João Eleutério

“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho

En compañía de su amigo cercano, Joao da Ega, supuestamente un escritor brillante, Carlos, con su existencia ociosa como un médico aristocrática, pasa su tiempo para disfrutar de los amigos y amantes. Hasta que se enamora. Ella es un personaje nuevo en esta novela revolucionaria. Es una pasión vertiginosa que va más allá de oscuridad pasado para llegar a un nuevo y más oscuro abismo, el incesto.

Documentary about the old people living in the highest floors of old buildings with no lifts, in Lisbon.

In greater Lisbon area, the name Cova da Moura has never been synonymous with well-being, education or prosperity. on the contrary, it has always been associated with the idea of violence, insecurity, danger or, at best, with lack of education and sheer poverty. Cova da Moura Island follows this neighbourhood's daily life, finding the cape verdean reflections in it and searching for the ways in which social exclusion is fought or perpetuated in the lives of its residents.

A journey inside the tram crossing the city of Lisbon while listening to fragments of Fernando Pessoa's poetry.

Fernando Lemo's world is fiercely stripped of any external logic, as Jorge de Sena once said. His artistic gesture blends with his own existence, where the poetic principle comes first. And with the light that insists to come through the half-closed door, the fear of life is vanquished in the battle fought with death. Thus, each word is born within another word and each image within another image. Out of how many knives is love made, the poet wonders?

Follows the creation of a stage play adaptation of "Moby Dick".