Self
Cuando Ella, la hija de Jay Rosenblatt, cumplió dos años, padre e hija empezaron un ritual de aniversario consistente en una serie de preguntas fijas: él filmaba y preguntaba, ella respondía ante la cámara. Elaborada a lo largo de diecisiete años, el resultado de esta conmovedora obra deja lucir el amor del cineasta, pero también el peso de una mano maestra en el ensamblaje de los fragmentos temporales.
Sound
Cuando Ella, la hija de Jay Rosenblatt, cumplió dos años, padre e hija empezaron un ritual de aniversario consistente en una serie de preguntas fijas: él filmaba y preguntaba, ella respondía ante la cámara. Elaborada a lo largo de diecisiete años, el resultado de esta conmovedora obra deja lucir el amor del cineasta, pero también el peso de una mano maestra en el ensamblaje de los fragmentos temporales.
Editor
Cuando Ella, la hija de Jay Rosenblatt, cumplió dos años, padre e hija empezaron un ritual de aniversario consistente en una serie de preguntas fijas: él filmaba y preguntaba, ella respondía ante la cámara. Elaborada a lo largo de diecisiete años, el resultado de esta conmovedora obra deja lucir el amor del cineasta, pero también el peso de una mano maestra en el ensamblaje de los fragmentos temporales.
Director of Photography
Cuando Ella, la hija de Jay Rosenblatt, cumplió dos años, padre e hija empezaron un ritual de aniversario consistente en una serie de preguntas fijas: él filmaba y preguntaba, ella respondía ante la cámara. Elaborada a lo largo de diecisiete años, el resultado de esta conmovedora obra deja lucir el amor del cineasta, pero también el peso de una mano maestra en el ensamblaje de los fragmentos temporales.
Producer
Cuando Ella, la hija de Jay Rosenblatt, cumplió dos años, padre e hija empezaron un ritual de aniversario consistente en una serie de preguntas fijas: él filmaba y preguntaba, ella respondía ante la cámara. Elaborada a lo largo de diecisiete años, el resultado de esta conmovedora obra deja lucir el amor del cineasta, pero también el peso de una mano maestra en el ensamblaje de los fragmentos temporales.
Director
Cuando Ella, la hija de Jay Rosenblatt, cumplió dos años, padre e hija empezaron un ritual de aniversario consistente en una serie de preguntas fijas: él filmaba y preguntaba, ella respondía ante la cámara. Elaborada a lo largo de diecisiete años, el resultado de esta conmovedora obra deja lucir el amor del cineasta, pero también el peso de una mano maestra en el ensamblaje de los fragmentos temporales.
Self
Una ‘coincidencia’ alucinante que se remonta veinticinco años atrás finalmente lleva al director de la película a localizar a su clase de quinto curso (y al profesor del grupo), para ver qué recuerdan de un incidente de acoso escolar que tuvo lugar hace cincuenta años. De una manera lúdica pero emotiva al mismo tiempo, el cineasta comienza a comprender su complicidad en aquellos hechos y al acosador que todos llevamos dentro.
Director of Photography
Una ‘coincidencia’ alucinante que se remonta veinticinco años atrás finalmente lleva al director de la película a localizar a su clase de quinto curso (y al profesor del grupo), para ver qué recuerdan de un incidente de acoso escolar que tuvo lugar hace cincuenta años. De una manera lúdica pero emotiva al mismo tiempo, el cineasta comienza a comprender su complicidad en aquellos hechos y al acosador que todos llevamos dentro.
Producer
Una ‘coincidencia’ alucinante que se remonta veinticinco años atrás finalmente lleva al director de la película a localizar a su clase de quinto curso (y al profesor del grupo), para ver qué recuerdan de un incidente de acoso escolar que tuvo lugar hace cincuenta años. De una manera lúdica pero emotiva al mismo tiempo, el cineasta comienza a comprender su complicidad en aquellos hechos y al acosador que todos llevamos dentro.
