My Love... (2004)
«My love is a magic phrase»
Género : Crimen, Drama, Suspense, Terror
Tiempo de ejecución : 37M
Director : Sergey Potapov
Sinopsis
The directorial debut of Sergei Potapov, a well-known director of original performances in his homeland, is capable of deeply touching any spectator. This movie will make the viewer feel. The painting is designed in a typical Asian style. The plot is built around two brothers. One of them is mentally ill, and the other can hardly be called "normal". Both brothers dream of the same thing. Rob the bank and leave the city. One chose Mexico and the other chose Hollywood. He dreams of becoming an actor. But their plans were not destined to come true. The ending of the film will make even the most staunch admirers of thrillers shudder. The mood of the picture and the denouement are very reminiscent of the vivid works of modern cult Asian directors.
Slim es el capataz de un rancho, y está casi sordo a causa de dos tiros calibre 30.06 que pasaron demasiado cerca de sus orejas cuando tenía 13 años y medio. Un día observa, junto con Peter y Dusty, bajar de las montañas a un francés llamado Pierre que trae consigo su maleta llena de cosas francesas.
A study of human anxieties about beauty, youth and objectification.
A meditation on eating people and quiet waitresses.
A man breaks into a large, seemingly abandoned old house to plunder the gold received. But the house is really abandoned?
Deren filma al bailarín Talley Beatty durante la ejecución de una danza compleja y rítmica a través de diferentes escenarios que nunca parecen estar separados. El film se realiza con un trabajo especial para la cámara, es decir, el estudio del cuerpo y del espacio físico están pensados para la cámara. El montaje y la edición terminan de configurar una obra en la cual el bailarín parece que se encuentra en un sinfín de escenarios, como un bosque o una sala de una casa.
An obese woman recently released from an insane asylum kills anyone who attempts to get her to stop eating.
Short film made in 1997 while David Gordon Green was attending the North Carolina School of Arts that formed the genesis of his feature film debut, "George Washington".
A young agoraphobic woman is tormented by malevolent visions that begin to bleed into reality.
Two creatures wonder, 'What is a hole?' They have different points of view. Their debate leads to an idea, an idea that changes the world. This is a story of practical magic. This film was made as part of the 5th edition of the NFB's Hothouse apprenticeship.
A kitten who is being tormented by a bulldog finds a savior in a black cat (from the "Black Cat Bad Luck Company") who merely has to cross the dog's path for something very unlucky to happen to the bully.
To prove he's a true Indian Brave, Big Heel-Watha decides to catch a squirrel - but wouldn't you know it; Screwy Squirrel is the first one he sees...
The story of Joe and Paddy, whose childhood friendship is shattered by the troubles in Northern Ireland. Twenty five years later they are reunited.
Three stories based on O. Henry novels.
Un hombre afila su navaja de afeitar, se dirige al tocador donde se encuentra su esposa y, al proceder a afeitarle el pelo de la nuca le hace un corte accidentalmente al escuchar los gritos procedentes del vecindario.
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
A short segment of film is played with musical backing at various speeds for a jarring effect.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.
