Jan Łomnicki

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.

Set in 1942, The Jewish wife she worked for before the war hires her to take her young daughter to the countryside until the war is over.

1945. Soviet offensive is approaching Cracow. Local resistance cooperate despite political differences to save the city from destruction planned by Germans.

1945. Soviet offensive is approaching Cracow. Local resistance cooperate despite political differences to save the city from destruction planned by Germans.

1944. Three wounded officers from both sides of political conflict meet in the hospital where the staff is politically divided too.

1944. Three wounded officers from both sides of political conflict meet in the hospital where the staff is politically divided too.

The main character has quit school, makes a living by taking pictures. He seduces a nurse who treated his head wound which he earned in a fight. They witness a hit-and-run driver killing a little girl on a sled. He builds up an elaborate trap by putting a doll dressed as a child down the hill in the path of a car. The man hits it and thinking that he hit a child - runs. Marek takes pictures of him and tries to blackmail him to use his car for a week. He wants to use the car to win back the nurse, who could not cope with his humors...

18 years old boy struggles to make decisions about his future.

In 1969, on the occasion of the 25th anniversary of the Polish People's Republic, documentary filmmakers analyze the achievements of the past 25 years. Contemporary, color photos contrast with black and white, archival photos. Workers of different generations are the hosts of the country.

After the Second World War, a cemetery turns into a city. The camera flies over Warsaw to take a bird's-eye view of its mosaic beauty: the Old Town, Śródmieście, and modern blocks of flats. The soundtrack reflects the mood of the summer of 1965.

On the 10th anniversary of Nowa Huta, documentary filmmakers go back to the beginnings of the town's construction and the conglomerate, using archival footage from the Polish Film Chronicle. The city is born to the rhythm of seven days of creation, and the jubilee is celebrated by children - its peers and former builders.

Warsaw Central Station, 1958. A place of greetings and farewells, an intersection of people from different parts of Poland and Europe. A girl waits in vain, she goes away. Soon the station would belong to the past too.

Warsaw Central Station, 1958. A place of greetings and farewells, an intersection of people from different parts of Poland and Europe. A girl waits in vain, she goes away. Soon the station would belong to the past too.

Documental sobre la vejez a través del retrato de diferentes internos en una residencia de ancianos. La atmósfera de abatimiento, intensificada por el implacable tic-tac del tiempo, se evoca a través de imágenes repetidas, como el estribillo de una canción, el latido de un reloj, velas que se apagan y sombras en una pared.

Documental sobre la vejez a través del retrato de diferentes internos en una residencia de ancianos. La atmósfera de abatimiento, intensificada por el implacable tic-tac del tiempo, se evoca a través de imágenes repetidas, como el estribillo de una canción, el latido de un reloj, velas que se apagan y sombras en una pared.