Writer
Una ‘coincidencia’ alucinante que se remonta veinticinco años atrás finalmente lleva al director de la película a localizar a su clase de quinto curso (y al profesor del grupo), para ver qué recuerdan de un incidente de acoso escolar que tuvo lugar hace cincuenta años. De una manera lúdica pero emotiva al mismo tiempo, el cineasta comienza a comprender su complicidad en aquellos hechos y al acosador que todos llevamos dentro.
Director
Una ‘coincidencia’ alucinante que se remonta veinticinco años atrás finalmente lleva al director de la película a localizar a su clase de quinto curso (y al profesor del grupo), para ver qué recuerdan de un incidente de acoso escolar que tuvo lugar hace cincuenta años. De una manera lúdica pero emotiva al mismo tiempo, el cineasta comienza a comprender su complicidad en aquellos hechos y al acosador que todos llevamos dentro.
Director
Director
The Kodachrome elegies is a short documentary about a lost film stock, the loss of innocence and the end of an era.
Director
An imagined therapy session that obliquely suggests the seeds of "Trump" and the subsequent fear and anxiety he evokes.
Director
An unscientific and comedic study of what happens when two people are hypnotized leading into an exhilarating journey into the unconscious mind (the repository for fears, desires, aggression, dreams) where all the images, sounds and music are from found footage.
Editor
Three women are in enclosed psychological zones that function as both refuge and jail.
Producer
Three women are in enclosed psychological zones that function as both refuge and jail.
Director
Three women are in enclosed psychological zones that function as both refuge and jail.
Director
INQUIRE WITHIN is a hypnotic, apocalyptic examination of false choices, double binds, vulnerability and faith.
Director
Found Footage Rock Video
Editor
An old man reflects on his entire life. How quickly it all goes by.
Producer
An old man reflects on his entire life. How quickly it all goes by.
himself
An old man reflects on his entire life. How quickly it all goes by.
Director
An old man reflects on his entire life. How quickly it all goes by.
Editor
The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.
Writer
The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.
Director
The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.
Director
A father takes us through one year of trying to teach a preschooler how to make a film.
Director
When Stacey Ross unexpectedly died in 2007, her friends contacted filmmaker Jay Rosenblatt to complete a project she had only just begun. The result is FOUR QUESTIONS FOR A RABBI, a film that touches upon issues of identity, persecution and mortality.
Camera Operator
Caveh Zahedi tells the story of a contentious encounter with a college security guard, a story about a moment's lapse into racism. The film attempts to shed light on the mental process by which racism becomes internalized.
Director
Newsreels, commercials, and home movies are used to study the life and influence of Anita Bryant.
Director
A film about fear and anxiety.
Official Selection, Toronto International Film Festival
Editorial Consultant
Historia autobiográfica en clave de comedia sobre la adicción al sexo del cineasta Caveh Zahedi.
L.A. Therapist
Historia autobiográfica en clave de comedia sobre la adicción al sexo del cineasta Caveh Zahedi.
Director
The death of my seven-year-old brother when I was nine remains a painful and haunting memory. My parents did not know how to cope with the loss of their child and the entire family experienced indescribable pain. Phantom Limb uses this personal story as a point of departure. Whether it is a loss through death or divorce, the stages of grieving are the same. Individuals often go through denial, anger, bargaining, depression and, ultimately, some kind of acceptance, in order to heal. The film is loosely structured according to these stages. Interspersed throughout this poetic documentary are interviews with a cemetery owner, a phantom limb patient and an author of a book about evidence for life after death. Phantom Limb reminds viewers that while grief is painful and isolating, it is a reminder to each of us that life is impermanent. - Jay Rosenblatt
Director
... because it's Halloween.
Director
A two year old, an ice cream cone and a clean, white shirt.
Director
A film about fatherhood and the bond between a father and his infant daughter. The filmmaker documents the first eighteen months of the child’s life, showing the progression from newborn to infant to toddler.
Director
Faith and fear. Duck and cover. One response to 9/11.
Official Selection, Toronto International Film Festival
Director
A collection of shorts made by various directors in response to 9/11.
Director
Exploring imagination, memories, dreams, or past lives of Pinky the cat.
