Clébia Sousa

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

Curral is a political drama set in the rural Brazilian city of Gravatá. During the mayoral elections, the population is divided between the Blue and Red parties, two political oligarchies fighting each other for power. A recent severe drought means water is the main bargaining chip when it comes to securing a majority of people's votes. Chico Caixa is a former city employee. He lost his job trying to take water supplies to a poor neighborhood which had been abandoned for political reasons. Caixa is invited by a childhood partner, Joel, to work on his councilor campaign. Joel presents himself as a new alternative to the older candidates, who have been in power for decades. But as the campaign progresses, Chico Caixa soon realizes that breaking apart from the established political game is not always as easy as it may seem

Rosario lives on the hill and works at a neighborhood fair. Since she suffered a major loss, she has been in the habit of listening to the police program every morning and praying for the victims, until one day she becomes a character in one of these stories.

En un futuro cercano. El pueblo de Bacurau llora la muerte de su matriarca Carmelita, que falleció a los 94 años. Algunos días más tarde, los habitantes se dan cuenta de que el pueblo está siendo borrado del mapa...

Eduardo has a mysterious disease in his body. The appearance of crabs everywhere in the tropical city of Recife may have something to do with it.

En el Brasil de 2027, donde las raves celebran el amor celestial y las consultas espirituales se han convertido en norma, Joana mantiene su relación con Dios como el aspecto más importante de su vida. Utiliza su trabajo como notaria para que las parejas que soliciten el divorcio reconsideren su posición, además de participar como miembro en un grupo poco convencional de religiosos que la ayudan a mantener su matrimonio a flote. Aunque tanto ella como su marido tienen problemas para lograr traer un niño al mundo, el esfuerzo que conlleva esta tarea les acercará aún más a la gracia de Dios.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

A group of people float around the discussion of what really means to play a character.

Leticia is lost in time. Her nightly, melancholic routine reveals her wild, dark and bloody state of mind. When she meets Gabriela at a party and brings her to her house, strange things begin to take place in her old manor. One of the two will never leave that apartment. This is a film about tensions, memories and social dominations.

For the last 500 years, Edilson has been cutting sugar cane in Brazil. One day, the machines arrive and he leaves his job to engage in his first space mission. A small step for him, a giant leap for the nation.

Brasil /// Año 1978. El régimen militar que gobierna Brasil desde el golpe de estado de 1964 parece que comienza a tambalearse. En ese contexto, un soldado de 18 años (Jesuita Barbosa) se enamora de un intelectual (Irandhir Santos) que tiene un cabaret anarquista, un hombre mayor que él que se niega a aceptar la dictadura.

Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear. Meanwhile, Bia, married and mother of two, must find a way to deal with the constant barking and howling of her neighbour’s dog. A slice of ‘Braziliana’, a reflection on history, violence and noise.