Anna Mottram

Phoebe and Dot have returned to their family home on the Isle of Wight a year after the death of their composer mother. As they prepare the house for its sale, clearing decades of family clutter, they have started to work on a site-specific performance piece about their complex relationship with their mother and her serial infidelities.

It is a year since the death of an inspirational theatre director and teacher, and his widow is struggling to come to terms with her loss. A group of close friends, many of whom are or were actors, come to spend the weekend with her to offer their support and to celebrate his memory in an entertaining and moving performance before they scatter his ashes in the garden.

It is a year since the death of an inspirational theatre director and teacher, and his widow is struggling to come to terms with her loss. A group of close friends, many of whom are or were actors, come to spend the weekend with her to offer their support and to celebrate his memory in an entertaining and moving performance before they scatter his ashes in the garden.

Late September takes place over a 24-hour period, in a beautiful Kent house and garden, and follows the course and aftermath of a birthday celebration organised by a middle-aged woman for her husband to whom she has been married for nearly 40 years. As the day and night progress, old rifts, new relationships and secrets emerge amongst friends, and the underlying tensions in the marriage can no longer be contained.

A thriller with a bit of romance and touches of black humor along the way. Greg is discovered with the dead body of his wife's lover by Marcey, a public servant moonlighting as a waitress at a party thrown by Greg for he and his wife's wedding anniversary. Marcey sets about organizing the slightly neurotic Greg in his attempts to cover up the accident.

The story centers on the life of a bordello in a midwestern prairie town in the 1870s. The whorehouse is run by pragmatic madam Annie Ryan and the film follows the life of several of her girls.

The story centers on the life of a bordello in a midwestern prairie town in the 1870s. The whorehouse is run by pragmatic madam Annie Ryan and the film follows the life of several of her girls.

A musical comedy drama about a young woman (played by Tina Leslie) rebelling against society's attitudes (including her parents, her doctor, her priest and teacher) towards people like her who are without hands or in other ways different. Everyone is trying to force her to wear artificial hands, everyone except for her disabled friend (Nabil Shaban), who assists in her revolt.

In 1940, during World War II, an officer is sent to investigate rumours of German spies in a sleepy village where various people are the victims of war hysteria.

Cuando Sam Phillips, un padre de familia normal y corriente, desaparece sin dejar rastro, sólo su hijo Tony sabe que lo hizo después de que un gran destello apareciera en el cielo. Pero cuando Sam reaparece tan súbitamente como se había ido, Tony sabe que algo ha cambiado y que ya no es un ser humano. A medida que el cuerpo de Sam se va deteriorando, por culpa de un extraterrestre oculto en su interior, su hijo se da cuenta de que debe actuar para detener al intruso y evitar que infecte a los humanos con los millones de larvas alienígenas que transporta.

Beaty es una prostituta que trabaja en un lujoso cabaret de Londres, donde Emory es técnico. Comienzan una relación agobiados por el trabajo de Beaty, la falta de dinero de Emory y el pasado de los dos: Beaty tiene un hijo de diez años que vive con su padre y un peligroso ex-novio. Emory tiene una esposa que murió en circunstancias dudosas y un turbio amigo que aparece con un plan para hacer mucho dinero. Beaty y Emory quieren ordenar sus vidas pero las probabilidades están en contra de ellos. La vida no es un cabaret.

A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.

The play tells the story of Christine Potts, who undergoes an unexpected mastectomy, and struggles to cope with the aftermath and the deficiencies of her post-operative care.

Lonely housewife takes a young lover to ease the boredom and make her overbearing husband jealous. With unexpected and violent results.