My Love... (2004)
«My love is a magic phrase»
Genre : Crime, Drama, Thriller, Horror
Runtime : 37M
Director : Sergey Potapov
Synopsis
The directorial debut of Sergei Potapov, a well-known director of original performances in his homeland, is capable of deeply touching any spectator. This movie will make the viewer feel. The painting is designed in a typical Asian style. The plot is built around two brothers. One of them is mentally ill, and the other can hardly be called "normal". Both brothers dream of the same thing. Rob the bank and leave the city. One chose Mexico and the other chose Hollywood. He dreams of becoming an actor. But their plans were not destined to come true. The ending of the film will make even the most staunch admirers of thrillers shudder. The mood of the picture and the denouement are very reminiscent of the vivid works of modern cult Asian directors.
A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.
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Short film made in 1997 while David Gordon Green was attending the North Carolina School of Arts that formed the genesis of his feature film debut, "George Washington".
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Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
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Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.
