Berthold Bartosch

Películas

The Idea
Producer
"Bartosch showed that animation could be poetic... It was Bartosch who first dared to give animation the dimension of a great art, trusting it to voice his pain, to lay bare his heart, to tell of his hope for a better future - which he never saw." - Alexander Alexeieff and Claire Parker, 1969
The Idea
Director
"Bartosch showed that animation could be poetic... It was Bartosch who first dared to give animation the dimension of a great art, trusting it to voice his pain, to lay bare his heart, to tell of his hope for a better future - which he never saw." - Alexander Alexeieff and Claire Parker, 1969
The Pursuit of Happiness
Mario
El Golem
Other
Clásico del cine mudo alemán que cuenta la leyenda de una estatua: el Golem. En el siglo XVI, en el gueto de Praga, vivía el Rabino Löw, mago y maestro en el arte de la nigromancia. Para evitar la expulsión de los judíos, ordenada por el Emperador Rodolfo II, modeló la figura de arcilla del Golem e invocó al espíritu de Astaharot para que le otorgará la vida. Sin embargo, cuando los judíos consiguen quedarse en la ciudad, y el Golem salva la vida del Emperador, el rabino trata de invalidar su conjuro y quitarle la vida porque ya ha realizado su cometido. Pero cuando un sirviente, cegado de amor, se la devuelve, la figura de arcilla escapa de la influencia humana y se convierte en una amenaza. Esta fascinante obra maestra del expresionismo, claro precedente del mito de Frankenstein es, seguramente, la primera gran película sobre monstruos de la historia del cine .
Communism
Director
St Francis or Nightmares and Dreams
Director
St. Francis (also known as Nightmare and Dreams and Saint Francis: Dreams and Nightmares) is a French 25 minute anti-war film directed by Berthold Bartosch. Partially financed by Thorold Dickinson, Bartosch worked on it from 1933 to 1938. Very little is known about it, to the point where there are conflicting reports on whether it was in color or in black and white. When the Nazis invaded Paris, the film was still in the editing stages. Bartosch deposited the film at the Cinémathèque Française, where it was destroyed during the Nazi occupation. Reportedly, a few still images have survived, but they are incredibly rare and aren't available online.