Chang Tso-chi

Since his wife Mei-yun was left comatose after nearly drowning, CHEN You-ming has been raising his three sons alone in their seaside village. And since the mechanical digger he drives broke down, Chen has had more time on his hands than he likes. His life is suddenly disrupted by the appearance of a disturbed young woman who calls herself XIE Hui-zhen (“Zhen” for short) and says that Chen is her father. To uncover the facts behind Zhen’s wild claim, CHEN has to contact his old girlfriend KE Li-jia, last seen twenty years ago. Before the truth about Zhen’s inner turmoil emerges, CHEN has to deal with the death of his wife in hospital and the stresses in his relationships with his sons Wei, Ting and Liang.

Since his wife Mei-yun was left comatose after nearly drowning, CHEN You-ming has been raising his three sons alone in their seaside village. And since the mechanical digger he drives broke down, Chen has had more time on his hands than he likes. His life is suddenly disrupted by the appearance of a disturbed young woman who calls herself XIE Hui-zhen (“Zhen” for short) and says that Chen is her father. To uncover the facts behind Zhen’s wild claim, CHEN has to contact his old girlfriend KE Li-jia, last seen twenty years ago. Before the truth about Zhen’s inner turmoil emerges, CHEN has to deal with the death of his wife in hospital and the stresses in his relationships with his sons Wei, Ting and Liang.

A wife needs to face not only the gradual deterioration of her husband's condition but also the complicated relationship between the daughter who was released from the prison on parole and the secret which was detonated after the old friend was back.All of the incidents make each other stuck into a family storm.

A wife needs to face not only the gradual deterioration of her husband's condition but also the complicated relationship between the daughter who was released from the prison on parole and the secret which was detonated after the old friend was back.All of the incidents make each other stuck into a family storm.

Director Tso-chi Chang made this film with his fellow inmates in prison. It tells the stories of eight prisoners, whose sentences together add up to more than a hundred years. What kind of incidents will touch their hearts and help them find direction in life?

They live in an old house on the fringe of Taipei City: Rat and his elder gay brother Shanghe. Two brothers look for jobs to survive while search for themselves and long for a foothold in life. The younger works at market where he meets a mute woman who gets up to all sorts of craziness. The elder is attracted to a nightclub dancer and finds himself drawn into shifty business.

They live in an old house on the fringe of Taipei City: Rat and his elder gay brother Shanghe. Two brothers look for jobs to survive while search for themselves and long for a foothold in life. The younger works at market where he meets a mute woman who gets up to all sorts of craziness. The elder is attracted to a nightclub dancer and finds himself drawn into shifty business.

They live in an old house on the fringe of Taipei City: Rat and his elder gay brother Shanghe. Two brothers look for jobs to survive while search for themselves and long for a foothold in life. The younger works at market where he meets a mute woman who gets up to all sorts of craziness. The elder is attracted to a nightclub dancer and finds himself drawn into shifty business.

Cuando Bao es enviado a la casa de su abuelo durante el verano, y no está exactamente contento. El paisaje parece de otro planeta comparado con la ciudad, y, lo peor de todo, no hay televisión por cable. Se pasa las horas pegado a la pantalla de la tablet, y no percibe la belleza y la aventura que le rodea. Sus padres, que están en el medio de un divorcio, lo envían y él y su hermana pequeña con su abuelo, con la esperanza de que no vean el lado desagradable de una ruptura. Sin embargo, han pasado por alto que nada de eso ha afectado a sus hijos, en especial a su hijo apático. A medida que pasa el verano, Bao se ve obligado a salir de su zona de confort y tecnología para entablar amistades y relaciones humanas en la vida real. También tendrá que enfrentarse a una experiencia desgarradora que lo cambiará para siempre. En el transcurso de un verano, Bao crecerá.

Cuando Bao es enviado a la casa de su abuelo durante el verano, y no está exactamente contento. El paisaje parece de otro planeta comparado con la ciudad, y, lo peor de todo, no hay televisión por cable. Se pasa las horas pegado a la pantalla de la tablet, y no percibe la belleza y la aventura que le rodea. Sus padres, que están en el medio de un divorcio, lo envían y él y su hermana pequeña con su abuelo, con la esperanza de que no vean el lado desagradable de una ruptura. Sin embargo, han pasado por alto que nada de eso ha afectado a sus hijos, en especial a su hijo apático. A medida que pasa el verano, Bao se ve obligado a salir de su zona de confort y tecnología para entablar amistades y relaciones humanas en la vida real. También tendrá que enfrentarse a una experiencia desgarradora que lo cambiará para siempre. En el transcurso de un verano, Bao crecerá.

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

Laichun, her father and two mothers, uncle and grandfather are of different generations; thus they all think differently. Father is the family head, and because he believes he must continue on the family name ends up taking two wives. His first wife also feels the same way, and so allows the second wife. Laichun feels the abyss between her and her parents and ends up getting pregnant, but hits a wall when her boyfriend does not take any responsibility. When her father is hospitalized, she begins to understand her father and two mothers. She is finally growing up.

Laichun, her father and two mothers, uncle and grandfather are of different generations; thus they all think differently. Father is the family head, and because he believes he must continue on the family name ends up taking two wives. His first wife also feels the same way, and so allows the second wife. Laichun feels the abyss between her and her parents and ends up getting pregnant, but hits a wall when her boyfriend does not take any responsibility. When her father is hospitalized, she begins to understand her father and two mothers. She is finally growing up.

