Director
A few days before the museum reopens, director Marie Losier is invited to be the first to re-enter and film her discovery of the place. During this night at the museum, she wanders from room to room and films the enigmatic creatures she encounters - animals, works, but also the artists and accomplices she has invited. These successive apparitions compose the scenes of a surrealist film that spectators can discover in a giant projection on the façade of the museum during an exceptional evening.
Director
"Electric Storm" celebrates the beginning of electronic music marked by the 100th birthday of the Theremin - Dorit Chrysler envisioned its setting in a “Cathedral of Science” namely at CERN, the international Nuclear Research Center at Geneva. Teaming up with Film Maker Marie Losier, “Electric Storm” was filmed (by Marie on 16mm) at the CMS collider cave of CERN in mid march.
Two policemen interrupt a secret ceremony: a woman being disembowelled at the bottom of a garden to let out her inner beauty. This situation is presented in a variety of ways and all possibilities are explored.
Editor
Louis II de Barrière has been petrified in the ice since the dawn of time. We find him in a forest, luckily he is alive ! Three witch sisters try to defrost it and unravel its musical mystery. We are propelled with them in a colorful and surreal fairy tale.
Camera Operator
Louis II de Barrière has been petrified in the ice since the dawn of time. We find him in a forest, luckily he is alive ! Three witch sisters try to defrost it and unravel its musical mystery. We are propelled with them in a colorful and surreal fairy tale.
Director
Louis II de Barrière has been petrified in the ice since the dawn of time. We find him in a forest, luckily he is alive ! Three witch sisters try to defrost it and unravel its musical mystery. We are propelled with them in a colorful and surreal fairy tale.
Sound Editor
Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.
Director of Photography
Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.
Camera Operator
Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.
Writer
Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.
Director
Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.
Director
Musical performance of Felix Kubin at the piano, but not any piano... an AIR PIANO!
Director
Artist Peter Hristoff teaches painting the ay a filmmaker or theater director commandeers his actors, with the class as his playground, his stage. The students surround a field of models in handmade costumes who dance, pause, create emotions, and stage the scenes that Peter invents.
Sound
After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself.
Writer
After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself.
Director of Photography
After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself.
Director
After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself.
Writer
Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.
Editor
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.
Director of Photography
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.
Director
Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.
Director
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.
Director
This intimate portrait will reveal uncommon stories of groundbreaking visual artist and pioneer of minimalist electronic rock, Alan Vega, vocalist and composer for 1970s and 80s punk/post punk duo Suicide. Alan plays with the camera and enjoys the friendship of filmmaker Losier, while also loving, fighting and living with his family (Liz Lamere, his wife and collaborator, and their son Dante, young replica of Alan). Traces of joy, eccentricity, illumination but also deep fatigue and slow Suicide. The rock-n-roll Alan is still very alive, funny and rebellious.
Director
HERMAPHRODITE is Marie Losier's dreamy, whimsical splash of a music video for Brooklyn-based musician Marisol Limon. In it, joyful bathers take to Lake Wannsee for some summer fun in matching makeup, swimming caps and old-time bathing suits. - Tom Fritsche
Director
Bim Bam Boom Las Luchas Morenas, is about three Mexican sisters, professional wrestlers, whose lives, lived according to their own ideas, are a struggle but also a lot fun.
Producer
Bim Bam Boom Las Luchas Morenas, is about three Mexican sisters, professional wrestlers, whose lives, lived according to their own ideas, are a struggle but also a lot fun.
Director
Venice biennial, gondolas, unhappy couples, too much art. Peaches screaming an Italian opera to her sweet uninterested companion while strange poeple appear with black beards..who stays afloat?
Director
La película ilustra la paradoja según la cual 64=65.
Herself
La película ilustra la paradoja según la cual 64=65.
Director
Acclaimed mixed-media artist Chong Gon Byun uses found and discarded objects to create intricate sculptures that explore the clash between post-industrial civilization and the present consumerist culture in his surrealist oeuvre.
Director
Un retrato íntimo de la vida y la obra de un artista del performance y un músico pionero Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) y su mujer y colaboradora Lady Jaye, centrado en sus evoluciones sexuales a la par en su projecto de la pandroginia.
Editor
With George Kuchar, Marie Losier, Jason Livingston, Paul Shepard. Five winsome damsels picnic on the roof of a warehouse in charming Long Island City, a forest of skyscrapers gleaming across the river. But when a swarm of flies interrupts their feast of chocolate-covered pretzels and cream-pies, the young ladies run amok.
Director of Photography
With George Kuchar, Marie Losier, Jason Livingston, Paul Shepard. Five winsome damsels picnic on the roof of a warehouse in charming Long Island City, a forest of skyscrapers gleaming across the river. But when a swarm of flies interrupts their feast of chocolate-covered pretzels and cream-pies, the young ladies run amok.
