Pygmalion’s Ugly Season (2022)
Género : Música
Tiempo de ejecución : 28M
Director : Jacolby Satterwhite
Sinopsis
A film accompaniment featuring songs from Perfume Genius' newest record, Ugly Season.
A film accompaniment featuring songs from Perfume Genius' newest record, Ugly Season.
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
22 Light-years draws on a range of visual sources, including photographic negatives, diagrams, found patterned papers, and archival footage. These sources merge, sometimes uncomfortably, with video that was screen-recorded while operating desktop home design software. By creating digital floor plans, landscaping, and roofless homes in real time, and manipulating those videos to move them further away from the software’s intent, Geiser fabricates a digitally lush, elliptical, uncanny world, where home planning never results in a tangible home. The familiar material elements (negatives, diagrams, flower seed packets) wear the skin of the immaterial realm, suggesting time as simultaneous, mutable, and unknown. (janiegeiser.com)
A commission for the San Francisco Exploratorium, this film-collage studies the water systems and architecture of the San Francisco waterfront, in abstract and formal contexts.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.
Tar pits form as petroleum seeps to the surface through fissures in the Earth’s crust, leaving viscous asphalt pools. To make Tar Pits Film, Jennifer West threw a strip of film into the La Brea Tar Pits in Los Angeles, still-bubbling asphalt pools which have seeped from the ground for tens of thousands of years. The film was then ridden over hot asphalt by a motorcycle and drenched in other substances including thick mayonnaise and body lotion.
Un hombre se casa con una mujer, y ésta le es infiel. El hombre, por venganza, la asesina, siendo condenado a muerte... Aclamada película checa por su innovador sistema narrativo: todo el film está rodado al revés, comenzando por final y terminando con el principio, e incluso los diálogos están pronunciados a la inversa.
An experimental short film by Walerian Borowczyk and Jan Lenica.
Music by Byron Westbrook, 16mm film by Paul Clipson.
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
Loneliness is something everyone experiences. This short film deals with that.
Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.
'As for Paul’s case, what fascinated him through his camera—moving through space, often with a macro lens and the rack focus, the focus is shifting non-stop as his gaze moves along—his perception of the world itself became the subject of his film. Everything in his films has an equal presence; it is an animistic world. The nature of his reality is nothing but flux, and everything flows in the space. It is not a dream but the hyper-reality of his gaze and mind dissolving boundaries between the internal and external.' - Aki Onda
The film frame sometimes seems to function as a rug-like rectangle into or onto which the lover steps. Filmed in Orselina, Switzerland after reading the 'The Sufis' by Indries Shaf.
An afternoon in the woods. Every camera movement a stroke of a brush. An impossible painting. Never completing itself, always starting anew.
100 basic images switching positions for 4000 frames.