A Battle Restored

William Walker, un agente inglés, es enviado a Queimada, isla imaginaria del Caribe, para fomentar una revuelta contra los portugueses. Sin embargo, el objetivo de esta operación no es apoyar la independencia de los nativos, sino que Inglaterra sustituya a Portugal como potencia colonialista.

Cuenta la historia real de la proscrita y temida Phoolan Devi. Casada siendo una niña de 11 años, fue abusada y repudiada por su marido, y sufrió continuas vejaciones (por ejemplo por parte de policías cuando intentó escaparse) hasta que se unió a unos bandidos. Una de sus primeras acciones fue matar a su marido y exhibir su cadáver. Perseguida por la policía y acusada de diversos crímenes, se convirtió en una leyenda para las castas bajas y las mujeres y fue conocida como "La reina de los bandidos". Fue finalmente apresada y cuando salió de prisión se casó con un hombre adinerado y se dedicó a la política, llegando a ser diputada.

Un operador de cámara de segunda generación en Australia encuentra las evidencias de que su padre había filmado una prueba nuclear que permitía la exposición a la radiación de los aborígenes, que terminaron muriendo. El cámara comienza a investigar sobre un secreto que si es cierto, implica que su gobierno ha asesinado a personas para que no se sepa nada.

Public health physician Noel Nutels' ideas and the footage he made of Brazilian indigenous peoples between 1940 and 1970 come together to denounce the historic massacre against native communities.

Learn about the trajectory of student leader Marcos Medeiros and learn more about his exile in France and Cuba. In 1968, he joined the counterculture when political activism became an audiovisual expression of intervention in social reality.

Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.

“Marilyn vs. Marilyn” tells the story of a little-known period of Marilyn’s life – the years she spent in New York, trying to became a ‘serious”’ actress, taking lessons with Lee Strasberg and setting up a production company with her photographer and trusted friend, Milton Green. Based on hitherto unpublished – and magical - photos from the Greene archives, the film focuses on the photographic image of a woman who remains one of the greatest legends in the history of cinema… and an enduring enigma.

Following the restoration of the forgotten Surinamese documentary Oema foe Sranan (1978) this film exposes stories of activism and struggle that enabled the production and distribution of this militant documentary.

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.

Josephine has all her life been told that her Peruvian aunt Augusta died in an armed struggle for the rights of the poor. As an adult Josefin decides to find out the truth about the legendary Augusta.

In France’s last presidential election, Marine Le Pen, a right-wing candidate, won over 30 per cent of the vote after an attempt to rebrand a party long associated with her controversial father, Jean-Marie Le Pen. See how three of her supporters faced similar obstacles in changing the narrative.

Corte Seco, Renato Tapajós' first fictional feature, takes place in 1969 and accompanies Rodrigo, a militant active in the fight against oppression and in favor of the removal of the military government. In this fight, everything was possible: invasion of radio studios to transmit a rebellious message; kidnapping of ambassadors promoted by groups, the so-called apparatuses; assault on banks to finance such activities.

At the National Archive of the Moving Images in Portugal, archivists discuss the powerful bond between people and a machine that preserves a very delicate medium.

Introduction to an extensive training program for everyone professionally involved in the process of film conservation and film restoration. The realization of this training program was initiated and coordinated by ECIPAR (Bologna-Italy) and the Cineteca del Comune di Bologna. It was produced in co-operation with eleven European film archives and film laboratories and co-financed by the FILM project - FORCE program of the European Community.

Oema Foe Sranang (1978), translated in Dutch as Vrouwen van Suriname, was a film made in close collaboration with LOSON (Landelijke Organisatie Strijd Organisatie Suriname). This anti-colonial, feminist portrait of the lives of five Surinamese women came about after the recent independence of Suriname in 1975, also shedding a light on the experience of the Surinamese migrants entering the Netherlands and the Dutch hostile attitude towards this large flow of migrants.

Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.

Political activist Kader Affak—the unforgettable surveyor of Tariq Teguia’s film Inland—runs a charity on the same premises as Le Sous-Marin literary café that he is renovating. In powerful chiaroscuro, he tells Yanis Kheloufi about the final days of his mother, a constitutive episode that gave birth to his unshakeable faith in the Algerian people.

Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?

Documentary about documentary filmmaker Stig Wesslén.