Mina Đukić
Nacimiento : 1982-07-22, Sombor, Yugoslavia [now Serbia]
Herself
The "Occupied Cinema" follows young activists and events surrounding the takeover of "Zvezda", one of 14 extinguished cinemas from the privatized company "Beograd Film".
Producer
11 year old Ivica is an explorer of the small world around him, a world of industrial wastelands and uncertain terrain. A world that is still less strange than the drama that unfolds in his own home.
Associate Producer
Father Peter fears that the universe has become indifferent. God no longer intervenes in earthly affairs. Peter's wife abandoned him, his son disobeys him and his mother suffers from Alzheimer's and hardly ever recognizes him. When Peter becomes an obstacle to a large property sale in his small island parish, a group of interesting, but vengeful villagers decides to force him to leave. Using very creative methods, they convince the entire superstitious village that Peter is the cause of all the troubles on their island.
Screenplay
Leni es una atractiva y extravagante joven de 24 años de edad que por fin consigue encontrarse con el mejor amigo de su infancia, Lazar, tras años de separación y estudios fuera, con motivo de su regreso a casa para asistir al funeral de su padre. Leni está embarazada e inquieta: siente que está estancada trabajando en la farmacia de sus padres y no tardará en hacerse a la carretera con Lazar. (FILMAFFINITY)
Director
Leni es una atractiva y extravagante joven de 24 años de edad que por fin consigue encontrarse con el mejor amigo de su infancia, Lazar, tras años de separación y estudios fuera, con motivo de su regreso a casa para asistir al funeral de su padre. Leni está embarazada e inquieta: siente que está estancada trabajando en la farmacia de sus padres y no tardará en hacerse a la carretera con Lazar. (FILMAFFINITY)
Producer
Bor, in eastern Serbia, was once home to the largest copper mine in Europe. Now it’s just the biggest hole. This astutely observed coming-of-age film captures the pitfalls of the adult world, where idealism no longer seems to have a place, as two teens come to realize they have no choice but to grow up.
Writer
A half-hour fictional documentary film that, through the fates of different people, tries to illuminate the phenomenon of the YUGO car, a cute outsider of small capacities but big ambitions, in the period between 1980 and 2008, when it was manufactured. The film combines statements from authentic workers that were involved in the production of Yugo, archives, along with the reconstruction of different fragments from the Yugo's history which portray him both as a family and a thug's car, as a part of the great American Dream, or as a symbol of betrayed expectations. This film is a small 'commemorative' review of the history of an automobile that for a long time symbolized, in a jocular and veritable way, sometimes even by accident, the times in which he was manufactured.
Director
A half-hour fictional documentary film that, through the fates of different people, tries to illuminate the phenomenon of the YUGO car, a cute outsider of small capacities but big ambitions, in the period between 1980 and 2008, when it was manufactured. The film combines statements from authentic workers that were involved in the production of Yugo, archives, along with the reconstruction of different fragments from the Yugo's history which portray him both as a family and a thug's car, as a part of the great American Dream, or as a symbol of betrayed expectations. This film is a small 'commemorative' review of the history of an automobile that for a long time symbolized, in a jocular and veritable way, sometimes even by accident, the times in which he was manufactured.
Studentkinja
Sonja, once a popular Serbian actress settled in Slovenia is on a short visit to Belgrade. She panics claiming that her daughter Sofia has been kidnapped, then disappears. Inspector Despotovic is assigned to the case and when he finds Sonja, she admits that she made everything up, that she never had a child, and therefore there was no kidnapping. But a Secret Service veteran approaches Despotovic and tells him that the story about kidnapping is true. It is highly classified information. The father of the child is Foreign Affairs Minister. On the other hand, Minister claims that the Secret Service has made everything up trying to compromise him. Despotovic is puzzled... Who is lying? Who is telling the truth? Who is insane? Who is about to die?