Ricardo Cutz

Sisters Mirian and Mirelly were born in the interior of Goiás, but live in different cities. When their mother disappears, the two put aside their differences and come together to look for her, on a journey that could change their lives.

Sisters Mirian and Mirelly were born in the interior of Goiás, but live in different cities. When their mother disappears, the two put aside their differences and come together to look for her, on a journey that could change their lives.

O Pastor e o Guerrilheiro is a Brazilian feature film inspired by a true story, which takes place in the 1960s and 1970s and at the turn of the millennium - in the last days of 1999.

A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.

Despite having the scar that marks the domesticated, Juliana has to keep her freedom. Is romance the ultimate trap?

Despite having the scar that marks the domesticated, Juliana has to keep her freedom. Is romance the ultimate trap?

Luego de una separación, Julia se muda a un frío departamento donde enfrenta los conflictos cotidianos de la soledad: pasar el día en pijamas, aceptar trabajos mediocres y comer en exceso, mientras aplica a una beca para cumplir su sueño de ser escritora. Julia encuentra un nuevo comienzo cuando tiene una aventura con Darío, un atractivo mesero con ínfulas de poeta, quien la lleva a conocer a Ignacio, empleado de una fotocopiadora que trata de protagonizar una obra de teatro.

Lucas and Bebel decide to get married and have no idea that religion will be a reason for discord in families. While the bride's father wants to strengthen Jewish traditions, Luke's mother wants her son to take Umbanda traditions to his future family.

Ana, una exitosa influencer de redes sociales, destroza su auto por ir utilizando su celular. Entonces sus padres toman una decisión drástica: enviarla a la lejana granja de su gruñón abuelo para dejar su adicción al celular de una vez por todas.

Ana, una exitosa influencer de redes sociales, destroza su auto por ir utilizando su celular. Entonces sus padres toman una decisión drástica: enviarla a la lejana granja de su gruñón abuelo para dejar su adicción al celular de una vez por todas.

En un futuro cercano. El pueblo de Bacurau llora la muerte de su matriarca Carmelita, que falleció a los 94 años. Algunos días más tarde, los habitantes se dan cuenta de que el pueblo está siendo borrado del mapa...

Inspired on the true events of the Portuguese king Don Pedro (14th Century) which unburied his mistress to make her queen after dead. This film tells the story of Pedro, a man admitted to a psychiatric hospital for traveling by car with the corpse of his beloved, recalling simultaneously three different lives: one from the past, another from nowadays and another one from an distopic future.

Spanning 10 years and 10,000 miles, One Day We Arrived in Japan shows the stories of three Brazilian families who set off to Japan in search of a better future – a mother and daughter, a young couple, and a family of four with a small child. The film captures the passage of time, forming layers of memory and revealing how the families’ dreams and expectations stand up to a grueling new reality on the other side of the world. Since 1990, hundreds of thousands of Brazilians of Japanese descent have gone to Japan to work. This unique documentary brings to light the gripping personal stories behind a major transnational phenomenon.

Spanning 10 years and 10,000 miles, One Day We Arrived in Japan shows the stories of three Brazilian families who set off to Japan in search of a better future – a mother and daughter, a young couple, and a family of four with a small child. The film captures the passage of time, forming layers of memory and revealing how the families’ dreams and expectations stand up to a grueling new reality on the other side of the world. Since 1990, hundreds of thousands of Brazilians of Japanese descent have gone to Japan to work. This unique documentary brings to light the gripping personal stories behind a major transnational phenomenon.

The story of Júlio Santana, a professional killer who was responsible for almost 500 hundred murders in Brazil.

The story of Júlio Santana, a professional killer who was responsible for almost 500 hundred murders in Brazil.

Clara, una ex-crítica musical de Recife de 65 años, vive retirada en un edificio particular, el Aquarius, construido en la década de 1940 sobre la chic Avenida Boa Viagem, que bordea el océano. Un importante promotor ha comprado todos los apartamentos, pero ella se niega a vender el suyo y emprende una guerra fría contra la empresa que la acosa. La estresante situación le perturba y le lleva a pensar en su vida, en su pasado, en sus seres queridos.

