Daniel Miller

Daniel Miller

Nacimiento : 1951-02-14, Marylebone, London, England

Historia

Daniel Miller is a British music producer and founder of Mute Records.

Perfil

Daniel Miller

Películas

Swans: Where Does a Body End?
Self
From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"
Depeche Mode und die DDR
Self
Conny Plank: The Potential of Noise
When Conny died at the age of only 47, his son Stephan was just 13 years old. Twenty-five years later, together with co-director Reto Caduff, he went in search of the man he often only experienced behind the mixing desk as a child. At the same time it became the search for the artistic legacy of his father.
Para pasar un buen rato, llama...
Executive Producer
Lauren (Lauren Miller) y Katie (Ari Graynor) son dos jóvenes amigas que se van a vivir juntas a un estupendo apartamento en uno de los barrios más populares de la ciudad. Para sobrellevar los gastos y llegar a fin de mes, esta curiosa pareja tiene la idea de crear juntas una línea de teléfono erótica.
Do You Love Me Like I Love You (Part 5: Tender Prey)
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album Tender Prey (originally released in 1988). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Do You Love Me Like I Love You (Part 6: The Good Son)
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Good Son (originally released in 1990). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Do You Love Me Like I Love You (Part 1: From Her to Eternity)
Self
A short film to accompany the reissue of Nick Cave & The Bad Seeds album From Her to Eternity (originally released in 1984). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
Depeche Mode: 1983 “Teenagers Growing Up, Bad Government… and All That Stuff.”
Self
"Teenagers Growing Up, Bad Government… And All That Stuff" - While Alan Wilder becomes a full member of Depeche Mode, the band experiment with new sounds through sampling, for their third album "Construction Time Again".
Depeche Mode: 1982 “The Beginning of Their So-Called Dark Phase…”
Self
"The Beginning Of Their So-Called Dark Phase…" - A documentary about the making of the album A Broken Frame, featuring interviews with the group including former band member Vince Clarke, new live member Alan Wilder and other relevant personnel such as Daniel Miller of Mute Records. It also features vintage footage from UK television.
Depeche Mode: 1991–1994 “We Were Going to Live Together, Record Together… and It Was Going to Be Wonderful…”
Self
"We Were Going To Live Together, Record Together… And It Was Going To Be Wonderful…" - As part of the band's Documental series about their history, the documentary short about the making of Songs of Faith & Devotion and its eventual tour showcases the band moving into different directions where they nearly killed each other followed by a tour that broke the band leading to the departure of its longtime member Alan Wilder.
Depeche Mode: 1984 “You Can Get Away with Anything as Long as You Give It a Good Tune…”
Self
"You Can Get Away With Anything As Long As You Give It A Good Tune…" - Short documentary of making "Some Great Reward", the fourth studio album.
Depeche Mode: Touring the Angel — Live in Milan
Executive Producer
Depeche Mode's 'Touring The Angel' was one of the most successful, highly grossing and critically acclaimed tours of 2006. Hailed as the greatest live performances of their career, it was recorded at Milan's Fila Forum on February 18th and 19th 2006 and sees the band at their live best with a pulsing sound, electric stage presence and ecstatic audience.
Depeche Mode: 1989–90 “If You Wanna Use Guitars, Use Guitars…”
Self
"If You Wanna Use Guitars, Use Guitars…" - A 32-minute short film, entitled Depeche Mode 1989–90 (If You Wanna Use Guitars, Use Guitars), featured interviews with the band, Daniel Miller, Flood, François Kevorkian (who mixed the album), Anton Corbijn (who directed the music videos and did the album's photography/cover), and others. It also includes news footage from the infamous "riot" in Los Angeles, which gave the band media publicity the day before Violator came out.
Depeche Mode: 1987–88 “Sometimes You Do Need Some New Jokes…”
Self
"Sometimes You Do Need Some New Jokes…" - In both musical and commercial terms, Depeche Mode had been building slowly but steadily by the time of Music for the Masses in 1987. The album really did feel like a great leap forward. It was the start of a new chapter. This short film tells the story of that album, it's aftermath and the impact on the band. The DVD also contains a 5.1 surround sound mix of the original album.
Depeche Mode: 1980–81 “Do We Really Have to Give Up Our Day Jobs?”
Self
"Do We Really Have to Give Up Our Day Jobs?" - A documentary about the making of the album Speak & Spell, featuring interviews with the group including former band member Vince Clarke and other relevant personnel such as Daniel Miller. It features various vintage footage, such as appearances on Top of the Pops and BBC Speak & Spell Tour recordings.
Depeche Mode: The Videos 86-98
Self
Videos 86> 98 es una compilación de videos musicales de Depeche Mode, que presenta casi dos docenas de videos musicales dirigidos por una variedad de directores, lanzados en 1998. Coincide con The Singles 86> 98. La película original fue lanzada en VHS y DVD. Sin embargo, hubo una edición especial, solo DVD, llamada Videos 86> 98 + (sin "The" y con "+") lanzada en 2002. El DVD tenía dos discos, el primer disco era idéntico al único disco del original DVD, mientras que el segundo DVD contiene material adicional que no se encuentra en el lanzamiento original.
Depeche Mode: 101
Executive Producer
Depeche Mode se prepara para su concierto número 101 y último de su masiva gira mundial "Music for the Masses" en el Rose Bowl Stadium de Pasadena, California, mientras un grupo de seguidores que ganaron un concurso viajan al concierto por todo Estados Unidos en un autobús.
Depeche Mode: Live at the Pasadena Rose Bowl
Executive Producer
Concierto en directo del grupo inglés de música electrónica Depeche Mode, ofrecido el 18 de junio de 1988 en el estadio Rose Bowl de Pasadena (California) y correspondiente a la gira "Tour for the Masses" con motivo de su álbum "Music for the Masses" de 1987. Dará lugar al famoso álbum en directo "101" publicado en 1989, primer álbum en directo del grupo y también su primer álbum doble. Este concierto fue el número 101 -y el último- de la gira, motivo por el que este álbum recibió este título. Además sirvió de base para el documental "Depeche Mode: 101" de Pennebaker en 1989. El concierto no está completo, y únicamente se incluyen 10 de los 18 los temas que se tocaron esa noche, ya que Pennebaker desconocía totalmente al grupo hasta antes de que se le encargara el documental, y se le dio total libertad acerca de como captar al grupo. Según el site oficial de Depeche Mode, las 8 canciones restantes sólo fueron grabadas en audio para la edición del álbum.