David Nordstrom

Wade is an aimless surfer who chases his whims up and down the California coast. When he returns to his former hometown, he takes the opportunity to visit his ex, who has moved on, and is wary of his attempt to reconnect. Wade sets out to regain her trust, but his old ways quickly come calling.

Wade is an aimless surfer who chases his whims up and down the California coast. When he returns to his former hometown, he takes the opportunity to visit his ex, who has moved on, and is wary of his attempt to reconnect. Wade sets out to regain her trust, but his old ways quickly come calling.

En el otoño de 2010 todos los que estudiaron en el noveno grado “C” de una escuela localizada en Enskede, Estocolmo, asistieron a la reunión de ex-alumnos tras 20 años de haber regresado. Excepto Anna Odell, a quien no invitaron. Anna fue objeto de intimidaciones, burlas y acoso por parte de sus compañeros durante los primeros nueve años de su vida escolar. ¿Por qué fue ella la única excluida del encuentro? ¿Qué es lo que sus ex-compañeros querían evitar? Återträffen, dirigida por la artista Anna Odell, se enfoca en las jerarquías y estructuras de poder en los grupos. Trayendo el pasado al presente, entre la ficción y la no ficción, Återträffen plantea preguntas sobre el acoso, el miedo, la valentía, la identidad y el sentido de pertenencia.

Duncan es un hombre que tiene un demonio dentro de sus intestinos, un mal que le causa estragos internos hasta que, durante una sesión de terapia, Duncan le da permiso para salir. Highsmith, el psicólogo de Duncan, explica que el demonio es la personificación de su ansiedad. Al permitirle salir ha abrazado a su demonio interior y, por tanto, le asigna el nombre de Milo.

Friends Cory and Anna are drifting through life, struggling to find their place. Cory is sick of life in the desert and wants to be on a reality show so he can prove to his brother that he isn't a screw-up. Anna is in the country illegally, selling sex to save enough money to take her citizenship test. When Cory's brother visits and Anna's dying grandmother takes a turn for the worst, the two are forced to examine the direction of their lives

A story centered on a young guy who ineptly runs the family construction business by day and begrudgingly acts as caretaker for his father by night.

The Murder of Hi Good is a true-crime revisionist western set in Northern California, 1870. It details the eventual murder of California’s most notorious Indian hunter; Hiram Good. Most historians believe that his indentured servant “Indian Ned” killed him, a native boy whom he’d raised as a son. It’s suspected that Ned was influenced by the nearby Mill Creek Indians or “diggers”, who were struggling to eke out an existence on their ancestral lands.

After a year of heartbreak and loneliness, Erin and Cal have forgotten enough of each other's flaws to get back together. They take what they hope will be a romantic camping trip in Sequoia National Park. Alone in the majestic landscape, they begin to revisit their past relationship. As cracks start to show each is left wondering whether the other has changed enough to make it work this time.

Fresh out of the Navy, Pete Church returns to his hometown on Thanksgiving to track down an alcoholic father he hasn’t seen in years. Unable to pick up the scent on his own, he calls his older brother Bob who has remained in town building a business and a family. The estranged siblings hit a series of old bars, but while Pete is intent on finding their father, Bob just wants to drink and reconnect with his little brother. Along the way, they’re joined by Gene, a barroom hustler. He promises to lead the brothers to their father (as long as they buy the beer). Desperate, they accept Gene’s half-cocked guidance through the small town dives. As the quest falters, the drinking increases; old grievances arise, and the brothers must face the past and each other.

Fresh out of the Navy, Pete Church returns to his hometown on Thanksgiving to track down an alcoholic father he hasn’t seen in years. Unable to pick up the scent on his own, he calls his older brother Bob who has remained in town building a business and a family. The estranged siblings hit a series of old bars, but while Pete is intent on finding their father, Bob just wants to drink and reconnect with his little brother. Along the way, they’re joined by Gene, a barroom hustler. He promises to lead the brothers to their father (as long as they buy the beer). Desperate, they accept Gene’s half-cocked guidance through the small town dives. As the quest falters, the drinking increases; old grievances arise, and the brothers must face the past and each other.

Fresh out of the Navy, Pete Church returns to his hometown on Thanksgiving to track down an alcoholic father he hasn’t seen in years. Unable to pick up the scent on his own, he calls his older brother Bob who has remained in town building a business and a family. The estranged siblings hit a series of old bars, but while Pete is intent on finding their father, Bob just wants to drink and reconnect with his little brother. Along the way, they’re joined by Gene, a barroom hustler. He promises to lead the brothers to their father (as long as they buy the beer). Desperate, they accept Gene’s half-cocked guidance through the small town dives. As the quest falters, the drinking increases; old grievances arise, and the brothers must face the past and each other.

A pair of Japanese siblings get stranded in small-town California and become friends with other twentysomethings they meet, despite the complete lack of a common verbal language.

A young man visits an old (and older) friend at his apartment. They share a few drinks, and reminiscences turn to recriminations.

The story of an aspiring young Hollywood actor who, while hitchhiking to see his agent, is picked-up by a lecherous, cynical Cary Grant.

A man, disillusioned with his life and bored by his surroundings, mysteriously finds himself in a barren desert. After making his way back to civilization, and encountering a handful of local personalities, the man decides to abandon his former life and reinvent himself as the owner of a junkyard in a ghost town. After his initial euphoria subsides, loneliness and boredom set in, and the man is compelled to spend a few days in a nearby town. There he meets a waitress and her brother, who introduce him to another form of desert existence.

Home is the place where, when you have to go there, They have to take you in.