Amiya Chakrabarty

PelĂ­culas

Kath Putli
Producer
In this Bollywood classic tearjerker, a romance for the ages blooms between the puppeteer Shivraj and the young admirer Pushpa after Shivraj loses the use of his hands and his livelihood. But love turns to resentment when Pushpa begins paying the bills with money made through her budding stage career. Will fierce pride keep them apart, or will Pushpa's faithful agent find a way to bring them together again?
Kath Putli
Writer
In this Bollywood classic tearjerker, a romance for the ages blooms between the puppeteer Shivraj and the young admirer Pushpa after Shivraj loses the use of his hands and his livelihood. But love turns to resentment when Pushpa begins paying the bills with money made through her budding stage career. Will fierce pride keep them apart, or will Pushpa's faithful agent find a way to bring them together again?
Kath Putli
Director
In this Bollywood classic tearjerker, a romance for the ages blooms between the puppeteer Shivraj and the young admirer Pushpa after Shivraj loses the use of his hands and his livelihood. But love turns to resentment when Pushpa begins paying the bills with money made through her budding stage career. Will fierce pride keep them apart, or will Pushpa's faithful agent find a way to bring them together again?
Dekh Kabira Roya
Writer
A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).
Dekh Kabira Roya
Producer
A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).
Dekh Kabira Roya
Director
A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).
Seema
Producer
Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.
Seema
Dialogue
Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.
Seema
Story
Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.
Seema
Screenplay
Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.
Seema
Director
Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.
Shahenshah
Director
Prince Rashid fights to regain his kingdom
Patita
Director
Radha earns a living begging in order to support herself and her crippled and ailing father. They live in a small tenement, under the constant threat of eviction by their landlord for unpaid rent for several months. One day, while begging, Radha meets a young man, Nirmal Chander, who would like to see her improve her status by getting employment, he even goes to the extent of assisting her find work in a mill. He subsequently invites her over to meet his mother, and asks her to marry him, to which she agrees. Nirmal also seeks the permission of her dad. When he goes to get her to make arrangements for their marriage, he finds her and her dad gone.
Daag
Director
Shankar and Paro love each other, but their relationship is strained by his drinking problem and Paro's sudden wealth.
Badal
Director
A peasant and his followers take up banditry and rebellion in response to unjust taxation from wicked deputies of the King. Robin Hood style.
Jwar Bhata
Director
Film starring Ruma Guha Thakurta, Aga Jaan and Vikram Kapoor
Basant
Writer
Uma (Mumtaz Shanti) and Babul (Suresh) are poor and homeless siblings. Both of them have got singing talent but are unable to find any job. Then they meet Nirmal who is younger brother of theater owner Janki Babu. Nirmal persuades his brother to give them a chance. After seeing their talent, Janki Babu also admires Uma and gives her leading role at his theater. Then Nirmal and Uma fall in love with each other and get married. However, Nirmal has a misunderstanding that his elder brother also likes Uma and wanted to marry her. He does not approve of Uma's job in theater but himself is struggling to find a job. Uma leaves the job and they also also leave Janki babu's house. Now they have a small baby daughter, Manju. But soon they see the true face of poverty and struggle to cope with it.
Basant
Director
Uma (Mumtaz Shanti) and Babul (Suresh) are poor and homeless siblings. Both of them have got singing talent but are unable to find any job. Then they meet Nirmal who is younger brother of theater owner Janki Babu. Nirmal persuades his brother to give them a chance. After seeing their talent, Janki Babu also admires Uma and gives her leading role at his theater. Then Nirmal and Uma fall in love with each other and get married. However, Nirmal has a misunderstanding that his elder brother also likes Uma and wanted to marry her. He does not approve of Uma's job in theater but himself is struggling to find a job. Uma leaves the job and they also also leave Janki babu's house. Now they have a small baby daughter, Manju. But soon they see the true face of poverty and struggle to cope with it.
Bandhan
Writer
Bandhan is a 1940 Indian Bollywood film directed by N.R. Acharya. It stars Leela Chitnis, Ashok Kumar and Suresh. It was the second highest grossing Indian film of 1940. It was produced by Bombay Talkies.