Director
An off-screen narrator remembers a time he was five years old, walking to school in a heavy rain, wearing a yellow slicker and cap. He relates to us that a boy he'd never seen before ran up to him and said that it was raining worms. Our lad of five is on the cusp between believing anything he hears and entering the age of reason. He asks for proof. He holds out his hand.
Director
Take a chance. Don't do it. This is America. Do it.
Narrator
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
Editor
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
Producer
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
Writer
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
Director
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
Director
The trials and tribulations of truly independent filmmaking and the quest for the perfect shot.
Director
Human Remains is a haunting documentary which illustrates the banality of evil by creating intimate portraits of five of the 20th century's most reviled dictators. The film unveils the personal lives of Adolf Hitler, Benito Mussolini, Joseph Stalin, Francisco Franco and Mao Tse Tung. We learn the private and mundane details of their everyday lives -- their favorite foods, films, habits and sexual preferences. There is no mention of their public lives or of their place in history. The intentional omission of the horrors for which these men were responsible hovers over the film.
Producer
Period Piece is a 30 min. documentary about menarche--a girl's first menstrual period--which is a fundamental experience in every woman's life, yet one that is rarely celebrated. Women of different ages (8-84) and multi-cultural backgrounds tell their menarchal stories.
Director
Period Piece is a 30 min. documentary about menarche--a girl's first menstrual period--which is a fundamental experience in every woman's life, yet one that is rarely celebrated. Women of different ages (8-84) and multi-cultural backgrounds tell their menarchal stories.
Editor
A haunting documentary on the pains of growing up male. It explores the inner and outer cruelties that boys perpetrate and endure. The film provokes the viewer to reflect on how our society can deprive boys of wholeness.
Director
A haunting documentary on the pains of growing up male. It explores the inner and outer cruelties that boys perpetrate and endure. The film provokes the viewer to reflect on how our society can deprive boys of wholeness.
Editor
A woman is reduced to tears. She bends over backwards trying to be a good wife and mother. Her head is cut off from her heart. A doctor picks her brain. A boy inherits his mother's depression. Short of Breath is a haunting, emotional collage about birth, death, sex and suicide. It's like a punch in the stomach.
Writer
A woman is reduced to tears. She bends over backwards trying to be a good wife and mother. Her head is cut off from her heart. A doctor picks her brain. A boy inherits his mother's depression. Short of Breath is a haunting, emotional collage about birth, death, sex and suicide. It's like a punch in the stomach.
Director
A woman is reduced to tears. She bends over backwards trying to be a good wife and mother. Her head is cut off from her heart. A doctor picks her brain. A boy inherits his mother's depression. Short of Breath is a haunting, emotional collage about birth, death, sex and suicide. It's like a punch in the stomach.
Director
A haunting and humorous film about romantic relationships and insects.
A 'dog-u-mentary' about birth, loss and near death. The film follows three adults and a dog named Lola through Lola's pregnancy, the birth of her puppies, and the loss of each puppy to their new owners. Often funny and ultimately sad, the piece explores our love and attachments to dogs and our projections onto animals.
Editor
A 'dog-u-mentary' about birth, loss and near death. The film follows three adults and a dog named Lola through Lola's pregnancy, the birth of her puppies, and the loss of each puppy to their new owners. Often funny and ultimately sad, the piece explores our love and attachments to dogs and our projections onto animals.
Producer
A 'dog-u-mentary' about birth, loss and near death. The film follows three adults and a dog named Lola through Lola's pregnancy, the birth of her puppies, and the loss of each puppy to their new owners. Often funny and ultimately sad, the piece explores our love and attachments to dogs and our projections onto animals.
Director
A 'dog-u-mentary' about birth, loss and near death. The film follows three adults and a dog named Lola through Lola's pregnancy, the birth of her puppies, and the loss of each puppy to their new owners. Often funny and ultimately sad, the piece explores our love and attachments to dogs and our projections onto animals.
Director
Mary Shelley’s writing combines with Boris Karloff’s performance to re-work the myth of Frankenstein. In five minutes the “monster” moves through the very human journey from self-hatred to self-acceptance.
