Beethoven: Fidelio - Salzburg Festival (2015)

Año 1827. Una fervorosa multitud llena las calles de Viena para rendir su último homenaje a un genio: Ludwig Van Beethoven. En su testamento el músico ha decidido legar todo lo que poseía a una mujer desconocida, su amor inmortal. Nadie sabe quién es. La única pista para descubrir su identidad es una carta.

Filmed over the course of four years, Grabsky and his Seventh Art team followed leading concert pianist Leif Ove Andsnes's attempt to understand and interpret one of the greatest sets of works for piano ever written: Beethoven's five piano concertos.The end result is a beautifully-crafted film with lavish cinematography, a signature of Grabsky and Seventh Art's style. Considered one of the top pianists of the age, Leif Ove Andsnes offers rare insights into the mind of a world-class pianist and access to his personal and professional life. Against the wonderful background of Leif Ove Andsnes playing these five pieces, we also peel back the many myths of Beethoven's life. Perhaps above all it is the fresh new biography of Beethoven that is most revealing.

Showcasing a musical masterpiece in a rare full-length television recording by the Vienna Chamber Orchestra with the Westminster Symphonic Choir, under the direction of conductor Mark Laycook. An introduction to the performance, narrated by actor John Lithgow, gives a unique perspective on music history.

In Vienna's Musikverein, Leonard Bernstein and the Vienna Philharmonic celebrates Ludwig Van Beethoven's 200th birthday with a joyful performance of his Piano Concerto No. 1 in C Major. Maestro Bernstein conducts the orchestra from the keyboard in this historic concert.

Glenn is a disillusioned piano teacher, who once aspired to be a concert pianist. He is moving back to his parents house and is on the brink of giving up the piano for good when Kilov, a Russian gangster, offers him a unique opportunity: £10,000 if Glenn teaches his daughter Beethoven's "Fur Elise"... in a day.

"What would the world be like without Beethoven?" That’s the provocative question posed by this music documentary from Deutsche Welle. To answer it, the film explores how Ludwig van Beethoven's innovations continue to have an impact far beyond the boundaries of classical music, 250 years after his birth.

Christian Thielemann and the Vienna Philharmonic Orchestra performing Beethoven Symphonies 1-9

Nikolaus Harnoncourt is the conductor in this 2004 production of Beethoven's only opera staged at the Zurich Opera House. Finnish soprano Camilla Nyland takes the title role, with performances by Jonas Kaufmann, Laszlo Polgar and Alfred Muff.

If Daniel Barenboim is not the world's greatest living classical musician he is certainly the most versatile. In a career spanning more than 50 years, his name is attached to many of the celebrated recordings of opera, symphony, small ensemble and piano solo. With the later half of his career marked by distinction at the podium, one may forget that he is still an accomplished concert pianist. Here we are treated to both talents as Barenboim conducts the Staatskapelle Berlin and plays all five of Beethoven's piano concerti. From the accompanying booklet we find that Barenboim first recorded these works in 1967 at the age of 24 under Otto Klemperer. Now he is revisiting them 40 years later on the occasion of his 65th birthday.

Nace una nueva forma de acercarse a la música clásica, más divertida, más original, más entretenida. Llega la Banda de Mozart, y con ella sus cuatro jóvenes componentes: Mozart, Betoven, Chopin y Verdi. Desde el rodaje de un vídeo musical para una superestrella hasta el misterioso robo de una valiosa arpa, Mozart y sus amigos vivirán un sinfín de increíbles aventuras. Llega una sinfonía de humor, aventuras y, sobre todo, muchísima música.

Vivaldi, Mozart, and Beethoven serve up an evening of glittering virtuosity and transcendent melody in this unusual, all-concerto program. Filmed at Tel Aviv’s Mann Auditorium in July 2015. Zubin Mehta leads the Israel Philharmonic Orchestra as they accompany three very different 18th-century concertos performed respectively by trumpeters Ram Oren and Yigal Meltzer, clarinettist Ron Selka, and pianist Khatia Buniatishvili. Set-List: Antonio Vivaldi, Concerto for 2 Trumpets in C Major, RV 537 / Wolfgang Amadeus Mozart, Clarinet Concerto in A Major, K. 622 / Ludwig van Beethoven, Piano Concerto No. 1 in C Major, Op. 15.

An award-winning wordless documentary that explores the architecture of the then new St. Peter's Seminary which is now seen as one of the most important post-war buildings in the United Kingdom. The film was made in celebration after architect Jack Coia was awarded the RIBA Gold Medal in 1969. Winner of the Medalla de Bronce at the Fifth Union of International Architects Festival in Madrid (1975).

To play Beethoven's music is to give oneself over completely to the child-spirit which lived in that grim, awkward, violent man. Without that utter submission it is impossible to play the Adagio of the Ninth. Or, Heaven knows, the first movement. And the Finale? Most of all! It is simply unplayable unless we go all the way with him, as he cries out "Brüder!" - Leonard Bernstein

In this documentary portrait prepared for the anniversary of Ludwig Van Beethoven's 200th birthday, Leonard Bernstein illustrates his analysis with excerpts from his performances of Beethoven's Piano Concerto No. 1 in C Major and the Ode to Joy from the Ninth Symphony.

Pianist Ivo Pogorelich in a 1987 studio recital of works by Bach, Scarlatti, and Beethoven, recorded at historical palaces of Veneto Villa Caldogno in Vincenza and Eckartsau Castle in Lower Austria. The program consists of: BACH English Suites ##2,3 // SCARLATTI Sonatas K487 in C, K20 in E, K98 in e, K450 in g, K1 in d, K159 in C // BEETHOVEN Sonata #11 in B♭ op22; Bagatelle "für Elise".