Jeanette Spassova

Rabiye Kurnaz es una mujer aparentemente corriente, excepto porque es un terremoto. Cuidando de sus hijos y mucho más, es la que lleva la batuta en su casa de Bremen. Poco después de los ataques del 11-S, en 2001, su hijo Murat es acusado de terrorismo y es uno de los primeros enviados a la cárcel de Guantánamo. Esto marca el inicio de un viaje hacia el corazón de la política mundial para esta decidida mujer alemana-turca. Acompañada del abogado de derechos humanos Bernhard Docke, luchará por la liberación de su hijo.

Un adolescente acomodado y sus amigos, alumnos de un instituto de élite, destapan una siniestra conspiración mientras investigan una serie de extraños eventos sobrenaturales.

Docu-fiction hybrid about Ulli Lommel and Andy Warhol.

Four very retired, ex-GDR spies, or "Kundschafter des Friedens" as they were officially named, led by the once legendary Jochen Falk, are called on by the German government. Their mission is to rescue the interim president of the divided Republic of Katschekistan, who has been kidnapped by separatists, along with Berlin's official man on the ground, Franz Kern. To keep Jochen and his maybe no longer so crack team under control, all of whom are determined to prove they were treated unfairly by history, they are put under the command of the young and enthusiastic BND agent Paula Kern.

Through two unique female personas the film suggests a metaphysical idea of the present as ever recurring, since the temptations, which the human soul faces, are always the same. But any choice can be made only after the experience of the past is passed on and shared with a kindred spirit in the present. Such is the nature of the relationship between Adriana, the femme fatale of 1938, and the innocent Yura of 2008.

Unites grotesque elements, tempo, quiet dream sequences, the thrill of a detective story, but above all, he manages to capture the temperature of an actor ensemble that throws itself into the world of Dostoyevsky with immense pleasure and passion.

In the last house just behind the western borders of Russia, between Paris/Texas and Korleput/Mecklenburg-Vorpommern, Cindy Sherman, Dogma 95 and Duma 2000, Frank Castorf directs his virst video production "Dämonen" ("Demons") as a sort of post-Soviet-panslavistic panopticon in his own dramaturgy based on Dostojewski's "Demons" and Camus' "The Posessed". All that in set designer Bert Neumann's industrial-designed bungalow (with swimming pool) built onto forbidding landscape.