Un grupo de policías honestos es enviado a un pueblo de campo para resolver el problema de la alta delincuencia. Pronto ellos resuelven el problema, mientras que la recién llegada Francis debe superar sus límites para demostrar que tiene valor. Ellos son aclamados por la opinión pública. Pero al poco tiempo la aplicación de la fuerza de la ley comienza a molestar a todos, y el verdadero enemigo es revelado. Nuestra sociedad se está preparada para un policía honesto?

Un grupo de policías honestos es enviado a un pueblo de campo para resolver el problema de la alta delincuencia. Pronto ellos resuelven el problema, mientras que la recién llegada Francis debe superar sus límites para demostrar que tiene valor. Ellos son aclamados por la opinión pública. Pero al poco tiempo la aplicación de la fuerza de la ley comienza a molestar a todos, y el verdadero enemigo es revelado. Nuestra sociedad se está preparada para un policía honesto?

The discoveries and frustrations on accessing a memory of a father and of a time in the Brazilian history that are rarely public. The young filmmaker plunges into this unknown past of her almost unknown father. He, a Brazilian intellectual, imprisoned and tortured during the military dictatorship, is silent about this since that time. A father and a fatherland that does not like to answer any questions, that loves but rarely talks.

The discoveries and frustrations on accessing a memory of a father and of a time in the Brazilian history that are rarely public. The young filmmaker plunges into this unknown past of her almost unknown father. He, a Brazilian intellectual, imprisoned and tortured during the military dictatorship, is silent about this since that time. A father and a fatherland that does not like to answer any questions, that loves but rarely talks.

Brasil /// Año 1978. El régimen militar que gobierna Brasil desde el golpe de estado de 1964 parece que comienza a tambalearse. En ese contexto, un soldado de 18 años (Jesuita Barbosa) se enamora de un intelectual (Irandhir Santos) que tiene un cabaret anarquista, un hombre mayor que él que se niega a aceptar la dictadura.

Un niño pequeño ha sido secuestrado. Nadie sabe dónde está ni quien ha podido llevárselo, y desde una comisaría, la policía está haciendo todo lo posible por encontrarle. Allí, se juntan tres personajes: Sylvia (Fabiula Nascimento, Dores de Amores, Brichos: A Floresta é Nossa) y Bernardo (Milhem Cortaz, Amanhã Nunca Mais, Assalto ao Banco Central), que son los padres del niño desaparecido, y Rosa (Leandra Leal, Bonitinha, Mas Ordinária, O Rio nos Pertence!), amante de Bernardo y principal sospechosa del secuestro.

Un niño pequeño ha sido secuestrado. Nadie sabe dónde está ni quien ha podido llevárselo, y desde una comisaría, la policía está haciendo todo lo posible por encontrarle. Allí, se juntan tres personajes: Sylvia (Fabiula Nascimento, Dores de Amores, Brichos: A Floresta é Nossa) y Bernardo (Milhem Cortaz, Amanhã Nunca Mais, Assalto ao Banco Central), que son los padres del niño desaparecido, y Rosa (Leandra Leal, Bonitinha, Mas Ordinária, O Rio nos Pertence!), amante de Bernardo y principal sospechosa del secuestro.

Player, coach, journalist and polemicist, João Saldanha (1917-1990) has always been a good fighter. The bravery he displayed on the field, in the short period he was a player, led him to accept the post of coach of the same team, Botafogo. He was also one of the most feared and controversial sports commentators of his time.

Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear. Meanwhile, Bia, married and mother of two, must find a way to deal with the constant barking and howling of her neighbour’s dog. A slice of ‘Braziliana’, a reflection on history, violence and noise.

Anna, Russell and Bernardo, 3 middle class brazilians involved in a game of passions between the autorship of a succesful book.

Anna, Russell and Bernardo, 3 middle class brazilians involved in a game of passions between the autorship of a succesful book.

Violeta is a married dentist on a normal working day. While listening to a message left on the cell she enters in despair. The message of her husband, Djalma, says he is leaving her and going to another city.

For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.

Documentary about the frustrated insurrection of 1935 that resulted in the consolidation of the absolutist government of Getúlio Vargas in Brazil (1930-1945).