Director
How to strike a conversation... or not.
Director
Ono Yasuomi is a cram school teacher with poor communication skills. He hopes to get married but doesn't know what ordinary means and feels awkward on dates with women. He asks Kasumi, a student who knows lots of trivia about romance, to teach him the meaning of ordinary.
Self
Documentary about the crazy cinephile Atsushi Tsuboi, vice president of the Nagoya art theatre "cinemaskhole".
Director
Izumi Hoshi (Kanna Hashimoto) is senior in high school, but she led a small yakuza group in her past. After killing her uncle's murderer with a machine gun, her yakuza group disbanded. Izumi now lives an ordinary life as a high school student and works as a manager at a cafe. A dangerous situation soon awaits for Izumi.
Screenplay
Kota and Yoko have known each other for 17 years. They finally get married and Yoko becomes pregnant. During her pregnancy, Yoko feels ill and gets a checkup. She learns that she has terminal cancer. Yoko is able to give birth and they try to smile everyday until her very last day.
Director
Kota and Yoko have known each other for 17 years. They finally get married and Yoko becomes pregnant. During her pregnancy, Yoko feels ill and gets a checkup. She learns that she has terminal cancer. Yoko is able to give birth and they try to smile everyday until her very last day.
Director
Minori Oyamada, a put-upon editor at a travel-guide publishing company, is asked by an old friend to plan her forthcoming wedding party in Hawaii. After persuading her boss that it will be a work trip, Minori departs for Hawaii with the intention to find and marry a rich man. But when Minori arrives, she encounters three different men who complicate her original goal...
Screenplay
24-year-old OL Chie Ikeshita's (Yuriko Yoshitaka) motto is to try various things to enjoy life. Chie spends her time accordingly to her motto. Chie Ikeshita then starts to date 5 different men and adjusts herself to the different situations. Up to this point, Chie never thought about marriage. She changes her thought after her friend Toshiko Hamaguchi (Anne Watanabe) gets married. Chie takes the advise of Toshiko and decides to marry one of the 5 men. She must now whittle down her choice to one man.
Director
24-year-old OL Chie Ikeshita's (Yuriko Yoshitaka) motto is to try various things to enjoy life. Chie spends her time accordingly to her motto. Chie Ikeshita then starts to date 5 different men and adjusts herself to the different situations. Up to this point, Chie never thought about marriage. She changes her thought after her friend Toshiko Hamaguchi (Anne Watanabe) gets married. Chie takes the advise of Toshiko and decides to marry one of the 5 men. She must now whittle down her choice to one man.
Screenplay
Director
The Kuroda clan is said to be in possession of a secret scroll. Legend has it that whoever can decode the scroll will rule the country. Using her body, Kasumi's mission to snatch it from them. And snatch it she does. Soon, the Kuroda clan are hot on her tail. She's eventually saved by Miyamoto, a sympathetic and exceptional swordsman. And when Hattori Hanzo puts a hit out on Kasumi, she's going to need those sword skills and all the help she can get totake on the formidable Oni clan assassins!
Production Manager
En los años 50, la capital de Japón fue atacada y casi destruida por Godzilla. Desde entonces, Japón ha disfrutado de un gran periodo de paz, pero esa paz se ve alterada cuando un submarino del ejército japonés detecta una extraña silueta en el fondo del mar que recuerda a Godzilla. Nadie acepta tal posibilidad, excepto el Comandante Tachibana quien, en su niñez, fue testigo del ataque de Godzilla, por lo que no descarta el regreso del monstruo atómico.
Sound
Through Eriko's self-imposed life cycle, the meticulous camera captures the everyday sense of life in the city of Osaka, which should be the center of the story. The tasteful direction shows us the interaction between the rational discipline of the young man who happens to meet Eriko and her intuitive senses. The composition of the film is brilliant, as if a casual description can be traced back and brought to life when it is related to a later scene.
