Producer
La batalla moderna en la sociedad serbia de la post-guerra donde se enfrenta una mentalidad tradicional, opresa y homofobia mayoritaria, contra la minoría de mente abierta y liberal que apoya el cambio. En medio de la revuelta, Radmilo y Mirko serán una joven pareja de homosexuales cuyo destino se cruza con Lemon, un gángster de mediana edad que termina por aceptarlos y unirse a su causa. Para poder celebrar la marcha del Orgullo Gay y sobrevivir a los grupos organizados de nacionalistas y neonazis, el mafioso decide reunir a conocidos suyos y preparar a sus nuevos amigos para la batalla final. Una mezcla divertida entre el tono cómico del reclutamiento y entrenamiento militar que se convierte en drama para analizar unos de los problemas persistentes en la actualidad.
Producer
The burglars Sergej and Polde steal a valuable painting, Landscape No.2. By coincidence Sergej also takes a mysterious document dating back to the end of the World War II. Instructor is ordered to recover the stolen painting and the document, which triggers a diabolic mechanism of the past.
Producer
After his wife's death a middle-aged man and his friends become increasingly agitated and violent towards the suburbs they inhabit.
Producer
Urbanity is finally erased by mythical rituals, which is determined by the very title of the video film: menhir, an upright stone block from the Neolithic, which was used for sacral rites. Man and woman are Adam and Eve, created in front of us by electronic transformation (morphing) and marked by blood. This element also marks all other elements of the video image: the murder of an individual by the menhir or trinity (politics, church, army), the bodies of the dancer. Blood, murder and death are overcome by only the second basic element: the stone, which is flooded with blood the very next moment. The fight of natural elements is also served by electronic tricks that turn power holders from flesh and blood into stone and wrong.
Producer
The author constantly depicts the duality of human nature: the same horror occurs in both the mythical and the real world. She illustrates all this with the use of electronic tricks that can, for example, petrify a human face or wall up a human being in just a few seconds. With an electronic trick, even human figures dressed in extravagant costumes return to nature: a man in a costume reminiscent of a bird turns into a real bird. At the same time, the scenes are shot from a bird's eye view, which, as always, emphasizes man's smallness and his loss in his own world and nature.
