Producer
The persecution, kidnapping and murder of Assyrian Christians in Iraq is tragically increasing!
Director
The persecution, kidnapping and murder of Assyrian Christians in Iraq is tragically increasing!
The persecution, kidnapping and murder of Assyrian Christians in Iraq is tragically increasing!
Producer
A two-part documentary on the global problem of human trafficking and the modern-day abolitionists who are fighting it based on the book, Not For Sale, by David Batstone.
Director
A two-part documentary on the global problem of human trafficking and the modern-day abolitionists who are fighting it based on the book, Not For Sale, by David Batstone.
Director
En 1866, en Nuevo México, Jack Fowler (Randy Travis), un granjero que sobrevivió a la Guerra de Secesión (1861-1865), está a punto de perder la vida cuando un borracho le dispara al confundirlo con el famoso pistolero Jack Cole. Aunque Jack mata al individuo en legítima defensa, un grupo de hombres encabezados por un tal Lucas (Ernest Borgnine) lo buscan para llevarlo ante la justicia. Mientras tanto, Fowler, que ha resultado herido en el enfrentamiento, huye y se refugia en la granja de Fiona (Stella Stevens), la novia del sheriff Hank Bowman (Eric Roberts). La situación se complica cuando entra en escena el auténtico Jack Cole.
Director
Una antigua profecía está a punto de cumplirse, dado que un código secreto puede llevar al mundo al borde del Apocalipsis. Gillen Lane (Casper Van Dien) es un experto en teología y mitología, que ha ganado fama mundial como conferenciante y deberá conseguir el código antes que lo haga un oscuro personaje que persigue sembrar el caos en el mundo.
Director
Robert Marcarelli - In this impressive drama, starring Gary Cooper, we follow Saul the angry zealot to Paul the servant of Christ, who will pay any price to bring his message to the world. - Garry Cooper, Leon Lissek, Kermit Christman
Director
Filmed entirely on location in Israel, here is the epic and miraculous life story of Jesus Christ, from his birth to his crucifixion and ascension.
Director
For reporter Tom Edwards, the eye of the storm was where he least expected it.
Screenplay
Matthew Cameron (Jay Richardson) is a lawyer undergoing a midlife crisis despite having a seemingly perfect life with his wife, advertising executive Jessica (Candy Clark), and his young son. When he champions a homeless shelter facing eviction, his problems only deepen. Matthew faces pressure from Jessica, whose agency is representing the corporate honcho pushing the eviction, and Matthew is forced to question his values and loyalties.
Director
Matthew Cameron (Jay Richardson) is a lawyer undergoing a midlife crisis despite having a seemingly perfect life with his wife, advertising executive Jessica (Candy Clark), and his young son. When he champions a homeless shelter facing eviction, his problems only deepen. Matthew faces pressure from Jessica, whose agency is representing the corporate honcho pushing the eviction, and Matthew is forced to question his values and loyalties.
Executive Producer
Bernie Fishbine is overweight. He stops at the neighborhood store to buy some chocolate kisses every day. This is where he meets Theresa Garabaldi. Then they take the same bus route every evening. Theresa invites Bernie to see her play piano at her father's restaurant. It is here that she gets him to join a gym. Theresa is in college and gets the idea to write about Bernie's weight problem for her thesis. She does this without telling Bernie. Meanwhile, Bernie is falling in love with Theresa, and vice versa.
Director
Bernie Fishbine is overweight. He stops at the neighborhood store to buy some chocolate kisses every day. This is where he meets Theresa Garabaldi. Then they take the same bus route every evening. Theresa invites Bernie to see her play piano at her father's restaurant. It is here that she gets him to join a gym. Theresa is in college and gets the idea to write about Bernie's weight problem for her thesis. She does this without telling Bernie. Meanwhile, Bernie is falling in love with Theresa, and vice versa.
