Vivi Gioi

Esmeralda Amadier es una cantante que vive semi-retirada en una casa en la playa, madura y conservando su belleza esta casi olvidada por el gran publico que la veneraba años atrás. Aun conserva algunas riquezas, y se puede permitir tener a un joven como amante. Convive con ella una secretaria de confianza y la visitan a menudo su hermana, su abogado y su ex-marido, todos le intentan sacar dinero de una u otra forma. El dinero se va acabando y Esmeralda se ve obligada a vender las joyas que ha ido coleccionando durante su vida. Una noche aparece un joven en su casa que la seduce. A la mañana siguiente, Esmeralda despierta aturdida, alguien ha robado sus joyas y en el baño aparece un jersey, propiedad del joven, con un disparo de bala.

Cuando están a punto de juzgar a Braddock (Furio Meniconi) por sus crímenes, su banda irrumpe en el pueblo dejando tras sí una estela de cadáveres...

Conmovedora historia sobre Edda Ciano, la hija del dictador italiano Mussolini, que fue incapaz de evitar la ejecución de su marido por los nazis.

The 19-year-old Elena, who is as pretty as she is bright, works as a rice girl for the landlord Guerrini. Having become aware of her name, he finds out that she is his illegitimate daughter of whom he knew nothing. He tries to secretly help Elena, who has fallen in love with the car mechanic Gianni. But that only creates mistrust. When Guerrini's worthless nephew harasses the girl, the situation is dramatically worse.

France, 1860. A young widow is wrongly accused of murder and, after serving many years in prison, she escapes to find the real culprit.

Women Without Names (Italian:Donne senza nome) is 1950 Italian drama film directed by Géza von Radványi and starring Simone Simon, Vivi Gioi and Françoise Rosay.[1] It is set in a displaced persons camp after the Second World War. It was made at Cinecittà in Rome.

Two Jews and their former British comrade land on opposite sides of the Palestine issue following World War II.

Immediately after the war, bandits attack a truck that is transporting newlyweds Michele and Giovanna and the accountant of an agricultural cooperative charged with bringing four million lire into office.

A shy and oppressed professor inherits a musical theater show, so he has the opportunity to change is life and find the real love.

A devoted switchboard operator is the village guardian angel.

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

Early giallo directed by Giacomo Gentilomo.

The film is set in 1941 during the Second World War, when the city of Benghazi in Italian-ruled Libya was occupied by British forces. Italian inhabitants of Benghazi work to resist the British and discover their military plans. One man, Captain Enrico Berti, appears to be collaborating with the British but is in fact working undercover for Italian intelligence. The film ends with the city being recaptured by Italian troops and their Nazi German allies.

An Italian emigrant, who found fame and success in America, comes back to his hometown after over twenty years.

Grace Peterson trabaja en los grandes almacenes "Tutto per Tutti", junto a otras muchas jóvenes. Su contrato de trabajo les da derecho a vivir en una casa de hospedaje construida específicamente para ellas por la empresa pero, por otra parte, les prohíben no enamorarse ni casarse bajo amenaza de despido inmediato. Aún así, Grace se enamora de Phil Golder, un violinista sin un centavo. El director de la residencia se dará cuenta y la mejor amiga de la muchacha se hará pasar por novia del violinista para intentar salvar a Grace del despido.

Alberto está felizmente casado con Maria. Un día recibe una llamada errónea que provocará una serie de malentendidos con su esposa.

Guido Renzi and his lawyer friend chase a beautiful girl to return a purse that he lost and after a long drive in the car reach the laboratory of an improvised astrophysicist - the girl's father - who, together with another scientist, is about to take off in the direction of Mars aboard a missile.

A famous American director is looking for a special type of girl he needs to play in his next film.

Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a cruise ticket by an aristocrat who is an old school friend, and is mistaken for the aristocrat when he uses a camera that has his friends name on it. Assia Noris plays a maid who falls in love with him because of who he is and not who others think he is. Happy ending comes when De Sica marries Noris, who is more real than the pampered society belles he has been partying with.

Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.