Mitsuzô Miyata

Sixth film in the series. A little boy who just wants to be a carpenter is at the center of a plot that might topple -- or save -- a mighty Clan, and while the swords of some angry samurai may not cause Kyoshiro much trouble, the deadly wiles of two women may be more difficult to survive!

[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.

In the mountain regions of Hida, the dreams of a peasant named Kyonosuke, who longed to be a samurai, come true when he becomes one of three doubles, of shadows, of Lord Yasutaka. After months of intense and cruel training, he faces his destiny when the Lord and the other two shadows are killed in battle and he must take on the role of Lord Yasutaka....

Nagasaki at the end of the Edo period had the taste of a criminal paradise, where, despite the exotic, dangerous work was always in demand. Here, three wandering samurai who earn their living by killing get to know each other. Soon they learn that government officials will be transporting a large cargo of gold and decide to steal it.

Shinjiro is a rambler, a single sword carrying lone wolf with only his fighting skills to protect him. He doesn’t know where his road leads, only that he must find his lost sister, and the ronin who stole her away. The ronin that Shinjiro has sworn to kill. On the road he’ll find his sister and test his blade against his bitter enemy. He also encounters a lost boy searching for his father, a boy he will swear to protect, and find his own lost love, a daughter of the yakuza who draws him into a frenzied and bloody battle between rival yakuza gangs for the control of a frightened town.

Warlord Oda Nobunaga seeks to unite a fractured Japan. A young man trained in the arts of ninjitsu is manipulated by a ninja master into attempting to assassinate the warlord before he completes his task.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

The film won 1959 Blue Ribbon Awards for best actor Raizo Ichikawa and for best cinematography Kazuo Miyagawa. The film also won 1959 Kinema Junpo Award for best actor Raizo Ichikawa.

A beautiful girl who seeks revenge, disguises herself by dressing up in men's clothes, geisha, etc. A young swordsman helps her uncover the plot and take revenge.

Suzunosuke faces perhaps his wildest foes. This evil gang is lead by a one-eyed birdman and other demonic creatures.

Period drama based on the novel by Saisei Murō.

A story of aristocratic star-crossed love.

A finales de la Era Heian en el siglo XII, el gobernador de un pueblo es enviado al exilio. A pesar de que su familia quiere ir con él, ninguno podrá acompañarle, pues, engañados por una vieja que se hace pasar por sacerdotisa, son vendidos como esclavos por separado: la madre por un lado y los hijos por otro.

Three short tales from stories by Ichiyo Higuchi. In one, a young woman is degraded by her family after an arranged marriage. Another deals with the troubles heaped upon a young servant by her family and the wealthy people who employ her. The final story tells of a prostitute and her hopes of finding a new, respectable life.

La joven y bella Eiko ha ido a refugiarse a un barrio de Kioto, a casa de Miyoharu, una geisha con muy buena reputación de la que Eiko quiere aprender. Ambas se hacen inseparables, pero una noche Eiko muerde a un cliente y las dos deben abandonar el barrio.

Josef von Sternberg dirigió, fotografió, escribió el guión y puso voz al narrador de esta película. En junio de 1944, siete soldados japoneses naufragan y van a parar a una remota isla del Pacífico (An-ta-han), donde pasan siete años. Los únicos habitantes de la isla son el vigilante de una plantación abandonada y su atractiva mujer. Pronto, la disciplina desparece y se impone la lucha por el poder y por la mujer.

En el Japón del siglo XVI, los campesinos Genjuro y Tobei venden sus vasijas de barro a un grupo de soldados en un pueblo cercano, desafiando la advertencia de un sabio local contra la búsqueda de ganancias en la guerra. La búsqueda de riquezas de Genjuro y de la misteriosa Lady Wakasa, así como el deseo de Tobei de convertirse en samurái, corren el riesgo de destruirlos a ellos mismos y a sus esposas, Miyagi y Ohama.

An intellectual couple in a staid and tedious marriage are surprised when the wife’s niece, who has run away from home, turns up unexpectedly to stay with them. Their mundane lives are sent into disarray by the emotional and energetic Ako.

During the ultra-violent era of the downfall of the Tokugawa Shogunate one man rose above the rest with his ideas of how to overthrow the corrupt government and end the bloodshed between the Choshu and Satsuma clans which would ultimately lead to the alliance of these 2 clans and restoration of the emperor to full power. Based on the play that made Sawada Shojiro famous, this is the story of Tsukigata Hanpeita, a forward looking samurai from Choshu, who along with Katsura Kogoro and Sakamoto Ryoma of Tosa worked to bring their dream of a new era in Japan.

During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!

Japanese film.

Shinnosuke acepta casarse con Shizu con tal de poder estar cerca de su hermana Oyu, viuda y madre de un hijo. Las costumbres japonesas prohíben que Oyu se case porque su deber es educar a su hijo para que llegue a ser el jefe de la familia de su marido. Entre los tres se creará un extraño vínculo. (FILMAFFINITY)

A Hibari Misora musical about an impoverished girl and her brother in Postwar Japan.

A period mystery in which an unconventional priest exposes the truth behind the bizarre death of a maid in the shogun's harem. Kinuyo Tanaka stylishly plays a constantly intoxicated geisha in this all-star entertainment film.

Ito Daisuke's wartime retelling of the Miyamoto Musashi story.