Bryan Gunnar Cole

From his Memphis studio, Ernest Withers’ nearly 2 million images were a treasured record of Black history but his legacy was complicated by decades of secret FBI service revealed only after his death. Was he a friend of the civil rights community, or enemy—or both?

Para vencer una enfermedad como el cáncer hay que romper con lo establecido. Los cambios en nuestro estilo de vida y en la sociedad son fundamentales para lograrlo.

"Stink!" opens with a foul smell and a pair of kids pajamas. And a single father trying to find out what that smell could possibly be. But instead of getting a straight answer, director Jon Whelan stumbles on an even bigger issue in America, which is that some products on our store shelves are not safe -- by design. Entertaining, enlightening, and at times almost absurd, "Stink!" takes you on a madcap journey from the retailer to the laboratory, through corporate boardrooms, down back alleys, and into the halls of Congress. Follow Whelan as he clashes with political and corporate operatives all trying to protect the darkest secrets of the chemical industry. You won't like what you smell.

After the death of the family's matriarch, her husband and son must confront not only the corruption in society around them but the corruption within themselves.

For 170 years, a Native American community has occupied Isle de Jean Charles, a tiny island deep in the bayous of Louisiana. They have fished, hunted, and lived off the land. Now the land that has sustained them for generations is vanishing before their eyes. Coastal erosion, sea level rise, and increasing storms are overwhelming the island. Over the last fifty years, Isle de Jean Charles has been gradually shrinking, and it is now almost gone. For these Biloxi-Chitimacha-Choctaw Indians, their land is more than simply a place to live. It is the epicenter of their people and traditions. They now must prepare to say goodbye to the place, where, for eight generations, their ancestors cultivated a unique part of Louisiana culture.

Miller's Tale is a personal journey into the life of playwright and actor Jason Miller and his relationship with his hometown, Scranton, Pennsylvania. Best known for his performance as Father Karras in The Exorcist, Miller experienced a brief but brilliant period of national acclaim, then curiously abandoned Hollywood to return to his hometown. After Miller died in a local bar Scranton, at the age of 62, filmmaker and fellow Scranton native Rebecca Marshall Ferris set out with her camera to find out why did this exceptional playwright, who achieved such phenomenal early success, never write a Broadway play again? And what happened to Miller in Hollywood that would make him run away from a promising acting career?

Tres amigos reciben una carta según la cual tienen tan solo 30 días para despedirse de sus familiares y amigos debido a que han sido reclamados por el ejército de Estados Unidos para luchar en la guerra de Vietnam. En ese tiempo afrontaran sus creencias sobre el valor, el deber, el amor, la amistad y el honor.

Tres amigos reciben una carta según la cual tienen tan solo 30 días para despedirse de sus familiares y amigos debido a que han sido reclamados por el ejército de Estados Unidos para luchar en la guerra de Vietnam. En ese tiempo afrontaran sus creencias sobre el valor, el deber, el amor, la amistad y el honor.

An exploration of the celebration and impact of "independence day" - the 4th of July - on a native American reservation, told through the eyes primarily of native-Americans who earn a substantial portion of their livelihood through the sale of fireworks.

Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.