Gal Hoyberger

Películas

Policía en Israel
Ariel
Yaron es un policia que pertenece a un grupo de elite de la unidad antiterrorista israeli. Los miembros de esta unidad son el arma con la que el Estado apunta a sus oponentes, el enemigo árabe. Yaron adora la unidad, la camaraderia masculina que reina en su seno, los cuerpos musculosos, la estetica de la misma. Tambien esta emocionado porque su esposa va a dar a luz; puede ser padre en cualquier momento. Pero un encuentro con un grupo tan violento como radical y extraordinario le enfrentará a la guerra de clases en Israel y a la guerra que se libra en su interior. (FILMAFFINIY)
Vete y vive
Lieutenant
En 1984, miles de africanos procedentes de 26 países afectados por el hambre terminan en campamentos en Sudán. En una iniciativa de Israel y los Estados Unidos, se realiza una misión para llevar a miles de Judios de Etiopía a Israel. Una madre cristiana obliga a su hijo de nueve años a declararse un Judio para salvarle de la hambruna y la muerte. El niño llega a la Tierra Santa, dice que es huérfano, y es adoptado por una familia francesa sefardí de Tel Aviv, aunque crece con el temor de que se descubra su doble secreto: ni es Judio ni es huérfano, sólo es negro. Descubrirá el amor, la cultura occidental, el judaísmo, pero también el racismo y la guerra en los territorios ocupados.
Amos Guttman, Film Director
Self - Actor
From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.
Amazing Grace
Jonathan
A drama about two families, each with a gay son. Jonathan is splitting from Miki because the more experienced Miki is playing around. Then Jonathan sees Thomas, the son and grandson of his neighbors, who is back in Israel after failing to make it as a musician in New York: Thomas is ill, detached, in search of hard drugs. Jonathan tries to connect with him. Meanwhile, Thomas's grandmother, facing old age, has become bitter, particularly toward her hard-working daughter. They worry about Thomas. A few blocks away, Jonathan's mother, brother and sister maintain their sometimes bickering relationships, watching Jonathan brave adulthood.