Jeffrey Jeturian

Instant Mommy follows the story of Bechayda, a two-months-pregnant wardrobe assistant for TV commercial production. In the fear of losing her Japanese lover and her dreams of a better life, she embarks on a plan that will get herself out of her predicament. Or so she thinks.

A socio-realist drama-comedy film, it follows a seemingly usual day in the life of Loida Malabanan as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.

A socio-realist drama-comedy film, it follows a seemingly usual day in the life of Loida Malabanan as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.

A socio-realist drama-comedy film, it follows a seemingly usual day in the life of Loida Malabanan as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.

The eve of Christmas, the Aguinaldo family’s residence is burglarized, causing its members to identify stolen items and uncover lingering sentiments they have hidden from each other. Amidst the tension brought about by the burglary, the Aguinaldo family realizes how treasured sentiments have been lost, relationships have evolved as they arrive from church at a house in shambles.

Documentary about the history of Philippine cinema.

Documentary profiling the directors involved in the loose Philippine New Wave filmmaking movement.

Middle-aged Manila storeowner Amelita supplements her tiny income by collecting bets for the popular numbers game of jueteng. While looking out for police crackdowns, the masterfully persuasive Amelita cajoles all comers into placing wagers.

Far from being a senseless parade of beautiful bodies, "Bikini Open," is a satire on the current state of broadcast journalism in the country. That does not mean there won't be hot bodies in sexy swimwear.

Jerry is a wide-awake tourist guide in Cebu who knows all the angles, and who has supported his divorced mother and younger brother and sister since their musician father deserted the family for a younger woman. Jerry guides tour buses, taking the mostly Japanese tourists boating, golfing and to strip shows. Jerry also acts as a pimp, and even prostitutes himself. As the breadwinner he makes sacrifices for his family but wields control over his siblings and mother in return

Three advertising executives are doomed to perpetually look for the right man. Tates, Katie and Sonia are all are stuck in a rut with love, sex and marriage. Tates will do whatever it takes to just to have the man she wants even if he is tangled in a messy annulment case and even if it takes her to shed a lot of money to have him. Katie found her love story with a macho dancer but is scared to let her friends know because of his unconventional job. So she tries to give him a more decent look for her friends to see. She also finds bodily insecurities because of her chubby physique. Sonia is the two-timing chick that finds her self pregnant while being with two men. She is in-love with a painter but finds more security with a rich man. Despite her strong feelings for the former, she chooses to be with the latter in order to provide better for her and her child.

A mother and her daughter—who are both victims of incest-rape perpetrated by the same man now languishing in jail—are approached by a couple of filmmakers with an offer to produce a movie based on the two women’s true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime.

A slice of daily life in the slums of the Philippines. Gina, a poor but honest young girl sells banana slices. She lives with her grandmother and her younger brother and sister, her father being in jail. Nonoy, a water boy, delivers water up six floors to the rich Mrs. Alano. Nonoy is in love with Gina, but she desires her classmate, Jimboy, a handsome flirt, who is the son of Mrs. Alano.

When Mike's father died, it was a surprise to find out that not only did he leave a family in trouble, he also was having an affair with a former student. Knowing more about her is the surprise of falling for her.

Luisa is raped by an unknown assailant a few nights before she is wed to Jake. When Jake discovers Luisa's prenuptial chastity is in question on their first night, violent events unfold. Poor Luisa is a battered victim and reacts chillingly. Tit for tat. Fire against fire. Dreams become nightmares, love turns to rage.

Set during the terrifying reign of Filipino despot, Marcos, two upper caste but very different strangers team up to try and survive the physical and mental torture they undergo after they are suddenly jailed. Geny is the conservative businessman while Serge is more sensitive and outgoing. Both of the young men's parents give all of their money, but the government refuses to free them. Even a mutual hunger strike fails to move their jailers. In desperation, Geny and Serge begin plotting their escape.

A 1990 Filipino drama starring Janice de Belen, Princess Punzalan, and Cherie Gil.

Two teen stories in one movie. "Dear Partyline" tells the story of Badong who falls in love with a girl in a Coke commercial who happens to be the other half of their telephone party line. "Dear Killer" tells the story of Lenny and the mysterious disappearance of a girl who was considered the school's best Soprano singer.

Written by Jose Javier Reyes. Produced by Regal Films. Starring Barbara Benitez, Lito Gruet, and Charito Solis. Opened on February 22, the first day of 1986 EDSA People Power Revolution.