Art Direction
Trapped in an old folks home where people keep going missing, an ex-cop must overcome his Alzheimers to find out who is killing people in this jigsaw thriller.
Production Design
Pierre lleva, a sus diecisiete años, una vida pequeña, ordenada y casta en compañía de su abuela. El desastre está en Canarias, en casa de sus padres, una pareja peleada y dada al libertinaje. Pierre comienza a vivir con ellos, con Hélène, madre fascinante, femme fatale, con el padre, odiado y al que pronto enterrarán. Hélène arrastra a su hijo al placer, le cede a Réa, antiguo capricho lésbico. Con ella, Pierre descubre el éxtasis, la vergüenza y el respeto. La moral de Hélène, definitivamente relajada, no considera que desear a su propio hijo sea un tabú, ella no lo llamaría incesto.
Production Design
In 14th-century France, Aliénor breaks with the codes governing girls’ behavior and does as she wishes. The King of France grants her the hand of her childhood love, but her new husband deserts her immediately after the ceremony. Undeterred, she sets out after him, traveling to Siena to bring him back.
Production Design
Pierre vive felizmente con su madre, está a punto de casarse con su bella prometida y ha alcanzado un gran éxito como escritor. Una noche, sin embargo, conoce a una misteriosa muchacha que deambula por el bosque y que le hace una sorprendente revelación que cambiará su vida. (FILMAFFINITY)
Production Design
Bernie, un huérfano de treinta años, zafio y neurótico, abandona el orfanato donde lleva trabajando desde los dieciocho años. Su objetivo es descubrir la verdad acerca de su nacimiento. Para ello roba su expediente del Departamento de Asistencia Social y descubre la terrible realidad de que fue encontrado en un cubo de basura.
Production Design
In a rural French town, a 15-year-old closeted gay boy breaks free from his idolization of his older and ostensibly free-wheeling half-sister, learning to trust himself and become independent.
Production Design
Brothers Martin and Simon, not yet teens, are incorrigible vandals; Martin runs away from reform school, Simon from foster homes, and they always find each other in a seacoast town of Lignan, where their destructive behavior is infamous. (It may date to their mother's leaving the family.) Martin is philosophical, romantic, and poetic: he dreams of being the son of a shark; he holds tight to a book about goldfish his mother gave him. In both halting and wild ways, he tries to court Marie, a neighbor girl. Simon, with a pocketknife and an intractable will, seems more dangerous to others. What, on earth, is there for these children-becoming-men?
Production Design
Following a climbing accident in the mountains, Pascal loses the use of his legs and is confined to a wheelchair. The film follows his gradual acceptance of this during his stay in a rehabilitation centre and, with the support of fellow residents, the return of his will to live.
Le garçon #2
Three young women at a hair salon all like the son of the clothing store proprietors across the mall. Although Robby is selfish and shallow, he's appealing to Lili, the salon's manager, who's trendy and also the salon-owner's moll; to Mado, who's innocent and sweet; and to Pascale, who's intelligent but passive and downcast. Robby's dad tells him to grow up and see beyond the mercurial Lili, so he proposes suddenly to Mado. She's delighted, but the day before the wedding, Lili returns to give Robby another look. In the background, a Yank who was a soldier in France in World War II returns to Paris and tries to recapture the love of his wartime sweetheart, Robby's mom.
