Una ciudad en ruinas, detenida en el tiempo, maquillada con luces de neón y canciones de reggaetón. ¿Película sci-fi o simplemente un día más en la República Surrealista de Cuba? Siete historias autónomas retratan a La Habana en la era de posrestablecimiento de relaciones con los Estados Unidos.
Sandro is very polite yet a little unsure of himself. Luciano on the other hand is bold and sharp but has a mysterious dark side to him. They meet at a restaurant where they both work as waiters. Like many of their peers, Sandro and Luciano have the feeling Italy has little to offer and decide to seek their fortune together in Cuba, the new frontier of hope where anything is still possible.
El 31 de diciembre de 1958 un detective investiga el robo de un cuadro en la casa de una adinerada viuda habanera. La relación entre ambos, en medio de pesquisas y danzones, descubre la historia de la casa y la familia. La entrada de los barbudos a La Habana cambia el destino de las cosas.
Three stories, loosely inspired on short stories from classic Boccaccio’s Decameron, are connected by a creatively-bankrupt writer who offers money in exchange for original subjects.
The relationship between Eric and Stephanie is floundering. They decide to leave for the Republic of Santiago to visit the famous ruins. Once there, they learn that a serial killer rages on steep roads of the region, eliminating drunk drivers.
The door of Joe's bar swing open just as the clock strike six. A woman, a regular patron, floats in with an unlit cigarette between her red lips. She sits down on a high stool while Joe is busy wiping glasses. After a while he greats her as Reina, Queen.