Producer
With George Kuchar, Marie Losier, Jason Livingston, Paul Shepard. Five winsome damsels picnic on the roof of a warehouse in charming Long Island City, a forest of skyscrapers gleaming across the river. But when a swarm of flies interrupts their feast of chocolate-covered pretzels and cream-pies, the young ladies run amok.
With George Kuchar, Marie Losier, Jason Livingston, Paul Shepard. Five winsome damsels picnic on the roof of a warehouse in charming Long Island City, a forest of skyscrapers gleaming across the river. But when a swarm of flies interrupts their feast of chocolate-covered pretzels and cream-pies, the young ladies run amok.
Director
With George Kuchar, Marie Losier, Jason Livingston, Paul Shepard. Five winsome damsels picnic on the roof of a warehouse in charming Long Island City, a forest of skyscrapers gleaming across the river. But when a swarm of flies interrupts their feast of chocolate-covered pretzels and cream-pies, the young ladies run amok.
Director
Singer April March and musician Julien Gasc perform the famous French song of the title while flying over a superimposed dreamscape of clouds, birds, bubbles, smoke, and glitter.
Writer
A moving tribute to New York icon Mike Kuchar, filmed on his last day before leaving Manhattan to relocate to San Francisco
Director
A moving tribute to New York icon Mike Kuchar, filmed on his last day before leaving Manhattan to relocate to San Francisco
Director
Musical with music, musicians, muses and fishes... On a giant ferry, two mermaids (Tony Conrad and Genesis P-Orridge) play violin to attract the fish from the sea, when suddenly a giant fish with 30 dancers in its stomach lands on board. April March, the great singer appears while singing out of the fish belly while 30 costumed dancers jump around in this surreal setting ... when a fish fight ensue.. 'What a brilliant explosion of brilliance! Brilliant colors! Brilliant music! Brilliant costumes! Brilliant casting! I shall cherish this masterpiece forever!' Guy Maddin, Nov 2009 Part of the project "LIVE FILM! JACK SMITH! Five Flaming Days in a Rented World".
Director
The third in the series of experimental "horror" features, this collection features the shorts The Psychotic Odyssey of Richard Chase (1999) by Cary Burtt, J.X. Williams' Satan Claus (1975), Jason Bognacki's Loma Lynda: The Red Door (2008), Terror! (2007) by Ben Rivers, Mike Kuchar's Born of the Wind (1961), and a collaboration from Guy Maddin and Marie Losier called Manuelle Labor (2007). While not featured in the program, an extra includes the short It Gets Worse (2008) by Clifton Childree.
Director
Director of Photography
The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his youth and his association with Jack Smith. - Harvard Film Archive
Editor
The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his youth and his association with Jack Smith. - Harvard Film Archive
Director
The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his youth and his association with Jack Smith. - Harvard Film Archive
Director
A campy music video with Genesis Breyer P-Orridge and many friends, in the style of a scopitone from the early 1960s, with a wonderful cast of ten boys in sexy red singlets and girls in red tutus, all dancing with joy in a boxing ring.
A woman with an oddly hairy belly gives birth to a pair of hands in Marie Losier’s giddily inventive "portrait" of filmmaker Guy Maddin, done as a collaboration between the two iconoclasts. A longtime fan of Maddin, Losier (best known for other inventive portraits of underground film icons like Tony Conrad and George Kuchar) hoped to document him as well; "I hate my voice and face," Maddin replied, and sent her Super-8 footage of his hands instead. Losier interwove the footage into her own distinct tale, shot like a surrealist 1920s silent film. A must for fans of Losier, Maddin and ingenious cinema in general, MANUELLE LABOR was completed for the Berlin Film Festival (where Maddin was the guest of honor). - Jason Sanders A collaboration film by Marie Losier and Guy Maddin. Two sisters, five brothers, a doctor and two nurses and the miraculous birth of a pair of hands, but whose hands?
Director
A woman with an oddly hairy belly gives birth to a pair of hands in Marie Losier’s giddily inventive "portrait" of filmmaker Guy Maddin, done as a collaboration between the two iconoclasts. A longtime fan of Maddin, Losier (best known for other inventive portraits of underground film icons like Tony Conrad and George Kuchar) hoped to document him as well; "I hate my voice and face," Maddin replied, and sent her Super-8 footage of his hands instead. Losier interwove the footage into her own distinct tale, shot like a surrealist 1920s silent film. A must for fans of Losier, Maddin and ingenious cinema in general, MANUELLE LABOR was completed for the Berlin Film Festival (where Maddin was the guest of honor). - Jason Sanders A collaboration film by Marie Losier and Guy Maddin. Two sisters, five brothers, a doctor and two nurses and the miraculous birth of a pair of hands, but whose hands?
Editor
A giant pot is ascending from the sky. Twenty winsome damsels are landing on planet earth, coming out of the pot filled with two-hundred and eighty pounds of spaghetti. A battle for sauce and survival ensues.
