Semen Amanatov

Hoping to distract the boy from the loss of his mother, his father takes him to his grandfather for winter fishing. But the family falls into a blizzard and is lost on the ice of the largest lake in the world. Love and the mysterious powers of Baikal will help them overcome grief and find each other.

Kazakh womanizer Erzhan persuades Yakut friend Michil to organize a safari on a rare mammoth ram in the permafrost mountains to entertain potential German investor Gernot. But things don't go according to plan when a local reindeer herder starts hunting them. And now, in order to return home alive, they have to overcome thousands of kilometers of the forest-tundra and escape from the chase...

A young family with a baby is visiting elderly parents living in a remote northern village. Suddenly, their child becomes sick with dysentery. There is no necessary medicine in the village, the telephone line was cut off, and the roads were washed out due to the spring flood. The young father Vanya decides to get to the regional center on his own in order to call a Sunrise to the village. But the road ahead is long and dangerous.

A young family with a baby is visiting elderly parents living in a remote northern village. Suddenly, their child becomes sick with dysentery. There is no necessary medicine in the village, the telephone line was cut off, and the roads were washed out due to the spring flood. The young father Vanya decides to get to the regional center on his own in order to call a Sunrise to the village. But the road ahead is long and dangerous.

Tenth-grade Tanya, being in a difficult life situation, is torn between love for mother and hatred of her stepfather. A decision matures in her mind that can fatally affect not only her life, but also the lives of her closest people.

Like a lone cowboy, Sergei passionately devotes his life to traditional horse breeding in the impenetrable Arctic Sakha; permafrost and the absence of roads, electricity and channels of communication mean that there is nobody else to rely on but oneself. Sergei is sensitive and introspective; he truly cares about his family, community and treats nature with the utmost respect. He loves the independence and freedom this life brings, despite the immense sacrifices that it necessitates, such as total isolation and being a stranger to his own children. Spectacular camerawork characterizes the Sakha horses in all their magnificence, and juxtaposes the post-soviet towns and the boundless taiga landscapes, where the cold bites through the screen.

Gosha is a trucker who carries goods to the remote Northern parts of the Republic of Sakha (Yakutia). Together with food, he brings burnt vodka to the villages, feeding the local population with low-quality alcohol. So, on the next flight, it is profitable, but unfairly exchanges vodka for meat. His greed leads to the fact that he decides to go back to the city alone. On the way, his car breaks down. And at a distance of hundreds of kilometers-not a single living soul...

Having quarreled with his father Altan goes to work in the North. He will have to spend a month alone on a deserted island. But soon a neighbor appears. He is old Baibal who has come to the island to spend the last days of his life there. He asks Altan to bury him next to his wife. But the guy finds out that long ago the old man’s daughter went missing. He talks the old man into publishing an entertainment blog to find his daughter and put of the man’s death. Every day Altan does his best to stimulate the old man to live another beautiful day.

The story is based on real events, a journey of a popular Moscow actor to shoot a film in Yakutia. Through his eyes, we see the mysterious worlds of "Olonkho" culture in the Sakha republic and of the contemporary Yakut film tradition, with all its national uniqueness. In this island of creativity very different people unite to create rather than destroy.

Yakutia, the 1930s. Old Mikipper and his wife Oppuos live their days in thick taiga. Cows, hunting, fishing make up the simple everyday life of the old people. Once early in the winter an eagle flies into their garden. The old people dare no drive it away because eagles are sacred. All through the winter they feed the bird so that it does no attack their cattle. Gradually they grow accustomed to each other. On a cold Christmas day the eagle makes its way into the house and occupies the honorary place in the corner on the shelf next to the icons. From then on the people and the bird start their life together in one house.

Every year the Sakha people celebrate the festival of summer - Ysekh. This ethnic holiday celebrates the Aiyy deities and the revival of nature; it embraces ritual prayers, plenty of rich food and koumiss, dancing, folk games, and horse races. Jehegey Aiyy is a serene deity worshiped by people. Jehegey gave horses to humans, and now is the heavenly patron of horse raising. In the majority of recorded songs and legends Jehegey is a male creature, but in some of them it has feminine gender and is called sylgy aiyhyta. According to legends it sometimes appears to people as a loudly neighing light-colored stallion.

The directorial debut of Sergei Potapov, a well-known director of original performances in his homeland, is capable of deeply touching any spectator. This movie will make the viewer feel. The painting is designed in a typical Asian style. The plot is built around two brothers. One of them is mentally ill, and the other can hardly be called "normal". Both brothers dream of the same thing. Rob the bank and leave the city. One chose Mexico and the other chose Hollywood. He dreams of becoming an actor. But their plans were not destined to come true. The ending of the film will make even the most staunch admirers of thrillers shudder. The mood of the picture and the denouement are very reminiscent of the vivid works of modern cult Asian directors.