de Broadway, ensaya su último obra sobre una mujer incapaz de admitir que envejece. Cuando es testigo de la trágica muerte de una de sus fieles seguidoras, comienza a enfrentarse al torbellino en la que su propia vida personal y profesional se ha adentrado. "Opening Night", con escenas rodadas con la presencia de público que reaccionan con libertad a las actuaciones que ven sobre el escenario, expone el drama de una actriz que, con gran desgaste personal consigue hacer suyos los papeles que interpreta.

Una chica que se lanza a vivir; su mejor amigo; y un tipo problemático. Tres adolescentes en pleno proceso de autoconocimiento, tres incógnitas para una ecuación imposible.

Lloyd Newson interviewed more than 50 men asking them frank questions, initially about love and sex. One of those men was John.

Un grupo de chicas, unidas por el mismo deseo de triunfar en el teatro, conviven en una residencia regentada por antiguas actrices, las cuales muestran su entusiasmo y envidia al mismo tiempo ante el futuro que espera a sus pupilas. Algunas logran alcanzar el éxito, pero otras no tendrán más remedio que olvidar sus sueños y volver al pueblo del que partieron un día.

Infantil en su inocencia pero de forma grotesca, la Criatura desconcertada de Frankenstein es arrojada a un universo hostil por su horrorizado creador. Al encontrarse con la crueldad donde quiera que vaya, la Criatura sin amigos, cada vez más desesperada y vengativa, se determina a rastrear a su creador y hacer un trato aterrador. Preocupaciones urgentes de responsabilidad científica, negligencia de los padres, desarrollo cognitivo y la naturaleza del bien y del mal están incrustados en esta historia emocionante y profundamente inquietante.

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

Un actor veterano (Park Sung Woong) y un ídolo (Oh Seung Hoon) protagonizan juntos una obra llamada "Unchain", en ella sus personajes son amantes y mientras ensayan, la distancia entre la realidad y la ficción se vuelve borrosa...

César regresa en triunfo a Roma y la gente sale de sus casas para celebrar. Alarmado por la popularidad del autócrata, la élite educada conspira para derribarlo. Después de su asesinato, estalla una guerra civil en las calles de la capital. La producción de Nicholas Hytner llevará al público a la fiesta en la calle que saluda el regreso de César, el congreso que presencia su asesinato, el mitin que se reúne para su funeral y el caos que explota a su paso.

Una joven de Londres, con dudosas intenciones y sexualmente activa, intenta lidiar con la vida en la gran ciudad mientras hace el duelo de una reciente tragedia.

Londres, Inglaterra, 5 de noviembre de 1892, Noche de Guy Fawkes. El famoso dramaturgo Oscar Wilde y su amante, lord Alfred Douglas, acuden discretamente a un burdel de lujo donde el propietario, Alfred Taylor, ha preparado una sorpresa para el renombrado autor: una representación privada y muy especial de su obra «Salomé», prohibida por las autoridades, en la que participarán el propio Taylor y los peculiares habitantes del exclusivo establecimiento.

Basada en una obra teatral del propio Stoppard. Narra la historia del príncipe Hamlet a través de dos personajes secundarios que aparecen en el drama de William Shakespeare.

For sixty years, Elizabeth II has met each of her twelve Prime Ministers in a weekly audience at Buckingham Palace, a meeting like no other in British public life, it is private.

In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.

Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

Academy Award® nominee Ralph Fiennes (The English Patient, Schindler’s List, Oedipus at the National Theatre) plays Jack Tanner in this exhilarating reinvention of Shaw’s witty, provocative classic. Jack Tanner, celebrated radical thinker and rich bachelor, seems an unlikely choice as guardian to the alluring heiress, Ann. But she takes it in her assured stride and, despite the love of a poet, she decides to marry and tame this dazzling revolutionary. Tanner, appalled by the whiff of domesticity, is tipped off by his chauffeur and flees to Spain, where he is captured by bandits and meets The Devil. An extraordinary dream-debate, heaven versus hell, ensues. Following in hot pursuit, Ann is there when Tanner awakes, as fierce in her certainty as he is in his. A romantic comedy, an epic fairytale, a fiery philosophical debate, Man and Superman asks fundamental questions about how we live.

Following a sell-out run at London’s Royal Court Theatre, Olivier and Academy Award® winner Martin McDonagh (The Pillowman, The Cripple of Inishmaan, In Bruges) returns to the West End with Matthew Dunster’s award-winning production of his deeply funny new play Hangmen, broadcast live to cinemas by National Theatre Live. In his small pub in the northern English town of Oldham, Harry (David Morrissey – The Walking Dead, State of Play) is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd (Andy Nyman – Peaky Blinders, Death at a Funeral) and the peculiar Mooney (Johnny Flynn – Clouds of Sils Maria) lurk with very different motives for their visit.

On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.

A long-simmering animosity between two families of Verona, the Montague's and the Capulet's, has recently boiled over, with members of the rival households brawling in the streets. One night, Romeo, a Montague, crashes a party given by the Capulet's in order to meet up with a young woman called Rosaline, with whom he is infatuated. Thoughts of her vanish from his mind, however, when he catches sight of Juliet, daughter of the head of the Capulet household. Juliet is equally smitten with Romeo, but her father already has other plans for her.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.