Clint Eastwood: A Cinematic Legacy (2021)
A Director's Vision — The Heart of a Hero — Witness to History — Reinventing the Western — An Actor's Director — No Holds Barred — Fighting for Justice — Courage Under Fire — Triple Threat
Género : Documental
Tiempo de ejecución : 2H 15M
Director : Gary Leva
Sinopsis
As he enters his eighth decade in the movies, Warner Bros. celebrates this cinematic icon - actor, producer, director, master filmmaker - with 9 new documentaries covering the entire breadth of Eastwood's remarkable career.
Cuatro jóvenes documentalistas se adentran en la selva amazónica (América del Sur) para realizar un reportaje sobre las tribus que habitan en esa región, de las que se dice que todavía practican el canibalismo. Debido a la desaparición de los reporteros, dos meses después un grupo de rescate es enviado para averiguar qué ha sido de ellos; lo único que encuentran es el material filmado sobre su terrible fin.
Dylan Schoenfield está en el instituto, es la más popular, tiene el mejor novio, y un adorable bolso nuevo que todo el mundo quisiera tener. Tiene una vida envidiable, hasta que un día accidentalmente cae su bolso querido en una fuente de agua y Josh se ofrece ayudar a recuperarlo,sólo con una condición. Desde entonces nada será igual, tendrá una gran aventura que jamás olvidará.
From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?
Peter y Lorna, una joven pareja, se infiltra en una secta en el valle de San Fernando y conocen a su líder, una enigmática joven llamada Maggie.
Una historia autobiográfica inspirada en la apasionada y larga relación entre dos hombres, empañada por adicciones y secretos, pero dominada por el amor y la esperanza.
Un grupo de jóvenes reporteros se dirigen hacia una mansión abandonada en el medio del bosque, con la intención de hacer un reportaje acerca de unos antiguos cuadros pintados por el difunto Mamiya Ichiro. La casa está aparentemente abandonada. Sin embargo, una vez que entren, el fantasma de Mamiya les impedirá el escape...
Un médico neoyorquino decide tomar medidas desesperadas cuando su amante le amenaza con sacar a la luz su aventura si no se casa con ella. Cuando su hermano se ofrece para eliminar el problema, se enfrenta a un dilema moral. Paralelamente, a Clifford Stern le encargan hacer un documental sobre su cuñado Lester, un famoso productor de televisión que personaliza todo lo que Clifford desprecia.
Jamie (Adam Driver) y Darby (Amanda Seyfried) forman una joven pareja de espíritu libre que ayudará a un serio documentalista, Josh (Ben Stiller), y a su mujer Cornelia Srebnick (Naomi Watts) a liberarse de sus prejuicios.
Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.
An epic documentary of rise and fall of Ustasha regime in Croatia.
A fascinating hybrid of performance and video verité, The Continuing Story of Carel and Ferd introduces Carel and Ferd, a couple who allowed Ginsberg to produce an ongoing documentary record of the intimate moments of their relationship. Carel, a porn actress, and Ferd, a drug addict, invite the camera to participate in their wedding, their sex life, and their break-up. Produced before the landmark PBS documentary An American Family introduced television audiences to the live-in camera — and many decades before the ubiquity of reality television — this document raises questions about the relationship between subject and camera, privacy and manipulation. Originally presented as an installation, this one-hour version, which includes interviews with Carel, Ferd and Ginsberg, was distilled from thirty hours of footage recorded from 1970 to 1975. - Electronic Arts Intermix
This documentary is featured on the Limited Edition DVD for Opera, released in 2001.
This is as slick a piece of campaign film as ever came out of Hollywood -- barring, of course, the anti-Upton Sinclair stuff turned out as newsreels in the 1930s during his campaign for governor of California. President Coolidge is presented as a simple man of the people who helps his cousin with the haying when he is in the neighborhood, works in the building he was born in and lives in the same house his father was born in: just another fellow like you and me. He runs the nation just about as well as we could.
Documentary about the filming and production of the 1998 WWII film "Saving Private Ryan."
On July 4th, 1946, the crowd in Kielce, Poland, slaughtered forty-two Jews and wounded many others. Forty years later, in 1987, Marcel Łoziński visited those places and met some witnesses of the carnage.
This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.
Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
In August 1903, the King of Portugal, D.Carlos I, proceeds to, by Royal Charter, the auction sale of the Fort St. Joseph - located in a small islet near the city of Funchal. In October 2000, the old fort is acquired by professor Renato Barros, without him even knowing that the Royal Charter documented not only the sale of the property but also the domain over the islet. Overnight, the professor becomes the Prince.
Director Victor Kossakovsky dedicated his documentary debut to the Russian philosopher and religious thinker Alexey Fedorovich Losev (1893-1988), who died shortly after the completion of the film.