Realizada durante el encierro, "In My Room" nos sumerge en la conmovedora historia de una mujer en el ocaso de su vida, a través de grabaciones de la abuela fallecida del director. Las salas de estar se convierten en escenarios donde se desarrolla la vida. Las ventanas se convierten en portales a la vida de los demás.
Sparks fly in this video of the all-star concert from Berlin's equivalent of the Hollywood Bowl in July 2006, part of the World Cup festivities. The electricity is generated by the all-star trio of tenors Placido Domingo and Rolando Villazon and soprano Anna Netrebko in a program of operatic and vocal favorites. The crowd estimated at 20,000 eats it all up, and so will home viewers who'll relish the prospect of great singers performing great music.
Nace una nueva forma de acercarse a la música clásica, más divertida, más original, más entretenida. Llega la Banda de Mozart, y con ella sus cuatro jóvenes componentes: Mozart, Betoven, Chopin y Verdi. Desde el rodaje de un vídeo musical para una superestrella hasta el misterioso robo de una valiosa arpa, Mozart y sus amigos vivirán un sinfín de increíbles aventuras. Llega una sinfonía de humor, aventuras y, sobre todo, muchísima música.
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.
Vivaldi, Mozart, and Beethoven serve up an evening of glittering virtuosity and transcendent melody in this unusual, all-concerto program. Filmed at Tel Aviv’s Mann Auditorium in July 2015. Zubin Mehta leads the Israel Philharmonic Orchestra as they accompany three very different 18th-century concertos performed respectively by trumpeters Ram Oren and Yigal Meltzer, clarinettist Ron Selka, and pianist Khatia Buniatishvili. Set-List: Antonio Vivaldi, Concerto for 2 Trumpets in C Major, RV 537 / Wolfgang Amadeus Mozart, Clarinet Concerto in A Major, K. 622 / Ludwig van Beethoven, Piano Concerto No. 1 in C Major, Op. 15.
A musical drama based on Giuseppe Verdi's opera Rigoletto.
EN DIRECTO EN CINES DE ESPAÑA Y ANDORRA EL MARTES 2 DE ABRIL DE 2019, 19:15H. CHRISTOF LOY DIRIGE A UN REPARTO DE CANTANTES PLAGADO DE ESTRELLAS, CON LA PRESENCIA DE ANNA NETREBKO, JONAS KAUFMANN Y LUDOVIC TÉZIER, EN LA ÉPICA ÓPERA DE VERDI, DIRIGIDA POR ANTONIO PAPPANO. Leonora se enamora de Don Álvaro, pero cuando su padre prohíbe su matrimonio, un fatal accidente desencadena un drama de obsesión, venganza y tragedia. Jonas Kaufmann y Anna Netrebko protagonizan la epopeya de Verdi La forza del destino , una ópera que exige el máximo de los cantantes para su poderosa música y el más rotundo tratamiento teatral para su relato de una amarga venganza que se lleva a cabo más allá de la distancia y el tiempo.
The first revival of David Bösch’s new production for The Royal Opera, with two casts including Maria Agresta, Lianna Haroutounian and Anita Rachvelishvili.
"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.
Any performance of Giuseppe Verdi’s Aida at La Scala, Milan, is guaranteed to be an experience – but, when it’s a new production, it becomes a major event, especially given the theatre’s notoriously critical audience. Legendary stage director Peter Stein succeeds in delivering a lucid production acclaimed in equal measure by the press and public: “a perfect coup de théâtre” (Giornale della musica). A “stellar cast” (La Stampa) contributes to the production’s success under the musical direction of Verdi specialist Zubin Mehta, who leads the orchestra in a “gorgeously colourful performance”, while “the entire ensemble is brilliant in its portrayal of the characters” (Die Presse).
A spectacular production of Aida filmed at Bregenz Festival's lakeside stage in 2009, with Carlo Rizzi conducting the Vienna Symphonic Orchestra and the Polish Radio Choir.
On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.
One Sunday night, a guy named Marco writes a letter in which he recounts all the bad moments on the Sundays of his life.
Recorded at the Paris Opera and co-produced with Siberia’s Novosibirsk Opera, this new Macbeth uses cutting-edge multimedia technology to give the viewer a fresh perspective on the work. Google Earth satellite images plunge us into the heart of the action: a gloomy square surrounded by soulless buildings, and the interior of an aristocratic residence.
Gabriela is a young black pianist who will perform at her first major recital. However, a dream about her late mother destabilizes Gabriela's mind and heart, jeopardizing her performance. From a series of encounters over the course of a day, Gabriela will embark on a journey of reconciliation with her memories and her mother.
Giuseppe Verdi based his famous opera on the novel “The Lady of the Camellias” by Alexandre Dumas. Robert Wilson’s production of Violetta Valéry’s tragic fate is his first work at the State Theater of Linz, Austria, one of the most modern operatic stages in Europe by architect Terry Pawson. After the run in Linz, the production was transferred to the Opera House in Perm, Russia, where the production was conducted by Teodor Currentzis. In 2017, the work received a “Golden Mask”, the most prestigious Russian theater award, in three categories (Teodor Currentzis, Best Conductor; Nadezhda Pavlova, Best Female Singer; Robert Wilson, Best Lighting Design).
