Marc Gadoury

Películas

G-Spotting
Director of Photography
This fun and witty documentary feature seeks to answer the decades-old question of whether the G-spot (named after German gynecologist Ernest Grafenberg) is a myth or reality. The film also tackles the question of its location within the female genitalia. Sparked by a study written by Andrea Burri (King’s College, London) in which she denounces the physical existence of a G-spot, narrator Ségolène Hanotaux sets out to interview numerous authors, citizens, subject experts, geneticists, and therapists about the subject matter thus sparking a renewed interest in this debatable arena.
Capturing Reality
Director of Photography
From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?
Black Coffee
Cinematography
Black Coffee is a 2007 Canadian documentary film examining the complicated history of coffee and detailing its political, social, and economic influence from the past to the present day. The film details how coffee is the eighth most traded legal commodity in the world. It is also the fourth most valuable agricultural commodity. However, only one cent of a $2 cup of coffee goes to the grower.[1] This inequality has helped shape the history of continents and the Cold War.
Torn Apart
Cinematography
The story of a love relationship between a brother and sister and an eventual breakup that will forever change their lives.
The Hasty Man Drinks His Tea with a Fork
Additional Camera
A blend of drama and documentary, this film follows several people caught up in the turmoil of the modern world. The drama centres on a woman who has burned out and who holds up her own despair – and her attempts to rebuild her life – as a mirror to the rest of us. With a blend of gravity and humour, Sylvie Groulx's film shows the absurdity of a society dedicated to the cult of speed at all costs.