Katrina vanden Heuvel

Katrina vanden Heuvel

Nacimiento : 1959-10-07, New York City, New York, USA

Historia

Katrina vanden Heuvel is an American editor and publisher. She is the publisher, part-owner, and former editor of the progressive magazine The Nation. She was the magazine's editor from 1995 until 15 June 2019, when she was succeeded by D. D. Guttenplan. She is often a commentator on political television programs. Vanden Heuvel is a member of the Council on Foreign Relations, a US nonprofit think tank. She is a recipient of the Norman Mailer Prize.

Perfil

Katrina vanden Heuvel

Películas

Television Event
Executive Producer
An archive-based feature documentary viewing the dramatic climax of the Cold War through the lens of the ABC network, as it narrowly succeeds in producing the most watched, most controversial made-for-TV movie, THE DAY AFTER (1983). With irreverent humor and sobering apocalyptic vision, this film reveals how a commercial broadcaster seized a moment of unprecedented television viewership, made an emotional connection with an audience of over 100 million and forced an urgent conversation with the US President on how to collectively confront and resolve the most pressing issue of the time - nuclear proliferation.
Koch Brothers Exposed
Herself
Koch Brothers Exposed is a hard-hitting investigation of the 1% at its very worst. This full-length documentary film on Charles and David Koch—two of the world’s richest and most powerful men—is the latest from acclaimed director Robert Greenwald (Wal-Mart: the High Cost of Low Price, Outfoxed, Rethink Afghanistan). The billionaire brothers bankroll a vast network of organizations that work to undermine the interests of the 99% on issues ranging from Social Security to the environment to civil rights. This film uncovers the Kochs’ corruption—and points the way to how Americans can reclaim their democracy.
Page One, un año en The New York Times
Self
Documental sobre el periódico "The New York Times" que hace una crónica de todo un año en la legendaria publicación. Al mismo tiempo el film supone un análisis sobre el periodismo escrito en general, y la enorme transformación que éste está sufriendo en el siglo XXI con la popularización de Internet y las redes sociales, así como la necesidad de que todo periódico