Juliana Rojas
Nacimiento : 1981-06-23, Campinas, State of São Paulo, Brazil
Historia
Juliana Rojas (Campinas, June 23, 1981) is a Brazilian filmmaker.
She graduated in cinema from the School of Communication and Arts of USP. Still in the university met the director Marco Dutra, with whom she initiated a partnership. The two directed together in 2004 the short film O Lençol Branco, selected in the Cinéfondation of the Festival de Cannes.
Her first feature, Trabalhar Cansa (2011), again in partnership with Dutra, was also shown at Cannes, at the show Un Certain Regard. Worked as an editor, in films such as the documentary Pulsações (2011), by Manoela Ziggiatti.
She won the Critics Award for best Brazilian film at the Gramado Festival in 2014, with Symphony of the Necropolis.
Writer
Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.
Director
Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.
Editor
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
Screenplay
1986. In the waiting room of a clandestine abortion clinic, the receptionist, a patient and a accompanying await the passage of Halley's comet, while the doctor faces difficulties with one of the procedures.
Director
1986. In the waiting room of a clandestine abortion clinic, the receptionist, a patient and a accompanying await the passage of Halley's comet, while the doctor faces difficulties with one of the procedures.
Screenplay
Clara, una enfermera solitaria de la periferia de São Paulo, es contratada por Ana, una mujer misteriosa y pudiente, que precisa de una niñera para su hijo nonato. Contra todo pronóstico, las dos desarrollarán un fuerte vínculo, hasta que una noche fatídica lo cambie todo.
Director
Clara, una enfermera solitaria de la periferia de São Paulo, es contratada por Ana, una mujer misteriosa y pudiente, que precisa de una niñera para su hijo nonato. Contra todo pronóstico, las dos desarrollarán un fuerte vínculo, hasta que una noche fatídica lo cambie todo.
Editor
Tan needs to cry.
Screenplay
In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.
Director
In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.
Editor
The discoveries and frustrations on accessing a memory of a father and of a time in the Brazilian history that are rarely public. The young filmmaker plunges into this unknown past of her almost unknown father. He, a Brazilian intellectual, imprisoned and tortured during the military dictatorship, is silent about this since that time. A father and a fatherland that does not like to answer any questions, that loves but rarely talks.
Editor
After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.
Editor
A man gets home and finds his wife dead. In a silent impulse he takes her body and plunges on the road. This man had never left his hometown, Brasília. When his wife dies, he leaves pushed by this emotional collapse, and submerges the road and it’s fortuity, searching to reconstruct his own reality. She survives in his memory. The road and its environment play an essential part in this man’s process: the landscape and the people, spontaneously. The Sun Against My Eyes follows this trip, from the countryside plateau to the fluminense hills.
Director
Employee exploited by her employer changes her life by winning the lottery.
Executive Producer
We Were Born Today, When the Sky Was Heavy with Iron and Poison.
Original Music Composer
We Were Born Today, When the Sky Was Heavy with Iron and Poison.
Editor
We Were Born Today, When the Sky Was Heavy with Iron and Poison.
Writer
We Were Born Today, When the Sky Was Heavy with Iron and Poison.
Director
We Were Born Today, When the Sky Was Heavy with Iron and Poison.
Director
Editor
Rede de Dormir starring Gilda Nomacce, Vitor Dutra, and Cida Augusto. A tale about the hammock and its forgotten use as a shroud.
Writer
Silvia is a young teacher at an elementary school. One day, her class is interrupted when the students notice her double walking on the other side of the street. Silvia tries to ignore the apparition, but this strange event begins to permeate her daily life and transform her pesonality.
Director
Silvia is a young teacher at an elementary school. One day, her class is interrupted when the students notice her double walking on the other side of the street. Silvia tries to ignore the apparition, but this strange event begins to permeate her daily life and transform her pesonality.
Editor
Luis is an 8 year old boy. Dora, his nanny, passed away a few weeks ago. When Dora reappears hidden in Luis's closet, the boy must make great efforts to quench the nanny's hunger.
Writer
Luis is an 8 year old boy. Dora, his nanny, passed away a few weeks ago. When Dora reappears hidden in Luis's closet, the boy must make great efforts to quench the nanny's hunger.
Director
Luis is an 8 year old boy. Dora, his nanny, passed away a few weeks ago. When Dora reappears hidden in Luis's closet, the boy must make great efforts to quench the nanny's hunger.
Writer
With her husband having lost his job, Helena opens her own grocery store, but is soon plagued by strange occurrences.
Director
With her husband having lost his job, Helena opens her own grocery store, but is soon plagued by strange occurrences.
Sound Editor
An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.
Director
An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.
Editor
In a country house, the patient and her husband get involved with the young psychiatrist. The noises of the forest surround them.
Writer
In a country house, the patient and her husband get involved with the young psychiatrist. The noises of the forest surround them.
Director
In a country house, the patient and her husband get involved with the young psychiatrist. The noises of the forest surround them.
Mary Philbin
Essay on Eva Nil, the first star of Brazilian cinema.
Production Director
Writer
Director
Writer
Clarisse notices a small green leaf growing out of her right arm.
Director
Clarisse notices a small green leaf growing out of her right arm.
Editor
Tales of the Countess' maid, who helps her with a dark secret
Writer
Tales of the Countess' maid, who helps her with a dark secret
Director
Tales of the Countess' maid, who helps her with a dark secret
Screenplay
A young mother has to face the death of her newborn son.
Director
A young mother has to face the death of her newborn son.
Writer
Director
Sound Editor
A brief occurrence at the hospital waiting room.
Assistant Director
Rafael sleeps. Rafael waits. Rafael hugs. Rafael lies down. Rafael cries.
Director
Juliana Rojas
Director
Buying a book in 3 shots, buying a book in 9 shots. Or: a man finds the right book.
Hands
Buying a book in 3 shots, buying a book in 9 shots. Or: a man finds the right book.
Director
Screenplay