Set Designer
Regarded as ‘Britain’s greatest living playwright’ (Times), Tom Stoppard’s critically acclaimed new play Leopoldstadt is a passionate drama of love, family and endurance. At the beginning of the 20th century, Leopoldstadt was the old, crowded Jewish quarter of Vienna, Austria. But Hermann Merz, a factory owner and baptised Jew now married to Catholic Gretl, has moved up in the world. We follow his family’s story across half a century, passing through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany and the Holocaust. A company of 40 actors represent each generation of the family in this epic, but intimate play. Filmed live on stage in London’s West End, ‘Tom Stoppard’s masterpiece is magnificent’ (Independent) and should not be missed. A production from Sonia Friedman Productions.
Production Design
Graham Vick devises a version of La Bohème set in modern-day Athens, transporting Puccini’s beloved opera from 19th century Paris to 21st century Exarchia. The faces of the four ambitious young artists and their camaraderie are known to all. Their problems, concerns, jokes were run of the mill back then; they remain so even today. Rodolfo’s ill-fated love for Mimi assumes an unexpected tragic dimension given that their tale could be played out in the apartment right next door; right among us.
Costume Design
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
Set Designer
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
Set Designer
Elijah Moshinsky's production of Saint-Saëns's "Samson et Dalila", recorded live at the Metropolitan Opera 28 September 1998. Plácido Domingo and Olga Borodina star as Samson and Dalila with Sergei Leiferkus as Grand-prêtre de Dagon, Richard Paul Fink as Abimélech, and René Pape as Un vieillard hébreu. James Levine conducts.
