Candy Darling
Nacimiento : 1944-11-24, Forest Hills, New York
Muerte : 1974-03-21
Historia
Candy Darling (November 24, 1944 – March 21, 1974) was an American actress, best known as a Warhol Superstar and transgender icon. She starred in Andy Warhol's films Flesh and Women in Revolt, and was a muse of The Velvet Underground.
Candy (archive footage)
Una investigación sobre cómo las legendarias historias de Hollywood han influido profundamente en cómo se sienten los estadounidenses sobre las personas transgénero y cómo se les ha enseñado a las personas transgénero a sentirse sobre sí mismas.
Self (archive footage)
A feature-length documentary starring Fran Lebowitz, a writer known for her unique take on modern life. The film weaves together extemporaneous monologues with archival footage and the effect is a portrait of Fran's worldview and experiences.
Self (archive footage)
James Rasin's documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies.
Herself (archive footage)
Andy Warhol described Jackie Curtis as “A pioneer without a frontier.” In this biographical documentary, Curtis’s co-workers and friends speak of her work and her influence, along with clips from Curtis’s Warhol films as well as never-before-seen footage from her stage shows.
Self (archive footage)
Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.
Self (archive footage)
Documentary portrait of Andy Warhol.
With the ascetic grandeur of Carl Th. Dreyer’s The Passion of Joan of Arc, Schroeter evokes the visions of Saint Joan, partly through unused footage of Darling and Caven pantomiming in his 1972 film The Death of Maria Malibran. - MoMA
Herself
David Bailey, self-taught photographer and one of the prime architects of the Swinging Sixties, broadened his horizons in the early 1970s by making high-profile documentaries for ATV. With his standing among the artistic community, Bailey was given unprecedented access to Pop Art legend Andy Warhol and his followers, in an attempt to penetrate behind the expressionless exterior of a man who was one of the most controversial figures of his generation.
Guest
Es Nochebuena, 1950 y un cuerpo carbonizado aparece sobre la nieve del jardín de la casa Butler. Es Wildfred Butler. Ha muerto completamente quemado sin que haya ningún indicio de muerte violenta. El caso se archiva como accidente fortuíto. Veintidós años después llegará un abogado con la orden, por parte del nieto de Butler, de vender la casa. Esta venta reabrirá viejas heridas del pasado en las fuerzas vivas del pueblecito de nueva Inglaterra.
Un drama que tiene como fondo a la célebre prima donna española del siglo XIX María Malibrán, muerta a los veintiocho años mientras cantaba en una velada musical. Un film que está más cerca de Murnau o Stiller que de los contemporáneos de Schroeter.... Los actores parecen caminar o gesticular conforme a las leyes de otro planeta y avanza a una velocidad que no sabríamos reconocer como lenta ni rápida y es una especie de emoción pura y limpia del gesto, de la mirada, del caminar.
Self
With a rambling, unstructured style that echoes Andy Warhol’s own approach to filmmaking, this documentary profiles his career, showing him to be a brilliant manipulator, dedicated voyeur and person of astute commercial judgment.
Transvestite (uncredited)
Maddalena va a Nueva York a reunirse con su prometido Michele, que emigró cuatro años antes. Como Michele estaba casado y en Italia no existía el divorcio, no podían casarse. En el aeropuerto, a Maddalena la retiene la policía aduanera por llevar una mortadela en el equipaje. Su estancia en la terminal le servirá para conocer la verdadera América y al verdadero Michele.
Candy
Tres mujeres se unen a un grupo feminista militante, PIG (Politically Involved Girls), pero su nueva liberación no las hace más felices.
Karen – Harry
Es la Nochebuena de 1971 en el Greenwich Village de Manhattan y los clientes habituales del bar gay local "The Blue Jay" lo están celebrando. No ha cambiado mucho desde Stonewall y no todo es "paz en la Tierra y buena volutad para los hombres", pero los tiempos están cambiando.
Discothèque Patron (uncredited)
En Nueva York, un hombre ha desaparecido sin dejar rastro. Klute (Donald Sutherland), un policía íntimo amigo suyo, encuentra una pista en las cartas que aquél le escribía a una prostituta llamada Bree (Jane Fonda). Va a verla para interrogarla y surge entre ellos una apasionada relación amorosa. Mientras Klute prosigue sus investigaciones en los bajos fondos, empiezan a aparecer prostitutas asesinadas; entonces le asalta la sospecha de que Bree pueda ser la próxima víctima.
Herself - Extra
A 23-year-old Columbia University dropout seeks his identity during the sexual revolution.
Marlene D-Train
In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.
Candy
A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.