Risë Stevens

Nacimiento : 1913-06-11, Bronx, New York City, New York, USA

Muerte : 2013-03-20

Historia

Risë Stevens was an American operatic mezzo-soprano. Beginning in 1938, she sang for the Metropolitan Opera in New York City for more than two decades during the 1940s and 1950s. She was most noted for her portrayals of the central character in Carmen by Georges Bizet. Born Risë Gus Steenberg, was of Norwegian descent. She studied at New York's Juilliard School for three years, and with Anna Eugenie Schoen-René. She went to Vienna, where she was trained by Marie Gutheil-Schoder and Herbert Graf. She made her début as Mignon in Prague in 1936 and stayed there until 1938, also singing in guest appearances at the Vienna State Opera. She was engaged as a member of the Vienna State Opera ensemble at the Teatro Colón and was invited to the Glyndebourne Festival in 1939. In 1938, she made her début with the Metropolitan Opera on tour in Philadelphia. Three weeks later , she sang at the Metropolitan Opera in New York City. The film industry in Hollywood produced several films for her, including The Chocolate Soldie, and Going My Way with Bing Crosby. Other roles included Fricka in Wagner's The Ring of the Nibelung, Marfa in Mussorgsky's Khovanshchina, Giulietta in The Tales of Hoffmann, and Prince Orlovsky in Die Fledermaus. Her acclaimed RCA Victor recording of the complete opera Carmen, conducted by Fritz Reiner and co-starring Jan Peerce, Robert Merrill and Licia Albanese remains a best-seller and has been continuously available since its original 1951 release. She also appeared in Paris, London, and the London Palladium. Her farewell performance at the Metropolitan was as Carmen, in 1961. She toured the U.S. annually for several decades singing recitals. In 1962, she recorded the voice of Glinda for Journey Back to Oz, but the production ran out of money and was halted for more than four years. It was only after the Filmation studio had made profits on their numerous television series that they were able to finish the project (which was copyrighted 1971, released in 1972 in the United Kingdom and in 1974 in the United States). After her retirement from the opera stage, Stevens served as General Manager of the Metropolitan Opera National Company until 1966 and later coached the new generation of singers at the Met. Stevens made occasional television appearances too, including a guest-starring role on NBC's The Martha Raye Show. Stevens was awarded the University of Pennsylvania Glee Club Award of Merit, which was established in 1964, and is sought "to bring a declaration of appreciation to an individual each year that has made a significant contribution to the world of music and helped to create a climate in which our talents may find valid expression". She was a Kennedy Center Honoree in 1990. She has been the subject of two biographies, Kyle Crichton Subway to the Met and John Pennino 1999 Rise Stevens: A Life in Music.

Películas

Regreso al maravilloso mundo de Oz
Glinda, the Good Witch (voice)
Dorothy regresa al país de Oz para defender la ciudad de Esmeralda , que vive bajo la amenaza de ataque de la maléfica bruja Mombi y su ejército de elefantes verdes mágicos. Secuela oficial de la película de 1939 producida por MGM, inspirada en la segunda novela de Frank Baum y con las voces de, entre otros, Liza Minelli.
Carnegie Hall
Risë Stevens
Nora, una joven irlandesa y melómana, trabaja en el Carnegie Hall como chica de la limpieza. Está enamorada de Tony Salerno, un pianista dotado pero rebelde que se enfrenta con el director de orquesta por la diferente concepción que tiene de la interpretación de una pieza de Tchaikovski. Tras la muerte de Tony, la protagonista sigue trabajando en el Carnegie Hall, y se obsesiona con que su hijo, también llamado Tony, triunfe como concertista de piano. Nora lleva todas las noches al pequeño al Carnegie Hall, convirtiendo el edificio en la mejor escuela de música posible.
Siguiendo mi camino
Genevieve Linden
Historia de un simpático cura y su actividad a favor de su parroquia, así como las discrepancias con otro sacerdote mayor y más severo
We Must Have Music
Herself
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
The Chocolate Soldier
Maria Lanyi
Maria and Karl Lang are the singing duo of Vienna. Maria is very flirtatious and Karl very jealous. Karl decides to masquerade as a Russian guardsman and attempts to make Maria flirt with him - to test her loyalty to him - as the Russian, Karl makes a vigorous attempt to seduce Maria. For a moment she accepts then rejects. Karl is left in turmoil...