Marcela Fernández Violante
Nacimiento : 1941-06-09, Mexico City, Mexico
Historia
Marcela Fernández Violante (born June 9, 1941) is a Mexican filmmaker and director. She is a graduate of the University Centre for Cinematographic Studies (CUEC), where she specialized in scripting and direction. Upon graduation from CUEC, Violante participated in the documentary about Mexican artist Frida Kahlo, which won an Ariel Award for “Best Documentary".
She participated as a student in the filming of the documentary El grito, by director Leobardo López Aretche on the events that culminate the tragedy of the events that happened in Tlatelolco on October 2nd, 1968. On October 2nd, 2018, it was announced that a remastered version of this film would be shown at FICM.
Violante participated in making the documentary Frida Kahlo based on the work of the Mexican painter. She was the first woman to address the topic of Frida Kahlo . This documentary won the Silver Goddess Award and an Ariel award for best debut opera, as well as the prize for the best short film at the Guadalajara film festival in 1973. It won the special jury prize at the London festival in 1974, and was exhibited at the Solomon R. Guggenheim Museum in New York later that year. In 1974, Violante began filming De todos modos Juan te llamas (Anyway, Juan is your name), the first feature film to be produced by UNAM. The film deals with the topic of the Cristero War in the Mexican Shoal in 1927, and the consolidation of the PRI as the ruling party.
Under the policy of freedom of expression in cinema, president Luis Echeverría agreed that the film could be commercially exhibited even though it severely criticized the Catholic Church and the Mexican Army. The film appeared at an exhibition in a New York film festival in 1976 and at the Havana film festival later in December.
In 1974, Violante became a professor of scriptwriting and filmmaking subjects of CUEC. She became a director there from 1984 to 1988. According to El Universal, in 1980 she expelled Alfonso Cuarón from CUEC, finding his documentary Vengeance is mine to be pretentious. Violante collaborated as a speaker at universities such Loyola in New Orleans, UCLA in California and NYU in New York. She is the General Secretary of the Union of Film Production Workers of the Mexican Republic (STPC), a member of the General Society of Writers of Mexico (SOGEM), and President of the Matilde Landeta cultural association.
Herself
Get to know the work of some women who were part of the first generations of one of the most important filmmaking schools in the world.
Screenplay
Tras regresar de un viaje, Eugenia, una joven dentista, se halla ante un panorama desolador, pues, aprovechando su ausencia, una banda de ladrones encabezados por un temible individuo apodado "El Simio", que calza botas de piel de víbora, ha saqueado su casa. Por desgracia, entre los objetos robados se encuentra un álbum de fotografías personales, lo que en especial motiva a Eugenia a tratar de recuperar sus pertenencias, pues este objeto representa sus recuerdos vivos desde la infancia. (FILMAFFINITY)
Director
Tras regresar de un viaje, Eugenia, una joven dentista, se halla ante un panorama desolador, pues, aprovechando su ausencia, una banda de ladrones encabezados por un temible individuo apodado "El Simio", que calza botas de piel de víbora, ha saqueado su casa. Por desgracia, entre los objetos robados se encuentra un álbum de fotografías personales, lo que en especial motiva a Eugenia a tratar de recuperar sus pertenencias, pues este objeto representa sus recuerdos vivos desde la infancia. (FILMAFFINITY)
Director
Documental que conmemora los cien años del cine en Latinoamérica y nos habla sobre los orígenes y el desarrollo del cine en este subcontinente. Su estructura está basada en 12 cortometrajes dirigidos por varios directores latinoamericanos. Estos son: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray y David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri y Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.
Writer
Through the montage of film fragments from the Mexican Golden Cinema, pain, violence, repressed sexuality and Mexicanness are explored. This production is part of a twelve-short film project entitled "Enredando Sombras".
Director
Through the montage of film fragments from the Mexican Golden Cinema, pain, violence, repressed sexuality and Mexicanness are explored. This production is part of a twelve-short film project entitled "Enredando Sombras".
Writer
A bureaucrat gets a house and even a car on credit thanks to the support of a compadre who is a union leader, but then has difficulty paying because he is fired in a job cut despite the many years he has been working.
Director
A bureaucrat gets a house and even a car on credit thanks to the support of a compadre who is a union leader, but then has difficulty paying because he is fired in a job cut despite the many years he has been working.
Writer
A taxi driver goes missing after driving a passenger out of town.
Director
A taxi driver goes missing after driving a passenger out of town.
Writer
Obra que narra las aventuras de un niño blanco o "chavochi" en la sierra Tarahumara en el Estado de Chihuahua, esta película denuncia la explotación maderera y la miseria de los indios Tarahumaras.
Director
Obra que narra las aventuras de un niño blanco o "chavochi" en la sierra Tarahumara en el Estado de Chihuahua, esta película denuncia la explotación maderera y la miseria de los indios Tarahumaras.
Producer
The abuse of authority and the employer of a mining town make workers, influenced by reading articles from Ricardo Flores Magon in newspaper Regeneration, organize clandestinely and mutiny against the US, owner of the mine, which is refuses to rescue a group of workers trapped by a landslide.
Writer
A soap opera actor is mixed in a real drama very similar to what he represents in his work.
Director
A soap opera actor is mixed in a real drama very similar to what he represents in his work.
Writer
Based on a true story in the American owned Cananea mine. It depicts how the owner profits while the Mexican workers struggle to survive and are exploited for their labour.
Director
Based on a true story in the American owned Cananea mine. It depicts how the owner profits while the Mexican workers struggle to survive and are exploited for their labour.
Writer
Visión analítica de uno de los conflictos menos tratados por la cinematografía nacional: el movimiento cristero que se desarrolló en las regiones del occidente de México entre 1926 y 1929, resaltando la imposibilidad de serle fiel tanto a la Iglesia, como al Estado.
Director
Visión analítica de uno de los conflictos menos tratados por la cinematografía nacional: el movimiento cristero que se desarrolló en las regiones del occidente de México entre 1926 y 1929, resaltando la imposibilidad de serle fiel tanto a la Iglesia, como al Estado.
Writer
Short documentary on Frida Kahlo's life, illness, art, love and death.
Director
Short documentary on Frida Kahlo's life, illness, art, love and death.
Director
What would have been Fernández Violante's first feature film, its production was halted due to the events of 1968. Presumably converted into a short film. It is considered lost.
Director
Student short film. Unknown plot.
Director
Student short film. Unknown plot
Editor
The daily experiences of a girl focused on her family problems
Writer
The daily experiences of a girl focused on her family problems
Director
The daily experiences of a girl focused on her family problems