Lady Gaga: Glory (2021)
Género : Documental, Música
Tiempo de ejecución : 1H 0M
Director : Danielle Winter
Sinopsis
It's hard to define her. And that's precisely the way Lady Gaga wants it. Yes, Stefani Joanne Angelina Germanotta had a plan to remake herself into an outrageous icon. It began with Italian Catholic New York City roots then expanded to glam pop, electronic rock, burlesque and even jazz alongside nonagenarian crooner, Tony Bennett. Piano lessons began at age four and taught Stefani to create music by ear. There were lead roles in high school standard Broadway show productions then open mic nights at downtown clubs and 1 1/2 years of formal training at N.Y.U.'s Tisch School of the Arts. Even a rape at age nineteen slowed but did not stop the mission that would yield over 200 million combined album and song sales. No wonder that Gaga's fans call her "Monster Mother." An outrageous fashion sense has wrought costumes made of plastic bubbles and raw meat. While elaborate videos and spectacular stage sets are the norm,
Simply Red es uno de los actos británicos más exitosos de todos los tiempos con ventas mundiales de álbumes que superan los 50 millones. Tanto la banda como Mick Hucknall, como artista solista, han sido visitantes frecuentes de Montreux durante sus 25 años de carrera. Este concierto, filmado el 15 de julio de 2003, fue parte de la gira en apoyo de su álbum multiplatino Home. Cuenta con varias pistas de ese álbum, incluidos muchos de sus éxitos más grandes y las canciones de álbum más queridas. Es una actuación de Simply Red típicamente pulida y brillante con Mick Hucknall en excelente voz y la banda en buena forma.
Una ardiente cultura de baile underground choca frontalmente con un mundo de riqueza y privilegio... Se trata de un sensual baile, la "Lambada". Kevin Laird (J. Eddie Peck) es profesor de instituto de día y de noche profesor de baile, de "Lambada". La reputación de Kevin corre peligro cuando una alumna celosa descubre su doble vida.
A disparate group of dancers, preferring to express themselves through dance rather than speech, clash with each other and members of the local community.
At The Ballet is the rise and fall of a Prima ballerina.
Delves into the rivalries and undercurrents in the world of high fashion.
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.
A young, dark-haired woman performs a dance inspired by George du Maurier's character Trilby, in an early modern dance style reminiscent of Isadora Duncan. She dances barefoot without stockings and is dressed in a long, flowing gown bound across the bosom in Grecian style, with inside fringe and a draped cape hooked to her wrist. She also wears what appears to be a garland headpiece. Holding her gown with one hand throughout, the dancer performs a series of kicks and turns with leg kicks front and back, rocking, and round de jambe.
“Where We Danced” is the first in a three-part series that chronicles the evolution of American social dance. It tells the story of America’s dance through the lives of the dancers who shaped the art form as well as the places they danced. The story begins on the plantations where African and Western European culture collided to create America’s first truly indigenous social dance, the cakewalk. It continues through to 1930’s Harlem showing how dance helped shape popular culture in America and around the world. Over the decades dance has set trends in fashion and sexuality, giving the youth of the 20th century a voice to define itself from the rigidness of the Victorian era . It also gave African-Americans a means of expression when all others had been taken away.
A domestic comedy about the McGinis family--husband Aloysius, wife Clarice, daughter Julie, and housemaid Belladonna. Pa is appalled at the latest fashionable dresses worn by the women in his household.
Steps recorded live at Manchester Evening News Arena. The tracklist includes: 'One For Sorrow Sleazesisters Mix', 'Deeper Shade Of Blue Sleazesisters Mix', 'Love's Got A Hold On My Heart', 'Believe', 'After The Love Has Gone', 'If You Believe', 'It's The Way You Make Me Feel', 'Hand On Your Heart', 'I Know Him So Well', 'Last Thing On My Mind', 'You'll Be Sorry', 'Better Best Forgotten' and 'Chain Reaction'.
A Portrait of Giselle is a documentary film featuring Patricia McBride and Anton Dolin along with famous ballerinas who danced the role of Giselle in the past.
La 'biblia de la moda', la revista "Vogue", abre sus puertas a este documental de HBO para conmemorar los 120 años de historia de la publicación a través de los ojos de sus editoras de moda. Anna Wintour -editora jefe de la edición norteamericana de "Vogue"- llama a sus editoras de moda 'armas secretas', ya que son las responsables de seleccionar lo que se va a convertir en moda en todo el mundo. El filme contiene entrevistas con destacados diseñadores de moda como Marc Jacobs, Nicolas Ghesquière o Vera Wang, así como con algunas de las celebridades que han lucido sus creaciones, como Sarah Jessica Parker y Nicole Kidman, entre muchas otras.
A skeleton dances joyously, often collapsing into a heap of bones and quickly putting itself back together.
Después de 6 discos, el 2004 trae un nuevo proyecto de Diego Torres MTV Unplugged (transmitido internacionalmente a través de MTV Español en los Estados Unidos, MTV Brasil y MTV España). La reconversión acústica de varios de sus hits junto con la presentación de 4 nuevos temas forman parte de este disco.
A unique documentary that looks at the political activities of the American Communist Party in the early to mid-twentieth century.
namie amuro LIVE STYLE 2011 is Amuro Namie's eleventh concert video. The video includes footage from her concert held in Tokyo. It was released in two versions: a DVD format and a Blu-ray format. The first press editions came in digipaks.
Mme. Bob Walter performs the serpentine dance.
A dancer personifying Winter, dances in the snow.
A turn-of-the-last-century hand-tinted short, which features two women, Miss Lally and Miss Julyett, dancing at a ball. By the legendary French filmmaker Alice Guy.
Martin Grandi, un dibujante alcohólico y arruinado, asegura ser el verdadero creador del comic que está de moda “Sexy Cat”. Un compañero suyo le robó las planchas originales de los dibujos de archivo, por lo tanto no puede demostrar ser su legítimo creador. Para ello contrata los servicios del detective Mike Cash. Martin le explica que Sexy Cat es una bellísima mujer que mata por puro placer y cada vez de una forma más original.