Laichun, her father and two mothers, uncle and grandfather are of different generations; thus they all think differently. Father is the family head, and because he believes he must continue on the family name ends up taking two wives. His first wife also feels the same way, and so allows the second wife. Laichun feels the abyss between her and her parents and ends up getting pregnant, but hits a wall when her boyfriend does not take any responsibility. When her father is hospitalized, she begins to understand her father and two mothers. She is finally growing up.

A father can have many different kinds of faces. Which one does your father have? This is a film of ten short stories, and each shows a different relationship between a father and his son. Each story reveals the complexity between fathers and sons.

A father can have many different kinds of faces. Which one does your father have? This is a film of ten short stories, and each shows a different relationship between a father and his son. Each story reveals the complexity between fathers and sons.

Che (Tseng Yi-che) returns to Nanfang’ao fishing port after taking the rap for younger bro Ren’s (Cheng Yu-jen) stabbing of the son of local mobster Shun (Hsu Ling-tsang). Ren is also back from hiding in Japan with their father, Chang (Michio Hayashida), who is due to return to settle a score with Shun.

Che (Tseng Yi-che) returns to Nanfang’ao fishing port after taking the rap for younger bro Ren’s (Cheng Yu-jen) stabbing of the son of local mobster Shun (Hsu Ling-tsang). Ren is also back from hiding in Japan with their father, Chang (Michio Hayashida), who is due to return to settle a score with Shun.

Che (Tseng Yi-che) returns to Nanfang’ao fishing port after taking the rap for younger bro Ren’s (Cheng Yu-jen) stabbing of the son of local mobster Shun (Hsu Ling-tsang). Ren is also back from hiding in Japan with their father, Chang (Michio Hayashida), who is due to return to settle a score with Shun.

Che (Tseng Yi-che) returns to Nanfang’ao fishing port after taking the rap for younger bro Ren’s (Cheng Yu-jen) stabbing of the son of local mobster Shun (Hsu Ling-tsang). Ren is also back from hiding in Japan with their father, Chang (Michio Hayashida), who is due to return to settle a score with Shun.

Although their characters and temperaments couldn't be less alike, 19-year olds Wei and Jie are best friends. They're also neighbours, living with widower fathers and problem siblings in the suburbs of Taipei. When Wei is promoted from the rank of nightclub parking valet to the rank of debt-collector in Brother Gu's gang, he persuades his boss to hire Jie to work alongside him. Things begin to go wrong when they are given a handgun to reward their success in the new job. Always excitable and volatile, Jie becomes reckless and dangerous when he has the gun in his hand. When they try to collect a debt from the boss of a rival gang, a fight erupts and Jie shoots the gang-boss. The boys find themselves on the run. But fate and their youthful dreams still have tricks to play.

Although their characters and temperaments couldn't be less alike, 19-year olds Wei and Jie are best friends. They're also neighbours, living with widower fathers and problem siblings in the suburbs of Taipei. When Wei is promoted from the rank of nightclub parking valet to the rank of debt-collector in Brother Gu's gang, he persuades his boss to hire Jie to work alongside him. Things begin to go wrong when they are given a handgun to reward their success in the new job. Always excitable and volatile, Jie becomes reckless and dangerous when he has the gun in his hand. When they try to collect a debt from the boss of a rival gang, a fight erupts and Jie shoots the gang-boss. The boys find themselves on the run. But fate and their youthful dreams still have tricks to play.

A 17-year-old university student returns home during her summer holidays to the port city of Keelung of on the outskirts of Taipei. She falls in love with a young man, but his association with a local gang sees him caught up in a turf war. A wistful portrayal of the fragile, brief-lived attraction between these two youths, and pleasant times spent with loving families.

A 17-year-old university student returns home during her summer holidays to the port city of Keelung of on the outskirts of Taipei. She falls in love with a young man, but his association with a local gang sees him caught up in a turf war. A wistful portrayal of the fragile, brief-lived attraction between these two youths, and pleasant times spent with loving families.

The story concerns a male youth named Ah Chung (or Diong-ah in the Taiwanese dialect) who graduates from high school and descends into a maelstrom of personal, familial, and communal conflicts. Ah Chung is going through the liminal stage of finding his place and aim in life. He is sent by his mother to a boot camp, training as one of the Eight Generals. This is a job in performing as a god in Taiwanese popular rituals and Ah Chung's mother believes it can bring spiritual and social goodwill to the much-troubled family: Financially strained mother who is a performer of "low-brow" entertainment, a kid brother who is somewhat retarded, a half-sister who is raped by his alcoholic father, and Ah Chung's listlessness which is easily sucked in by the local gang rivalry...

The story concerns a male youth named Ah Chung (or Diong-ah in the Taiwanese dialect) who graduates from high school and descends into a maelstrom of personal, familial, and communal conflicts. Ah Chung is going through the liminal stage of finding his place and aim in life. He is sent by his mother to a boot camp, training as one of the Eight Generals. This is a job in performing as a god in Taiwanese popular rituals and Ah Chung's mother believes it can bring spiritual and social goodwill to the much-troubled family: Financially strained mother who is a performer of "low-brow" entertainment, a kid brother who is somewhat retarded, a half-sister who is raped by his alcoholic father, and Ah Chung's listlessness which is easily sucked in by the local gang rivalry...

Taiwanese drama film.

Taiwanese drama film.

Las tribulaciones de una familia en Taiwán -el padre y sus cuatro hijos-, tras la violenta represión china acontecida en febrero de 1947. Primera parte de la trilogía de la historia de Taiwan realizada por Hsiao-hsien Hou. Las siguientes entregas serían "The Puppetmaster" (1993) y "Good Men, Good Women" (1995).