Edward Elgar

CONCERTO ENIGMA variaciones raymonda

This film captures Rattle's very first performance as Music Director; a programme in which British composers took centre-stage. The world-premiere of Helen Grime's Fanfares, which became the first movement of the work Woven Space, opened the concert before violinist Christian Tetzlaff took to the stage to perform the concerto written for him in 2010 by Harrison Birtwistle. Two more works close to Rattle's heart followed: Thomas Adès' Asyla and the pocket-sized Symphony No 3 by the late Oliver Knussen. Finally, Rattle's stunning interpretation of the Enigma Variations brought the concert to a close and then the audience to its feet, filling the Barbican Hall with rapturous applause.

Newman's poem tells the story of a soul's journey through death, and provides a meditation on the unseen world of Roman Catholic theology. Gerontius (a name derived from the Greek word geron, "old man") is a devout Everyman. Elgar's setting uses most of the text of the first part of the poem, which takes place on Earth, but omits many of the more meditative sections of the much longer, otherworldly second part, tightening the narrative flow.

August 1st, somewhere in the Aubonne countryside, Cécile and her ten-year-old daughter Marion have just acquired an old 1970’s Ford Taunus estate car. But the roads through the region at the heart of the north shore of Lake Geneva are much longer and strewn with pitfalls than would appear and their voyage is delayed incessantly. Perhaps, however, the way ahead will open up for Cécile and Marion once the problems have been solved. As far as the moon.

Sesenta años después de que Walt Disney creara "Fantasía", se rueda "Fantasía 2000", que une la animación más espectacular con una música de ensueño. La obra se divide en ocho partes. Una de ellas es una nueva versión de "El aprendiz de Brujo", de P. Dukas, protagonizada por Mickey Mouse. Pero hay mucho más: desde las divertidas travesuras de unos flamencos a la moderna ciudad en armonioso movimiento, un derroche de imaginación con música de fondo.

Ken Russell is often cited as one of the fathers of the music video, with Tommy (1975) widely recognised as one of the pivotal works in the development of the form. However, as the far more obscure Monitor item London Moods from 1961 proves, he was experimenting with non-narrative illustrations of pre-recorded music fourteen years earlier.