Saeed Akhtar Mirza

A portrait of independent filmmaker Saeed Mirza best known for cult arthouse films that tackle socio political tensions in India.

Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.

Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.

Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.

Salim was born lame. He lives with his family and is looking for a suitable groom for his sister. In the process, Salim gets pulled into a life of crime and communal violence. He wants to reform but there is no redemption for him.

An old couple, Mohan Joshi and his wife, sues their landlord for not maintaining their 'collapsing' apartment building. For this, they hire two cunning lawyers. The court case drags on for years and the lawyers milk the old couple dry, while they become rich. Back home in the society, the old couple is ridiculed for fighting the landlord, but they fight on nevertheless.

An old couple, Mohan Joshi and his wife, sues their landlord for not maintaining their 'collapsing' apartment building. For this, they hire two cunning lawyers. The court case drags on for years and the lawyers milk the old couple dry, while they become rich. Back home in the society, the old couple is ridiculed for fighting the landlord, but they fight on nevertheless.

An old couple, Mohan Joshi and his wife, sues their landlord for not maintaining their 'collapsing' apartment building. For this, they hire two cunning lawyers. The court case drags on for years and the lawyers milk the old couple dry, while they become rich. Back home in the society, the old couple is ridiculed for fighting the landlord, but they fight on nevertheless.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

Arvind Desai es el único hijo de un rico hombre de negocios que trabaja con productos de lujo. Sus sentimientos por su padre son ambivalentes. Aunque odia su personalidad dominante, admira su poder y su falta de escrúpulos.

Arvind Desai es el único hijo de un rico hombre de negocios que trabaja con productos de lujo. Sus sentimientos por su padre son ambivalentes. Aunque odia su personalidad dominante, admira su poder y su falta de escrúpulos.

A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.