Director
A giant pot is ascending from the sky. Twenty winsome damsels are landing on planet earth, coming out of the pot filled with two-hundred and eighty pounds of spaghetti. A battle for sauce and survival ensues.
A girl with two male companions in a room is a space where the mind's eye wanders!
Director
"The theater is about sex." At least according to Richard Foreman, the father of the Ontological Hysterical Theater. THE ONTOLOGICAL COWBOY documents Foreman’s invocation of the "manifest destiny" of the avant-garde theater, King Cowboy Rufus strolling down off San Juan Hill with a sigh, waving his handkerchief. Foreman plays himself, and the cast pantomimes his preoccupations. If "the cast and crew suffer alike," it’s all for a good cause: the violent rebirth of the American theater, with Foreman as its midwife.
Editor
In this dream portrait, George Kuchar travels through snow confetti, strobe flashes and artificial wind as he describes his weather diaries. Then, George joins Janet Leigh in the shower. Wearing a red raincoat and a shower cap, reading comic books and blowing bubbles, he laughingly describes his bathing rituals and the making of his film, HOLD ME WHILE I'M NAKED.
Director of Photography
In this dream portrait, George Kuchar travels through snow confetti, strobe flashes and artificial wind as he describes his weather diaries. Then, George joins Janet Leigh in the shower. Wearing a red raincoat and a shower cap, reading comic books and blowing bubbles, he laughingly describes his bathing rituals and the making of his film, HOLD ME WHILE I'M NAKED.
Producer
In this dream portrait, George Kuchar travels through snow confetti, strobe flashes and artificial wind as he describes his weather diaries. Then, George joins Janet Leigh in the shower. Wearing a red raincoat and a shower cap, reading comic books and blowing bubbles, he laughingly describes his bathing rituals and the making of his film, HOLD ME WHILE I'M NAKED.
Director
In this dream portrait, George Kuchar travels through snow confetti, strobe flashes and artificial wind as he describes his weather diaries. Then, George joins Janet Leigh in the shower. Wearing a red raincoat and a shower cap, reading comic books and blowing bubbles, he laughingly describes his bathing rituals and the making of his film, HOLD ME WHILE I'M NAKED.
Director
For 3 months, every day at 1pm I would hide in the copy room at work and lay my face on the xerox machine. The result: an animation of my face eating my fist.
Director
The yearly gathering at the Catherdral of St. John the Divine, shot in 16mm black and white. Cats, dogs, and perhaps a lamb, get blessed.
Director
In this dream-portrait, Mike Kuchar floats through his memories as the sea, space and sky drift past. Wrapped in odd costumes, he frolics with the imaginary creatures surrounding him, and recalls the creatures of his own imagination.
Director
The story of "Joan of Arc" is one of the most frequently told tales in cinema's hundred plus year history. This brand new version is a post-mortem/post- modern collaboration between the Great Dane Carl Dreyer and Marie Losier, who inserts herself into the 1928 film as God's greatest lover and France's most cherished martyr. A funny tragedy.
Director
In 1971, Ingmar Bergman made his only American film, THE TOUCH, starring ensemble regulars Max Von Syndow and Bibi Anderson, along with early 70's everyman Elliott Gould. In 2001, Marie Losier decided to recast herself in Gould’s role, breathing new life into Bergman’s most awkward, ill-conceived and dubious filmic endeavor.
Director
While in NYC, home sweet home, Felix Kubin came to visit as we were still working on the feature film FElix in Wonderland, and we were asked to do a performance together at PS1. So Felix wrote a new song and I proposed to do a 2h live film shoot and the audience would watch us make a film. So I gathered my family of friends from NY and we did a sort of 16mm filmed happening that I directed live. The result is DOWNLOAD YOURSELF!
Director
Film trailer made for FNC festival of Montreal in hommage to my dear friend George Kuchar. George had just passed away so I gathered my New York team who had known him with me in NYC and I shot 24 frames of each of them in a dance of joy and celebration to celebrate George in all his states.
Director
Small performance with Jackie Raynal and Marie Losier. Simply set up by Marie in an empty New York gallery, which she packed with props and shooting devices, with the idea to invite friends of her to come and shoot short films together. Good times with Jackie, trying to fold a green screen which in the end was never fold but instead allowed us to create a whole new choregraphy.
Small performance with Jackie Raynal and Marie Losier. Simply set up by Marie in an empty New York gallery, which she packed with props and shooting devices, with the idea to invite friends of her to come and shoot short films together. Good times with Jackie, trying to fold a green screen which in the end was never fold but instead allowed us to create a whole new choregraphy.
Director
An unusual meeting between two famous artists on Coney Island boardwalk and at the Freak Show Museum.
Director
In camera edit, one roll of film, a visit with my friend Brian Frye of his favorite museum with the Joseph Cornell pieces and the miniature magic room.
