Pierre Schaeffer

Pierre Schaeffer

Nacimiento : 1910-08-14, Nancy, France

Muerte : 1995-08-19

Historia

Pierre Henri Marie Schaeffer (14 August 1910 – 19 August 1995) was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC). His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him widespread recognition in his lifetime. Amongst the vast range of works and projects he undertook, Schaeffer is most widely and currently recognized for his accomplishments in electronic and experimental music, at the core of which stands his role as the chief developer of a unique and early form of avant-garde music known as musique concrète. The genre emerged in Europe from the utilization of new music technology developed in the post-war era, following the advance of electroacoustic and acousmatic music. Schaeffer's writings (which include written and radio-narrated essays, biographies, short novels, a number of musical treatises and several plays) are often oriented towards his development of the genre, as well as the theoretics and philosophy of music in general. Today, Schaeffer is considered one of the most influential experimental, electroacoustic and subsequently electronic musicians, having been the first composer to utilize a number of contemporary recording and sampling techniques that are now used worldwide by nearly all record production companies. His collaborative endeavors are considered milestones in the histories of electronic and experimental music. Schaeffer was born in Nancy in 1910. His parents were both musicians (his father a violinist; his mother, a singer), and at first it seemed that Pierre would also take on music as a career. However his parents discouraged his musical pursuits from childhood and had him educated in engineering. He studied at several universities in this inclination, the first of which was Lycée Saint-Sigisbert located in his hometown of Nancy. Afterwards he moved westwards in 1929 to the École Polytechnique in Paris and finally completed his education in the capital at the École supérieure d'électricité, in 1934. Schaeffer received a diploma in radio broadcasting from the École Polytechnique. He may have also received a similar qualification from the École nationale supérieure des télécommunications, although it is not verifiable as to whether or not he ever actually attended this university. ... Source: Article "Pierre Schaeffer" from Wikipedia in english, licensed under CC-BY-SA 3.0.

Perfil

Pierre Schaeffer

Películas

El animógrafo, o Nací en una caja de zapatos
Self (archive footage)
La asombrosa historia del animógrafo, un aparato creado en Francia en los años sesenta por el dibujante e inventor autodidacta Jean Dejoux (1922-2015), que con su creación pretendía revolucionar la industria de la animación.
Electronic Vibrations: A Sound Changes the World
Self - Composer (archive footage)
The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.
Garabatos
Music
Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.
El amor a los veinte años
Himself (segment "Antoine et Colette")
Cinco episodios sobre el amor, dirigidos por conocidos directores. François Truffaut, en "Antoine et Colette", trata de un inocente amor entre un joven y una mujer madura. Renzo Rossellini sigue las andanzas de dos mujeres que comparten un amante. Shintaro Ishihara ofrece un violento retrato de un joven perturbado que se convierte en asesino de mujeres. El episodio de Marcel Ophüls (hijo del gran Max Ophüls) se centra en un periodista que, tras un breve encuentro, deja a una mujer embarazada y tendrá que afrontar su responsabilidade como padre. El episodio dirigido por el polaco Andrzej Wajda habla de un joven soldado cuyas hazañas provocan la admiración de una mujer.
Etude aux allures
Music
The pace is the oscillation that results from the maintenance of a sound, the internal rhythm of its sound structure, which makes it live and change from its emission until its extinction. In this study, the painter Raymond HAINS attempts a visual transposition of this acoustic law by filming his works through fluted lenses directly attached to the camera creating optical vibration effects that animate the shapes and colors and produce a colorful rhythm.
Animated Objects
Music
The film is an apology of movement, made here by a short editing pushed to the extreme.
Jours de mes années
Supervising Music Editor
Cortometraje experimental que evoca momentos en la vida de un hombre recreado por la magia de la memoria. Hecho de documentos de diversas fuentes, esta película se compone de varias escenas: las etapas del día y de la vida entre la alegría y la juventud despreocupada, la crueldad del mundo laboral, el horror de la guerra... El resultado final se pone en perspectiva con el nacimiento de un niño, perpetuando así el ciclo de la vida. Mención de honor en el Festival de Cannes de 1960.
Pátio
Original Music Composer
A man and a woman are laying on a chess-like patio. Both are trying to reach each other in the best way they can. However, for some odd reason they don't get on their feet, they don't talk to each other, and the only sounds heard are voices coming from a radio and strange sounds that seem to indicate something's about to happen.
Maskerage
Music
Tones of experimental music lead us into the National Museum of Ethnology in Leiden. An extensive collection of exotic masks is hanging on the walls while the night watchman makes his rounds. But not for long: the masks are waiting for the moment when they can reveal their imposing selves to the viewer. A collection of masks from different parts of the world shows its true face: shocking, charming or sinister. Max de Haas brings the faces to life through his camera-eye. Impressive light-and-dark effects and a chaotic music track enable the masques to tell their own stories, even when nobody is wearing them.
Le trièdre fertile
Director