Tía 1
David Green (Jordan Belfi), un estadounidense standupero en sus treintas, recibe repentinamente una casa como herencia en México. Su plan de vender la casa y volver a Estados Unidos de inmediato, se detiene al conocer a Sol (Ana Claudia Talancón) y descubrir junto a ella grandes secretos de su pasado
Doña Cruz
Víctor, un exitoso y prestigiado empresario, vive obsesionado por la leyenda que una mujer indígena le relató en su infancia. Su vida transcurre de manera convencional con una familia que sabe y reclama sus constantes infidelidades. Cuando la mujer agoniza, manda llamar a Víctor y a su hijo José Francisco, quien actualmente trabaja de chofer del primero. Ambos acuden al llamado. Sus vidas dan un giro inesperado.
Micaela
A humble restaurant owner and a farm worker seek revenge on the people that hurt their families.
Doña Lupe
A rich young lady runs away from home for her love for gambler, but fate leads her to another man.
A poetic young man's life and mental health are destroyed by his scheming, jealous older brother. This Gothic, psychological melodrama follows the events that caused his descent into madness. The decision about what to do with the ashes of their recently deceased deadbeat father plays a central role in the fraternal turmoil. At 21, Esteban is the oldest son. He eventually returns to his hometown of Curerenavaca one year after his father's funeral. Esteban loves travelling around. He arrogantly calls himself a writer and considers himself among the intellectual elite. But despite his grandiose pretensions, Esteban is decidedly lacking in talent; however, his good-hearted, humble little brother Juan is brimming with it.
Un tal Roque vive arrimado con un amigo al que causa constantes problemas con su esposa y su suegra. Para dejar de ser una carga acepta participar en un combate de box arreglado y se pone a entrenar y pelea para ganar y ser aceptado en la familia.
Martina
A man confined to a wheelchair must stop a vicious serial killer.
Madre
Nearly thirty years after making his surrealist La Formula Secreta, director Rubén Gámez returned to filmmaking with this impressionistic portrait of modern-day Mexico. Reminiscent in some ways of Godfrey Reggio’s Koyaanisqatsi, Tequila appears to be a cinematic extension of Mexico’s muralist tradition, a contemporary equivalent of Diego Rivera or David Alfaro Siqueiros with vignettes, quick ideas, visual puns, cartoons, and political statements.
Doña Jose
Mexican Christian comedy about gossip and mundane situations.
Bertha vive el sueño de toda mujer que es casarse con un hombre rico, tener hijos y todas las comodidades. Ella sospecha que su marido, un político muy poderoso, es también un asesino. A pesar de tener todo, el amor se le niega.
